finals !! Flashcards

1
Q
  • Also known as “artmaking” is an alternative venue for knowing ourselves and looking into depths and real meaning of what we are doing for our everyday life. (Narciso, 2021)
A

SOULMAKING

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2
Q
  • It refers to imaging or representing in any form, which may be through painting, sculpting, drawing, story telling, poetry, dancing, composing, or taking notes.
A

CRAFTING MEMORIES

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3
Q
  • The moment we write, engrave, and inscribe our own thought, ideas, commentaries, criticism, and positive and negative emotions, we are crafting stories.
A

CRAFTING STORIES

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4
Q
  • Anything can be crafted by using different evocative
    descriptions of experiences and explorations, like photograph studies, puppets and masks, constructions, and notepad studies.
A

CRAFTING TECHNIQUES

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5
Q
  • It refers to barrowing image that are recognizable from
    different sources and using these borrowed images to make a new art form.
  • does not mean stealing or plagiarizing
  • It is not owning a particular work but just the artwork in the artist’s new context.
A

APPROPRIATION

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6
Q
  • Refers to adoption of works of art that are intangible.
A

CONTENT APPROPRIATION

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7
Q
  • Occurs when a subject matter from another culture is
    appropriated.
A

SUBJECT APPROPRIATION

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8
Q
  • Pertains to the general right of a person or an individual to control an object purchased pr in his possession.
A

OWNERSHIP

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9
Q

exclusive rights to reproduce, to
display publicly, to make and distribute copies, and to prepare derivative works based on the original artwork, as well as to authorize those mentioned above.

A

COPYRIGHT

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10
Q
  • Is the art and act of improvising of composing, uttering,
    executing, or arranging anything without previous preparation or producing something from whatever is existing or available.
A

IMPROVISATION

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11
Q
  • Is the process of spontaneously creating movement.
  • It is also defined as freeing body from habitual movement
    patterns.
A

DANCE IMPROVISATION

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12
Q
  • Is a form of improvised dancing developed in 1972
  • Originated from the movement studies of Steve Paxton
  • It involves the exploration of one’s body in relationship to
    others by using the fundamentals of sharing weight, touch,
    and movement awareness.
  • Gabrielle Roth introduces 5 Rhythms – Flowing, Staccato,
    Chaos, Lyrical and Stillness.
A

CONTACT IMPROVISATION

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13
Q
  • President and Founder: Gabe Mercado
  • It is the first school in the Philippines dedicated to teaching the art and craft of improvisational theater.
A

THIRD-WORLD IMPROVISATION

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14
Q
  • One-of-a-kind festival in the Philippines held in Aklan.
A

ATI-ATIHAN FESTIVAL - AKLAN

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15
Q
  • The religious festival in the Philippines that celebrates the
    feast of Santo Niño and the pact between the Datus and local in Iloilo City.
A

DINAGYANG FESTIVAL – ILOILO CITY

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16
Q
  • A festivity held in Zambales to celebrate the bountiful harvest of mangoes.
A

MANGO FESTIVAL - ZAMBALES

17
Q
  • It is a celebration in recognition of the socio-historic-cultural heritage of Bicolanos as based on the Ibalong Epic.
A

IBALONG FESTIVAL – LEGAZPI CITY, ALBAY

18
Q

ORIGIN AND COMMUNITY OF:
Abel Weave, Pinilian

A

Ilocos Sur Ilocano

19
Q
  • It is the term for geometric and flowing designs (often based
    on an elaborate leaf-and-vine pattern)
A

OKIR OR UKKIL

20
Q

a design or pattern often rendered or curved in
hardwood, brass, silver and wall painting in curvilinear lines and Arabic geometric figures.

A

Okir

21
Q
  • It could mean a continuous area or expanse that is free,
    available or unoccupied, which is either a piece of land or
    structures, like building.
  • It may refer to area that are set and planned for community
    planning as commercial, business, or residential.
A

SPACE

22
Q
  • It is a type of stilt house indigenous to most of the lowland cultures
  • From the Spanish phrase “Cubo”, meaning cube, because
    of its square look, and bahay is the Filipino term for house
  • Made of the ever-reliable bamboo or kawayan and joined
    together by organic strings with dried coconut leaves or
    cogon grass.
A

BAHAY KUBO (KAMALIG OR NIPA HUT)

23
Q

\
* It’s compact structure is divided into four areas: the main
house, the cooking house, toilet, and bathhouse.
* The houses of Ivatan are constructed and repaired through a cooperative system called kayvayvanaan or kamanyiduan.
* Most of the Ivatan houses are built with limestone walls, reed and cogon roofs
* Some houses have roof nets, which allow the roofs to last
from 25 to 30 years

A

BATANES HOUSE

24
Q
  • The houses are harmoniously located with the contour of the rice terraces
  • The ground-level posts have wooden discs, which are called oliang, to prevent rats from entering the house. The second level or the living area is accessible through a removable ladder.
A

IFUGAO HOUSE (BALE’)

25
Q
  • A torogan, literally means “a place for sleep,” is the stately
    house of the elite members of the Maranao tribe in the
    province of Lânao del Sur. As the house of the datu or
    sultan, it is a symbol of status and leadership.
  • The only remaining habitable torogan, it was declared a
    National Cultural Treasure by the National Museum of the
    Philippines in 2008.
A

MARANAO HOUSE

26
Q
  • Portable house built by the early Aetas or negritos
A

LEAN-TO

27
Q
  • Sea gypsies of the Philippines, cruise along the islands in
    the Sulu archipelago.
  • These range from 12-60 feet long but not more than 6 feet wide.
A

BADJAO HOUSEBOAT

28
Q

BEYOND LIMITS is written by

A

BY ARLENE B. LOQUIAS