Melodic Flashcards

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1
Q

Accidental

A

A sharp, flat, natural, double sharp ot double flat sign, placed before a note to alter its pitch up or down.

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2
Q

Answer

A

i. A answering phrase - melodies are often built on a “question and answer” principle.

ii. The repetition of a subject in a fugue.

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3
Q

Ascending

A

Notes or chords which rise successively in pitch

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4
Q

Atonal

A

A modern style of composition where each and every note is used equally. There is no key, no possibility for modulation and no tonic.

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5
Q

Blues Scale

A

A scale with added notes used in Blues music and for improvising. The added notes are a flattened 3rd, 5th and 7th. So, in C major: C/D/Eb/F/Gb/G/A/Bb/B

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6
Q

Broken chord

A

Where the notes of a chord are played separately.

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7
Q

Chromatic Scale

A

A scale in which the interval between every note is a semitone. i.e. a scale in which all notes are played.

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8
Q

Countermelody

A

This is when a second melody is present in addition to the main melody. It can be above and/or below the main melody in pitch.

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9
Q

Descending

A

Notes or chords which fall successively in pitch.

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10
Q

Flat Sign - ♭

A

When placed before a note this sign lowers the note by one semitone.

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11
Q

Grace Note

A

The generic name for any note which is part of an ornament, and carries no rhythmic value of its own, but decorates the melody.

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12
Q

Imitation

A

When a melody or melodic motif or fragment is immediately copied by other parts. It need not be an exact copy to count as imitation.

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13
Q

Leaping

A

When the notes of a melody are a distance apart.

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14
Q

Legato

A

To play or sing smoothly, or to join notes together without gaps.

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15
Q

Major Scale

A

A scale where there are semitones between the 3rd and 4th notes and 7th and 8th notes, all other intervals being tones.

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16
Q

Melisma

A

This occurs in vocal music when one syllable is set to several notes. Music like this can be described as Melismatic.

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17
Q

Natural Sign - ♮

A

When placed before a note this sign cancels an earlier flat or sharp and restores the note to its true pitch.

18
Q

Ornament

A

A notated decoration of the melody. There are 5 main ornaments: mordent, turn, trill, acciaccatura, appoggiatura.

19
Q

Passing Note

A

A note in a melody which moves on a weak beat between two main notes which are a third apart.

20
Q

Pentatonic Scale

A

A scale of only 5 notes - like a major scale but without the 4th and 7th degrees. A pentatonic scale can be played using only the black notes on a piano keyboard. Much folk music uses only notes from the pentatonic scale - e.g. Auld Lang Syne, Skye boat Song, Amazing Grace.

21
Q

Phrase

A

A musical sentence or part of a melody. Many phrases make up a whole piece.

22
Q

Question

A

The first part of a musical phrase or sentence, which requires an answer to complete it. Question and Answer phrases tend to be of equal length and similar style.

23
Q

Repetition

A

The repetition of a musical pattern - properly called Ostinato. Most music has repeating patterns in some shape or form.

24
Q

Repeat Sign

A

Double bar lines with two dots arranged horizontally to indicate a repeat in the music.

25
Q

Scale

A

A sequence of seven adjacent notes which belong to a single major or minor key.

26
Q

Scat Singing / Scatting

A

A style of singing found in jazz and linked to improvisation where a singer sings nonsense words to an existing or improvised melody.

27
Q

Semitone

A

Two notes which are chromatically next to each other with no other fixed pitch in between. Two semitones equal a tone.

28
Q

Sharp Sign - ♯

A

When placed before a note this sign raises the note by one semitone.

29
Q

Stepwise

A

When the notes of a melody move in step - i.e. in tones or semitones, or notes next to each other in pitch.

30
Q

Syllabic Word Setting

A

This is where words are set with one word or syllable to a note, as is usual in hymns.

31
Q

Theme

A

A clearly recognisable tune or melody in a piece. It can be the basis for the development of a longer piece, or can simply be stated once.

32
Q

Tone

A

The distance of two semitones. e.g. C - D without playing C♯

33
Q

Trill ???

A

The rapid alternation of notes more than a third apart on an instrument, or semitone apart. Trills are noted with a sign not as a rhythmic pattern.

34
Q

Whole Tone Scale

A

A scale with no semitones. E.g. C - D - E - F♯ - G♯ - A♯ - C. Has a certain “mystical/magical” feel to it. Often used in music to represent this type of feeling. It was also used by French Impressionist composers.

35
Q

Acciaccatura

A

An ornament; written as a small note with a strike through the tail, to be played before a note to alter its pitch up or down.

36
Q

Harmonic Minor

A

A scale which shares the same signature as its relative major, but the seventh note is raised ascending and descending.

37
Q

Interval

A

The distance between two notes when related to a scale. i.e. G os the fifth note in a scale of C major, so the interval C - G is a fifth. E - E is a third, C - F is a fourth, etc.

38
Q

Melodic Minor

A

This is a minor scale in which the 6th and 7th degrees are raised on
the way up and lowered on the way down.

39
Q

Minor Scale

A

A scale which shares the same key signature as its relative major,
There are two types of minor scale. Harmonic minor is where the
7th is raised, ascending and descending. Melodic is where the 6th
and 7th are raised when ascending and lowered when descending.

40
Q

Mordent

A

An ornament which is: note / note above / note again – played as
quickly as possible. A lower mordent is note / note below / note
again.

41
Q

Relative Major / Relative Minor

A

Keys with the same key signature. e.g. G Major and E Minor both
have one sharp in their key signatures, and so are relatives of each
other.