Major Trends in 20th Century British Drama Flashcards
Who contributed to British drama: realism on stage?
Bernard Shaw
Theatre of the Absurd - influences?
- Brecht’s epic theatre (German: Verfremdungseffekt)
- Vaudeville
- Dadaism
- Surrealism
- Existentialism
- WWII
Murphy
Samuel Beckett
- antinovel
The Birthday Party, The Caretaker and The Homecoming
Harold Pinter
- a special kind of absurd drama - “comedy of menace”
What is the “comedy of menace?”
Harold Pinter
- based on the play of domination and submission hidden in the most mundane of conversations
- his plays are models of power structures
“Pinteresque”
= “of or relating to the British playwright, Harold Pinter, or his works”)
- dimly interior
- ppl trying to fight for dominance
- actions motivated by aggression towards each other
- language is vulgar and colloquial
- long pauses
Rosencrantz and Guildenstern Are Dead
Tom Stoppard
Absurd Person Singular
Alan Ayckbourn
What does “Stoppardian” mean?
= a term describing works using wit and comedy while addressing serious philosophical concepts and issues
Another development in British drama - realism (a “kitchen-sink” realism)
John Osborne
Mrs Warren’s Profession
Bernard Shaw
Distinctive features of Beckett’s absurd plays:
- inability to communicate
- an absence of the plot
- unspecified characters who do not understand themselves
- very vague (charcters, settings…)
- God is absent
- no certainties
In-Yer-Face theatre (authors)
Sarah Kane: Blasted
Mark Ravenhill: Shopping and Fucking