Media Theorists Flashcards

1
Q

David Hesmondhalgh

A

Power of commerce and profit- industries rely on repetition through use of stars, genres, franchises, repeatable narratives to sell formats to audiences

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2
Q

Clay Shirky

A

“end of audience”, participatory culture - speak back to producers, predictable behaviour has now gone

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3
Q

Curran & Seaton

A

Concenration of Media ownership- narrows range of opinons represented and a pursuit of profit at the expense of quality or ceativity.

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4
Q

Livingstone & Lunt

A

Media regulation- regulation is being risked by increasingly globalised media industries

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5
Q

Stuart Hall

A

Encoding decoding means that producers have preferred meanings but audiences may read in a more neotiated or oppositional manner. Also - power of representations; sterotypes can be damaging

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6
Q

Albert Bandura

A

Imitative behaviour- The media can influence people directly- human values, judgement and conduct can be altered directly

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7
Q

Claude Levi-Strauss

A

Binary opposites- narratives are structured through opposing terms male- female, nature- nurture

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8
Q

Van Zoonen

A

Patriarchy, objectification of women goes against male bodies as spectacle

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9
Q

bell hooks

A

Intersectionality = multiple discrimination + oppositional gaze

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10
Q

Judith Butler

A

Gender is created in how w peform our gender roles, gender is peformance

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11
Q

Steven Neale

A

Genre is not fixed but constantly evolves, this is a process shared by producers and audiences

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12
Q

David Gauntlett

A

In the modern world, it is now an expectation that individuals make choices about their identity and lifestyle (more diverse representations)

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13
Q

Roland Barthes

A

Semiotics, codes and meaning- denotation and connotation- analysing media texts

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14
Q

Paul Gilroy

A

Britain has failed to mourn the loss of its empite, creating “postcolonial meloncholia” expresses itself in criminalising immigrants and an “us vs them” approach to the world

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15
Q

Henry Jenkins

A

Fandom, shared cultures- participatory media- prosumers and paratexts active audience

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16
Q

Jean Baudrillard

A

Postmodernism (replica, simulation, fakery) The new world of “hyperreality” - media simulations, for example Disneyworld and consumer fanatasy lands- is more real than the “real”, and controls how we think and behave

17
Q

George Gerbner

A

Exposure to media over long periods of time can influence how we think and behave, for example heavy television users were more likely to develop mean world syndrome

18
Q

Todorov

A

All narratives can be seen as a move from one state of equilibrium to another new equilibruim. E.g the hero expresses their heroism and defeats the villain