Microphones Flashcards

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1
Q

What are microphones?

A

A microphone is a devise used for converting sound waves into electrical energy.

The main purpose is to record or amplify a sound source.

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2
Q

Name 4 the different types of microphones

A
  1. Dynamic
  2. Condenser (Capacitor)
  3. Ribbon
  4. Boundary
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3
Q

How does a Dynamic microphone work?

A

There is a diaphragm and coil in the microphone. The diaphragm moves backwards and forwards through the coil. The force of the magnetic field induced an electric current in the wire.

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4
Q

What are the pros and cons of Dynamic microphones?

A

Pros

  • robust
  • don’t require phantom power
  • cheaper
  • good for high volume levels

Cons

  • will only work effectively up to 16kHz
  • small sound output so lots of amplification needed
  • poor transient response
  • have to be close to the mic
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5
Q

How does a Condenser microphone work?

A

A condenser microphone has two plates that vibrate to create a signal. The diaphragm moves backwards and forwards which generates a current. You need a voltage goof through the condenser for this to work. You can either have a battery inside the mic or use an external 48volts of phantom power.

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6
Q

What are the pros and cons of a Condenser microphone?

A

Pros
- very light in weight
- good at picking up high frequencies
- can make virtually any sound polar pattern
- high output levels so less amplification needed
Sensitive with good transient response

Cons

  • very fragile
  • can be expensive
  • needs phantom power to work
  • loses sensitivity is used in a humid environment
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7
Q

How does a Boundary microphone work?

A

These work the same as Capacitor microphones, but contain a pressure capsule which detects the small changes in air pressure as sound travels around the room.

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8
Q

What is a Boundary microphone?

A

Boundary microphones are designed to be used at a boundary of a room (e.g. wall or floor). These microphones consist of a flat plate which picks up sound waves as they reflect and bound off the boundary plate.

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9
Q

What are the Pros and Cons of Boundary microphones?

A

Pros

  • direct and reflected sounds arrive at the microphone at the same time which makes it more responsive
  • can pick up higher frequencies than the human ear can hear
  • high out levels so less amplification needed
  • detailed, clear sound and good at high-frequency pick-up
  • sensitive with good transient response l

Cons

  • can be expensive
  • loses sensitivity in a humid environment
  • not robust, can be easily damaged
  • needs 48v phantom power to work
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10
Q

How does a ribbon microphone work?

A

Ribbon microphones consist of a thin metallic strip of foil, suspended in front of a magnetic plate. Sound waves make the foil to vibrate, producing fluctuations in the electrical current, creating the audio signal.

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11
Q

What are the Pros and Cons of Ribbon microphones?

A

Pros

  • produces warm and rich representation of the original sound
  • it picks up a wide range of frequencies (beyond the human hearing)
  • high output levels so less amplification needed
  • extremely sensitive with good transient response

Cons

  • it’s very sensitive therefore could be easily damaged
  • not portable
  • can be very expensive
  • needs 48v phantom power
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12
Q

What are the four possible polar patterns?

A
  1. Cardioid
  2. Figure of 8
  3. Hyper-cardioid
  4. Omni Directional
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13
Q

Cardioid

A

Picks up the sound from the front axis of the microphone

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14
Q

Hyper Cardioid

A

It is even more frontward’s directional pattern with minor rear spill

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15
Q

Figure of 8

A

It picks up sound equally from both the front and the rear of the microphone

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16
Q

Omni Directional

A

Picks up sound equally from all sides of the microphone

17
Q

Name 4 considerations when setting up the microphones

A
  1. The proximity effect
  2. Room ambience/reflections
  3. Noise reduction and room treatment
  4. Spill from other instruments
18
Q

Close Microphone Technique

A

This is when the microphone is very close to the source and it captures the full colour and sound.

19
Q

AB Stereo Pair / Spaced Pair

A

An exact pair of microphones spaced at a minimum of 1m away from the sound source.

20
Q

Coincident Pair or XY Pair

A

Two microphones positioned with a 90 degree angle on top of each other. The centre of the two microphones should be aligned with the sound source.

21
Q

Blumlein Stereo Pair

A

This is essentially the same as the XY Pair but with two figure of 8 polar patterns, instead of two cardioids.

22
Q

Mid-side Stereo Pair

A

Two microphones, the front is a cardioid and the side microphone is Figure of 8. These microphones are placed on top of each other. The Figure of 8 is duplicated and panned R/L, one of which should be reverse phased, and the Cardioid is panned in the centre.