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ART APP > midterm > Flashcards

midterm Flashcards

1
Q

color mixture that refers to the colors of light that result in white

A

additive

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2
Q

color mixture that refers to the colors of light that result in BLACK

A

SUBTRACTIVE

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3
Q

Feldman’s art criticism process refers to the subject matter and/or elements of art noted in the work

A

description

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4
Q

Discovering the relationships among the parts by attending
to design principles within the composition. (feldman’s)

A

analysis

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5
Q
  • Discovering meaning within the work by focusing on content
    and expressive qualities. (feldman’s)
A

INTERPRETATION

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6
Q

A presentation of space by changing the clarity of the middle background and background

A

atmospheric perspective

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7
Q

T OR F: intensity or saturation is characteristic of colors that refers to the lightness or darkness of color. Value refers to how pure the color is.

A

FALSE. (baliktad yung terms)

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8
Q

the value of the color that results when white is added

A

tint

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9
Q
  • The most expressive element and appeals to the emotion
A

COLOR

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10
Q

the value of the color that results when BLACK is added

A

SHADE

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11
Q

Principle of design that is visually satisfying effect of combining similar, related elements

A

variety

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12
Q

T OR F: in this type of artwork, artist incorporates implied movement in art known as kinetic art.

A

FALSE - ACTUAL MOVEMENT

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13
Q

Value most significantly results in the illusion of form and depth in a composition

A

true

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14
Q

___ is the color itself.

A

Hue

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15
Q

____ ______ – colors that are associated with the sun
and fire . For example, red,
orange, yellow etc.

A

Warm Colors

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16
Q

____ ______ – colors that are associated with air and
sky, earth and water
For example, blue, green, violet etc.

A

Cool Colors

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17
Q

form is a sense of depth

A

space

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18
Q

_______ Shapes exist without any basis from either
nature or geometry.

A

amorphous

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19
Q

_____ lines, the artist intentionally shows the lines to give
the viewer an interesting aspect of the composition.

A

Actual

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20
Q

______ lines, are used by the artist to make the viewer feel
their involvement in interpreting the composition by seeing
and connecting lines where none actually exists.

A

implied

21
Q

__________ gives the viewer a perception of
depth because the distance between the two eyes.

A

Stereoscopic vision

22
Q

Also known as retinal disparity.

A

stereoscopic vision

23
Q

It involves the movement of the eyes
when looking at or viewing the object. The more ocular
movements occur when the object is near, and less when
the object is far.

A

Kinesthetic vision

24
Q

It is when objects are grouped, not all parts of
some objects will be seen.

A

Overlapping

25
Q

An illusion of space where objects that are big
will be perceived as near compared with objects that are
far.

A

Relative Size and Linear Perspective

26
Q

This is also known as aerial
perspective. The illusion of depth is created by techniques
known as gradient (a gradual change).

A

Atmospheric Perspective.

27
Q

it show direct actions in which movement
perceived immediately or show an intended path for the
viewer to follow to achieve the effect of motion across the
visual field.

A

Motions

28
Q

artist incorporates actual movement in
art known as kinetic art.

A

Actual Movement

29
Q

It is showing a variety of lines may be used
together with some degree of repetition, changes in position,
scale, or size of objects, and varying proportions that can create the perception on movement or passing time in a two-
dimensional piece of static art.

A

Implied Movement

30
Q
  • Also known as informal balance, where the elements on
    either side of a composition do not reflect one another.
A

ASYMMETRICAL

31
Q
  • Balance where all elements radiate out from a center point
    in a circular fashion to all four quadrants of the shape’s
    constraining plane.
A

RADIAL SYMMETRY

32
Q

is created by the variety and repetition of
elements in a work of art that come together to create a
visual tempo or beat.

A

Rhythm

33
Q
  • This can be described as sameness, the belonging of one
    thing with another
A

HARMONY

34
Q
  • This is the uniform repetition of an element of art or
    combination of elements.
  • Anything can be turned into a pattern through repetition
A

PATTERN

35
Q
  • Happens when the artist creates an area of the
    composition that is visually dominant and commands the
    viewers’ attention.
  • This is often achieved by contrast.
A

DOMINANCE / EMPHASIS

36
Q
  • This is the size relationship of forms and shapes. Good
    proportion causes a sense of unity and harmony.
A

PROPORTION

37
Q
  • One of the most useful composition techniques in
    photography
A

RULE OF THIRD

38
Q

An indication of a line where none virtually exists.

A

implied lines

39
Q

A kind of shape that exist without any basis from either nature or geometry.

A

amorphous shape

40
Q

This visual artist suffered from a chronic mental illness and committed suicide.

A

vincent van gogh

41
Q

T OR F: White is usually described as the absence of color.

A

false

42
Q

A type of texture wherein, artist would focus on one aspect of the real texture of the whole composition.

A

ABSTRACT TEXTURE

43
Q

“Nude Descending a Staircase” was painted by_________.

A

MARCEL DUCHAMPS

44
Q

What example of aesthetic theory is the artwork, “A Sunday Afternoon on the Island of La Grande Jatte” by George-Pierre Seurat

A

pointillism

45
Q

founder of pointilism

A

georges seurat

46
Q

non sense artwork

A

dadaism

47
Q

thick color application

A

fauvism

48
Q

same faces, mapuputi

A

rococo

49
Q

It refers to a surface character that looks
real but is not (Ocvirk, 2002)

A

Simulated Texture

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