Midterm Flashcards

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1
Q

Music is for moral character of young people

A

Aristotle

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2
Q

Music of highest moral character
base of morality

A

Boethius of Rome

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3
Q

Those learn music more civilized and grew into harmonic balance between themselves and the world.
Education in music is sovereign and feeds soul self control

A

Plato

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4
Q

Joy and beauty of paradise

A

Hildegard von Bingen

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5
Q

Working musician drawn to possibilities of making music a regular thing everywhere
Father of music ed in schools

A

Lowell Mason

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6
Q

Aesthetic education. Primary aim is for youth to grow through program in grasping the beautiful and depth of feeling experienced in life that can also be in music

A

Bennett Reimer

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7
Q

Established “musicing” to refer to musical performance
Concerned with process of music makers themselves
Centers on importance of doing, product and context as diverse practice

A

David Elliot

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8
Q

Types of learning in Scholar Cantorum

A

Pope Gregory
Gregorian chant

Solfège/Guidonian hand/neumes
Symbolic notation/solmization
developed to communicate to young children
Oral by cantor, imitated back
Formal, verbal/gestural

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9
Q

Types of learning in Japanese gagaku

A

7th century- elegant refine music for royalty
Instruments/drums/zithers
“Teacher” decided when they could perform with guild

Formal, symbolic notation/solmization (only outside of lessons), some vocalization
(observe and likely no questions)

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10
Q

Types of learning in West Africa

A

Enculturation, verbal, gestural, vocalization, informed listening
Part of their everyday lives
Story, riddle songs dance games
Drumming ensembles
Mentorship for talent (male)

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11
Q

Types of learning in Ireland

A

enculturation, verbal, gestural, vocalization,

Listening to elders
Penny whistles

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12
Q

Types of learning in Native American culture

A

Enculturation, vocalization, verbal gestural

Part of identity, rituals/customs, moral lessons, history

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13
Q

Types of learning in jazz

A

Formal and informal
symbolic notation, vocalization, verbal and gestural

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14
Q

What are the developmental stages according to Jean

A

Sensorimotor (0-2). Motor activity/direct sensory experience
Pre-operational (2-7). Actual events/manipulation of objects and observing consequences. Stimuli to symbols
Concrete operations (7-11). Classifying objects systemically and discovered relationships amongst them. Two different shaped glasses holding same amount of water. Same melody in major vs minor
Formal operations (11+). Abstractly. Logic/deductive reasoning

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15
Q

Jerome Bruners educational theory

A

Importance of mental structure and it’s transfer to other situations and concepts
Less and less guidance through learning

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16
Q

Lev Vygotsky educational theory

A

Adult brings child to valued intellectual concepts
Participates in child’s discovery and manipulation of it
Verbal comments or facial expressions to reinforce or guide to appropriate learning behaviors
Pair experienced with non experienced

17
Q

B.F. Skinner

A

Positive reinforcement is core of behavior change
Stimulus, response, stimulus to reinforce response

Teacher- again!
Student- plays
Teacher- good!

18
Q

Howard Gardner educational theory

A

Multiple intelligences/learning styles
Linguistic, musical, logical-mathematical, spatial, bodily-kinesthetic, interpersonal, intrapersonal

Maybe also natural and spiritual

19
Q

Why is it important for music educators to be aware of stages of development and different learning theories

A

Impacts our lesson planning and it’s effectiveness

20
Q

Dalcroze methodologies

A

Eurhythmics, movement , literacy.
Switzerland

21
Q

Kodaly methodologies

A

Movement, sound to symbol, hand signs
Hungary

22
Q

Orff methodologies

A

Body percussion, movement, improv, literacy.
Germany

23
Q

Four stages of orff

A

Four stages: imitation, exploration, literacy and improv

24
Q

Solmization

A

Solfège- syllable for scale degress

25
Q

What skills do you currently have important to being successful choir director? Why? One area that needs more preparation

A

Good communication skills, excitement, musical skills, dedication, respect for students, understanding (general and musical)

Not confident in piano

I don’t know what to do for those who can’t read sheet music? Follow shapes and patterns? Solfège?