Media & Advertising Discourse Flashcards

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1
Q

How do discourse and ideology relate?

A

Discourse shapes understanding of the world: it’s ideological. It can express, construct, confirm, promote, naturalise existing/new ideologies.

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2
Q

How are people described in discourse analysis?

A

Social actors

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3
Q

Define collectivisation

A

Social actors described as being part of collectivity (e.g. migrants, Muslims, police) rather than individuals. Harder for readers to humanise.

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4
Q

Define aggregation

A

Social actors treated as statistics; gives impression of objective research and scientific credibility

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5
Q

Define active voice

A

Social actors described as ‘doers’, active roles in actions carried out

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6
Q

Define functionalisation

A

People depicted in terms of what they can do; connotes legitimacy

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7
Q

Define naturalisation

A

Repetition of ideology (encoded in language) until considered natural/commonsensical

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8
Q

Why does studying advertising discourse matter?

A

Widely regarded as driving force behind consumerist culture; pervasive form of global communication

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9
Q

What are the 2 approaches of research to advertising discourse?

A
  • Celebratory approach: recognises and explicates creativity of ads
  • Critical approach: sees ads as brainwashing/stimulating false desires
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10
Q

What is the problem-solution structure?

A

Consumer accepts problem in life; solution justified as a product. 3 elements: situation, problem, solution.

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11
Q

What are reason and tickle adverts?

A

Reason: simple and direct appeal based on fact and truth (less effective)
Tickle: indirect appeal through emotion/desire/imagination (less obvious advertising; more effective)

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12
Q

What is synthetic personalisation?

A

False sense of having 2 way, individual and equal relationship with advertiser, through direct address, conversational/informal language, eye contact images etc

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13
Q

Why is synthetic personalisation used?

A

Because advertising is impersonal, mass communication

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14
Q

What is synthetic personalisation used to do?

A
  • Attempts to create ordinariness
  • Create personal relationship
  • Downplay power differences
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15
Q

Why are images regarded as more powerful than language?

A

More ambiguous: force viewer to participate in meaning-making

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16
Q

What is the difference between denotation and connotation?

A

Denotation: what objectively exists (as we look at image/photo)
Connotation: subjective interpretive meaning communicated by image

17
Q

Thinking about the grammar of visual design, define the ideal vs the real

A

Emotive (ideal) vs practical (real)

  • ideal = upper section (promise/status of product)
  • real = lower section, right corner (actual product/logo). Last thing we read; answer to the problem posed (we read left to right, top to bottom)
18
Q

Define difference between demand and offer images

A

Demand - eye contact from represented participants as visual term of address, sense of imagined relationship (smile = social affinity; stare = viewer made inferior)
Offer - represented participant offered as item of information, become object of gaze. Disconnected from viewer.

19
Q

What are people depicted in images referred to as?

A

Represented Participants

20
Q

Define recontextualisation

A

Distorting reality to present a more appealing version

21
Q

How is recontextualisation done?

2 processes, 3 components

A

Addition and deletion of participants, processes and cirmcumstances