American Modernism Flashcards

1
Q

Modernism and The Lost Generation

A
  • overlapping topics (all Lost Generation writers were Modernist)
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2
Q

Modernity =

A

(= Late Modern Era – 1900 - )
- typically stands for technological progress (20s and 30s of 20th century)

  • telephone - people are instantly approachable, speed of information
  • affordable cars – mass production
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3
Q

Background

A
  • democratic trend
  • suffragist movement (women have the right to vote)
  • the USA is the cradle of Democracy – THE buzzword
  • massive migration and immigration
  • the South still mainly agrarian place
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4
Q

What did Landed gentry turn into?

A

Sharecropper = a landowner allows a tenant to use the land in return for a share of the crops produced on that land

Landed gentry = a British social class, those who owned land, didn’t have to work

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5
Q

Harlem Renaissance

A

(1920s – 1930s)
– contributed to the Jazz Age, brass instruments
– Flappers = young women known for their energetic freedom

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6
Q

John Steinbeck

A
  • combines realism and modernism (hard to categorize) – modernist because of WHAT he writes about, not because of HOW
  • a harsh critique of capitalism

book - In Dubious Battle – a farmworkers’ strike
Of Mice and Men - The Great Depression

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7
Q

Lost Generation

A
  • 1900 and the early teens were very optimistic → optimism ended with WWI

= young people coming of age in the US during and shortly after the WWI
- disillusioned/disappointed
- DOESN’T mean shell-shocked (ptsd, war veteran)

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8
Q

What does WASP mean?

A

= White Anglo-Saxon Protestant

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9
Q

Who was the chronicler of the Jazz Age?

A

(bc of that considered to be a Modernist – he doesn’t use many modernist elements)
F. Scott Fitzgerald

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10
Q

The Sound and The Fury

A

William Faulkner
- (narrated by 5 people, one of them is a village idiot) – you find a narrator you find the most trustworthy

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11
Q

Hills Like White Elephants

A

Ernest Hemingway

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12
Q

A Rose for Emily

A

William Faulkner

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13
Q

What is The Iceberg Technique and who used it?

A

Ernest Hemingway
– he provides very cryptic (not clear enough, deliberately ambiguous) text, the visible (the said things) is just a small part in comparison with the invisible (inferred by the reader)
 what we get: action, physical description
 what we don’t get: thoughts, motivation, psychology, background (no adv. or adj.)

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14
Q

Innovative literary techniques of Modernism?

A

1) stream of consciousness
- inner monologue, chain of associations, ambiguity

2) flashbacks

3) stylistic innovations – disruption of traditional syntax and form

4) multiple/polyphonic narration (several people tell you parts of story or the same event)
- advantage: you get a better picture of what is actually going on (very realistic, more life-like than realism)

5) literary minimalist – saying as much as you can with as few words as you can

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15
Q

A Telephone Call

A

Dorothy Parker

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