Medieval Music Flashcards

1
Q

Define syllabic

A

One note per syllable-almost every syllable has one note

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2
Q

Neumatic

A

1-6 notes on a single syllable

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3
Q

Antiphonal

A

When two groups or choirs respond to each other

Call and answer between two choirs or groups

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4
Q

Cantor

A

The leader of the choir, the “call” to the choir’s answer

  • sings the first canticle verse of or half of the first psalm
  • sets the “tempo” and pitch
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5
Q

Responsorial

A

Call and answer between a soloist and the choir (the choir and the soloist respond to each other)

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6
Q

Boethius

A
  • Middle Ages music theorist
  • music is a science of numbers
  • eaaaaarly notation (see neumes)
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7
Q

Neumes

A

Early musical notation
Basically just dots??? No staff yet
-conveyed pitch through placement of dots (???) but not rhythm

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8
Q

Guido of Arezzo

A
  • ELEVENTH CENTURY
  • Italian monk
  • musical staff!!!! (Lines and spaces)
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9
Q

Hildegard of Bingen

A
  • one of the first female composers (!!!)

- writer and composer (religious poems, prose that she started setting to music in the 1140s)

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10
Q

Troubadours et Trouvères

A
  • poet composers
  • southern France
  • langue d’oc (Occitan)
  • spread to northern France
  • northern France
  • Old French

-many born from noble blood

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11
Q

Minnesinger

A

German minstrel

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12
Q

Vielle

A

Medieval bowed instrument (like a fiddle)

-predecessor to the viol and violin

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13
Q

Hurdy-gurdy

A
  • crank rotated
  • player changes pitches by pressing levers
  • other strings play a drone (think bagpipes)
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14
Q

Types of organum?

A
  • parallel
  • free or oblique
  • melismatic
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15
Q

Parallel organum

A

Parts moved in parallel 4, 5, 8

-begin and end in unison

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16
Q

Free/oblique organum

A
Oblique motion (one part stays solid and the other moves)
Contrary motion (parts move in opposite directions)
17
Q

Melismatic organum

A

-bottom part holds the notes of a gregorian chant
-melismatic passages sung over top
(Later medieval, 12th century)

18
Q

Define organum?

A

2+ voices singing different notes in agreeable combinations

Usually move in perfect intervals

19
Q

Leonin and Perotin

A

Notre dame cathedral or the first Schola Cantorum

-some of the first composers to start putting their names on their compositions

20
Q

Motet

A
  • choral
  • unaccompanied (a Capella)
  • sacred (Latin text)
  • eaaaaarly polyphony
  • performed in catholic services
21
Q

Ars Nova / Ars Antiqua

A

Nova-14th century

  • “New Art”
  • new notation (duple/simple time instead of triple/compound time)
  • supported by Phillip de Vitry
  • mainly a French movement

Antiqua-13th century
-“Old Art”

22
Q

Phillipe de Vitry

A
  • French dude

- treatise on Ars Nova (new notation techniques)

23
Q

Guillaume de Machaut

A
  • the Mass Ordinary

- one of the first polyphonic masses

24
Q

Mass Ordinary

A
plainchant) 
Kyrie-prayer of mercy
Gloria-praises of god
Credo-confession of faith
Sanctus-song about gods holiness
Agnus Dei-asking god to take away the sins of the world and grant peace and mercy