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A Level English Literature Edexcel > measure for measure critical quotes > Flashcards

measure for measure critical quotes Flashcards

1
Q

what does Dr Johnson say readers feel when Angelo is spared

A

“Every reader feels some indignation when Angelo is spared.”

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2
Q

George Bernard Shaw shakespeare is ahead of the 17th century

A

“In Measure for Measure Shakespeare is ready and willing to start at the twentieth century if only the seventeenth would let him.”

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3
Q

Northrop Frye on angelo hypocrisy

A

“Angelo is…the most contemptible kind of hypocrite.”

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4
Q

Leavis the relatable traits of angelo

A

“We should see ourselves in Angelo.”

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5
Q

Dollimore- angelos presentation

A

Angelo is a presentation of “ authoritarian repression.”

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6
Q

Josephine Waters Bennett on isabellas flaws

A

Isabella’s flaws arise from the her inexperience.

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7
Q

Daryl Gless on Isabella’s spiritual arrogance

A

Isabella’s preoccupation with her chastity shows

“ spiritual arrogance.”

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8
Q

Rosalind Miles the Duke as a leader

A

” Ultimate benevolent authority figure”, “kindly father”, “deep moral seriousness of his role”

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9
Q

Hazlitt on the Dukes failings as a leader

A

The Duke is “more absorbed in his own plots than anxious for the welfare of the state.”

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10
Q

H.R.Coursen on the duke’s image

A

The Duke is vain, interested in “image mongering”.

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11
Q

David Lloyd Stevenson James 1 and the duke

A

The play was written partly to flatter James 1 as the Duke is based on many of his attributes.

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12
Q

Tebbetts on shakespeares intentions of comparing james 1 to the duke

A

The play is based on James but intended to be a sly , subversive attack on the monarch.

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13
Q

William Empson- Duke

A

“The whole business of public justice is fatuous and hideous.”

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14
Q

Wilbur Dunkel- Duke

A

“His disguise must not be taken seriously.”

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15
Q

W.W. Lawrence- Duke

A

“He is essentialy a puppet”

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16
Q

G. Wilson Knight- Duke

A

“The Duke’s original leniancy is shown to be right”

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17
Q

Robert N Watson marriage

A

“Marriage as (a) instrument for controlling desire.”

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18
Q

Wilbur Dunkel- the Duke and Isabella

A

“She gives into the Duke’s immoral bed trick plan because”-“a holy man advises her to do so”

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19
Q

Leavis- Angelo

A

“He was placed in a position calculated to actualise his worst potentialities.”

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20
Q

Phillip Brookbank on tricks

A

“The tricks are played to a saving purpose.”

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21
Q

L.C Knights- Angelo

A

“Angelo’s temptations and fall finely enforces the need for self knowledge and sympathy which seems to be the central moral of the play.”

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22
Q

G. Wilson Knight- Angelo

A

“Chief faults are self-deception and pride in his own rightousness.”

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23
Q

William Empson- Angelo

A

“Her coldness, even her rationality, is what excited him.”

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24
Q

William Empson- Context

A

“There was a strand of loathing for sexuality in any form.”

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25
Q

L. C. knights - Context

A

“Social forms were being undermined by new forces.

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26
Q

G. Wilson Knight- Isabella

A

“Isabella has no real affection for Claudio.”

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27
Q

G. Wilson Knight what the characters stand for

A

“Isabella stands for sainted purity, Angelo for pharisaical righteousness, the Duke… enlightened ethic. Lucio represents indecent wit, Pompey and Mistress Overdone professional immorality. Barnardine is hard headed, criminal insensitiveness .”

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28
Q

Irene McGarity- Isabella

A

“Holding a hollow sculpture of virtue to hide inside of.”

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29
Q

Wilbur Dunkel- Lucio

A

“The function of Lucio is to keep us informed and unite the characters.”

30
Q

L. C. Knights- lower class

A

“Follow their impulses without scrumple of restraint” - “shakespeares sympathy for scoundrels.”

31
Q

Andrew Sanders the play

A

“Measure for measure is a play of dark corners, hazy margins and attempts at rigid definition. It poses the necessity of passing moral judgement while demonstrating that all judgement is relative.”

32
Q

Lisa Hopkins marriage

A

Marriage is the “main justification” for the play being classed as a comedy. It “very rarely” provides comic closure because the audience is forced to question the “problematic” way marriage is treated.

33
Q

Hampton-Reeves political play

A

“The play is tightly bound up with the cultural politics of 1604.”

34
Q

R.W. Maslen tragi-comedy

A

“Tragedy dealt with times that were safely past… Comedy, by contrast, dealt with the dangerous past.”

35
Q

Hampton-Reeves authority

A

“We see characters fretting about the nature of authority and suffering when authority is misapplied.”

36
Q

Katherine Maus angelo

A

“Angelo is sexually aroused by prohibition.”

37
Q

Jonathan Dallimore the dukes control

A

The Duke’s “undercover surveillance and Christian morality that stigmatises sex as guilt combines to keep the populace under a sinister form of ideological control”

38
Q

G. Wilson Knight the duke

A

The Duke “represents a divine principle of justice and mercy”

39
Q

Darryl Gless duke is god like

A

The Duke “acts in a way analogous to God”

40
Q

David Lloyd Stevenson james and the duke

A

Of the “He who the sword of heaven shall bear” speech - “It is a speech which fully reflects James’ own exalted sense of a character of a ruler such as himself”

41
Q

Uma Ellis-Fermor isabella

A

Isabella is “hard as an icicle”

42
Q

Ms. Jameson isabella

A

Isabella is like a “stately and graceful cedar” incapable of any “possible lapse in virtue”

43
Q

Harriet Hawkins isabella and angelo

A

Isabella is the “feminine counterpart of Angelo…not only in her professed hatred of sex but in her underlying keen appetite”

44
Q

Barbara J. Baines isabella’s silence

A

Isabella is “not silenced but, instead, chooses silence as a form of resistance to the patriarchal authority”

45
Q

Juliet Stevenson isabella’s sexuality

A

Isabella “recognises her own sensuality and the need to apply strict control over it”

46
Q

Josephine Bennet isabella’s speech in act 5

A

Of Isabella’s speech in Act V - “wonderful…broken lines and simple, abrupt phrasing suggests how hard they are to say”

47
Q

Wharton- Angelo

A

Angelo’s “very name contradicts with his own desires…far from the unmistakable association with Puritanism”

48
Q

David Holbrook angelo

A

Angelo is a “sex maniac”

49
Q

Hans Sachs angelo

A

“The outstanding trait of [Angelo’s] character is cruelty…pursues [normal forms of sexuality] with such cold hate”

50
Q

Darryl Gless angelo

A

“Angelo’s ultimatum is crueller than rape…if raped, Isabella would be sinless”

51
Q

Rosalind Miles angelo sililoquay

A

the “babble of terrified questions, the broken rhythms” in Angelo’s soliloquies connote the “the sheer surprise of the discovery for him”

52
Q

Maurice Charney lucio

A

Lucio is the “ultimate truth-teller”

53
Q

Elizabeth Pope lucio

A

Lucio is “gallant and agreeable”

54
Q

Matthew Winston lucio

A

Compares Lucio to Lucifer

55
Q

L. Schleiner the duke

A

The Duke is “a man of tests”

56
Q

Jonathan Bate angelo

A

Angelo is “one of the few characters that can self-analyse in an honest way”

57
Q

Jonathan Bate angelo

A

Angelo is excited by Isabella’s “mind and tongue at work”

58
Q

Rosalind Miles isabella and angelos lust

A

Isabella “is precisely the one type of woman who would arouse Angelo’s repressed and sadistic lust”

59
Q

Wharton- isabella mercy and justice

A

“Isabella makes mercy supersede mere justice by her unvengeful and sacrificial pardon of him”

60
Q

what does F.R. Leavis say about Isabella?

A

“Isabella can exhibit a contempt of death because of the exaltation of her faith”

61
Q

what does Irene McGarrity say about Isabella’s virtue?

A

she is “holding a hollow sculpture of virtue to hide inside of.”

62
Q

what does Northrop Frye say about Isabella’s desire to join the convent?

A

it’s “prompted more by an adolescent girl’s fear of the world than by a genuine volition”

63
Q

what does marion woodman say about Isabella’s outcomes of sleeping with angelo

A

it would have led to “differentiation from her own deluded omnipotence”

64
Q

what does G. Wilson Knight say about Isabella and her brother’s relationship

A

“Isabella has no real affection for claudio”

65
Q

what does W.W. Lawrence say about Isabella’s heavenly and yielding smile

A

“I do not think there is any doubt that Isabella turns to him with a heavenly and yielding smile”

66
Q

according to Paola Dionisotti what does Isabella crave

A

“Isabella craves simplicity and order and certainty- her belief, but is faced with confusion and contradiction-humanity”

67
Q

what does Juliet Stevenson say about Isabella’s sensuality

A

she “recognises her own sensuality and the need to apply strict control over it. I don’t think she’s frightened or surprised by it; she wants to dominate it “

68
Q

what does Emma Smith think about the statement ‘more than our brother is our chastity’

A

it “is a formal statement of belief, rather than an inner revelation of feeling”

69
Q

what does emma smith say about Isabella’s character

A

“has this awkward, self-assured character been assimilated into a romantic conclusion or does she remain resolved to follow her own path”

70
Q

what does Ken Lasnoski say about Isabella and her wanting mercy

A

“Isabella wanted Angelo dead, and justly so. However if she ever desires mercy upon her brother, she must experience a conversation to mercy in her own heart, a conversation to mercy in her own heart, a conversation that extends mercy to her enemies.”

A Level English Literature Edexcel (13 decks)

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