MAPEH 2 Flashcards
FOR STUDYING
FOLK MUSIC AND ARTS
FROM THE STUNNING SOUTHEAST ASIAN COUNTRIES
MUSIC AND ARTS IN THE PHILIPPINES AND NEIGHBORING SOUTHEAST ASIA NATIONS
-SHARES MANY THINGS IN COMMON
-COUNTRIES IN MAINLAND ASIA OR INDOCHINA WERE MOSTLY AFFECTED BY CHINESE INFLUENCE
-COUNTRIES IN THE SOUTHERN ISLANDS WERE MOSTLY BY ISLAMIC MUSIC AND ARTS
WHY DO WE NEED TO STUDY THE FOLK MUSIC AND ARTS COMMON TO THE PHILIPPINES AND SOUTHEAST ASIAN IN PRE WAR ERA
- MUSIC ECHOES VALUE AND PRINCIPLES
-WE CAN SEE HEAR AND EXPERIENCE HOW OTHER REGIONS VALUE TRADITIONAL MUSIC AS IT REFLECTS THE COMMON PEOPLE
-MUSIC EXPRESSES A FEELING OUR REGION CAN SHARE AND UNDERSTAND
MOST SOUTHEAST ASIAN MUSIC
-A COMMON TRAIT
-DEVELOP NOT ONLY NATIONAL IDENTITY BUT ALSO REGIONAL IDENTITY
-WE GAIN A SENSE OF PRIDE AND BELONGINGNESS
-MAJOR SOURCE OF ENTERTAINMENT AND SENSUAL PLEASURE AND ACKNOWLEDGE MUSIC
PERFORMING ART
- PEOPLE OF SOUTHEAST ASIA HAVE LIVES WITH MUSIC EVEN BEFORE THEIR COLONIZERS CAME
-WITH MORE THAN 7,000 ISLANDS THAT ARE HOME TO MANY TRIBES, THE PHILIPPINES ALONE HAS NUMEROUS ETHNIC SONGS FROM DIFFERENT REGIONS
-INDONESIA HAS 17,000 AND REMEMBER THAT SOUTHEAST ASIA HAS 11 COUNTRIES
VOCAL MUSIC
A TYPE OF SINGING PERFORMED BY ONE OR MORE SINGERS EITHER WITH OR WITHOUT INSTRUMENTS (A CAPELLA )
WHAT KIND OF VOCAL MUSIC WERE COMMON TO THE OHILIPPINES AND SOUTHEAST ASIA IN THE PRE WAR ERA
-SONGS IN NORTHERN TRIBES IN LUZON SUCH AS THE IGOROT WERE INFLUENCE BY THE PENTATONIC SCALE
-SONGS IN SOUTHERN TRIBES OF MINDANAO THE MARANAOS WERE INFLUENCED BY THE MAQAM SCALE BROUGHT BY MALAY MUSLIM
TWO TYPES OF SCALE
-PENTATONIC SCLAE
-MAQAM SCALE
PENTATONIC SCALE
-CONSISTS OF FIVE TONES IN AN OCTAVE
MAQAM SCALE
CONSISTS OF MICROTONES
CHINESE TRADITIONAL SONGS
USES AHIGH PITCHED BUT THIN ANG NON RESONANT VOICE EITHER NASAL OR FASETTO
-MOSTLY MELODIC OR IN UNION
-PERFORMED SOLO
WHAT ARE TEH ARABIC NFLUENCES IN THE VOCAL MSIC AOF SOUTHEAST ASIA
-MELISMATIC
-MONOPHONIC MELODIES WITH LONG FLUID PHRASES IN A LIMITED RANGE
-USING STRAINED VOICE
-TREMOLOS
MOSTLY A CAPELLE
CHANTING RELIGIOUS/RELIGIOUS CHANT
- TEXT AND EPICS IS COMMON IN THE ENTIRE REGION
-LYRICS DEVELOPED FROM PEOMS VERSES AND RITUAL
-SUCCEDING GENERATIONS ORALLY WITHOUT THE USE OF WRITING.
MELISMA
SINGING OF A SINGLE SYLLABLE OF TEXT WHILE MORNING BETWEEN SEVERAL DIFFERENT NOTES IN SUCCESSION
INDIGENOUS SONGS
A. TRADITIONAL SONGS
B.CHANT- RECITE SOMETHING, MONOTONOUS REPETITIVE TONE
-USED FOROM BIRTH CEREMONIES LULLABIES INITIATION RITES WEDDINGS HEALING THE SICK PRAYING TO GODS REPELLING EVIL SPIRIT AND PERFORMING DEATH RITUALS