Major Periods Flashcards

1
Q

Prehistoric Period

A
  • 30,000 B.C. -2500 B.C.
  • Old Stone Age; hunting and gathering
  • New Stonage; agricultrue
  • could paint and sculpt but not write
  • themes: hunting, fertility, shamanism
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2
Q

Mesopotamian Period

A
  • 3500 BC - 500 BC
  • Civilizations included:
    • Sumerians (invinted first writing known as cuneiform)
    • Akkadians
    • Assyrians
    • Babylonians
  • major themes: war, religious tomb art
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3
Q

Egyptian Period

A
  • 3100 BC - 332 BC
  • Tomb art, cult of the Dead
  • highly symbolic, symetrical, colorful, ridgid, less realistic than Mesopotamia
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4
Q

Minoan Period

A
  • 1900 BC - 1350 BC
  • focues on sport, religious rituals and daily pleasures
  • First art to celebrate daily life
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5
Q

The Archaic Period

A
  • 650 BC - 480 BC
  • Ancient greek art that imitated Egyptian art
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6
Q

The Classical Period

A
  • 480 BC - 400 BC
  • moving towards more realistic but idealized work
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7
Q

Hellenistic Period

A
  • 323 BC - 30 BC
  • First time anger, sorrow, and fear were realistically portrayed
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8
Q

Etruscan Period

A
  • 8th Century BC - 4th Century BC
  • tomb art - viewed death as a pleasant continuation of life
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9
Q

Roman Period

A
  • 300 BC - 476 AD
  • influenced heavily by Greek art, even more realistic
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10
Q

Byzantine Period

A
  • 500 AD - 1453 AD
  • Eastern Roman Empire after the fall of Rome
  • christian icons
  • less realistic, more symbolic
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11
Q

Islamic Period

A
  • 7th Century AD -
  • Mohammed condemned graven images, so humans aren’t represesnted
  • intricate and colorful patterns influenced by math and geometry
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12
Q

Medieval Period

A
  • 500 AD - 1400 AD
  • European Christian art created after the fall of Rome
  • stained glass, illumanted manuscripts, golden reliquaries, gothic cathedrals
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13
Q

High Renaissance

A
  • 1495 - 1520
  • Major Artists
    • Leonardo da Vinci
    • Michelangelo
    • Raphael
  • return to classical models
  • worked out the mathematical lawes of perspective
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14
Q

Mannerism

A
  • 1530-1580
  • elongated human figures, contorted postures, distroted landscapes
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15
Q

Baroque Period

A
  • 1600-1750
  • art became a propoganda tool during the Counter-Reformation
  • more emotionally powerful and dramatic to appeal to the masses
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16
Q

Rococo Period

A
  • 1715 -1760s
  • Art became more ornamental
  • favored by royalty
17
Q

Neoclassicism

A
  • 1765 -1830
  • return to greco-roman classiscim
  • depicts people of the time period as if Greek Godds and heros
  • influence by the Enlightenment as well as the American and French Revolutions
18
Q

Romanticism

A
  • late 1700s - early 1800s
  • in reaction to the Industrial Revolution, many artists retreated to nature
19
Q

Realism

A
  • 1840s-1880s
  • tried to strip away idealism from the Romantic Period
20
Q

The Pre-Raphaelite Brotherhood

A
  • 1848 - 1890s
  • also in reaction to the industrial revoltion
  • revisted romantic mediaval legends
21
Q

Arts and Crafts Movement

A
  • 1850s - 1930s
  • Founded by William Morris (a Pre-Raphaelite)
  • a return to handmade furniture and decorative arts in reaction to the industiral revolution
22
Q

Impressionism

A
  • 1869 - 1880s
  • painted everday life
  • focused on subtle changes of atmosphere and light to reflect the fleeting quality of life
23
Q

Post-Impressionism

A
  • 1886 - 1892
  • took impressionism in a more experimental direction
  • Major artists:
    • Vincent van Gogh
24
Q

Fauvism

A
  • 1905 -1908
  • Henri Matisse and Andre Derain
  • Believed art should be more decorative
  • art became more abstract
  • flatedned persepctive, simplified form; wallpaper like
25
Q

Expressionism

A
  • 1905 - 1933
  • German Abstract Art
  • Distorted exteriors of subjects to express the interior
26
Q

Cubism

A
  • 1908 - 1920s
  • Georges Braque and Pablo Picasso invented the movement so that people could observe all views and angles of an object
27
Q

Futurism

A
  • 1909 - 1940s
  • embraced the machine age and fascism
  • Italy and pre-revolution Russia
28
Q

Dada

A
  • 1916 -1920
  • reaction to WW I and rational thought
  • started in neural Switerzaland and spread across Europe
  • anti-art art, mocked mainstream culture
29
Q

Surrealism

A
  • influence by Dada and Freud
  • focused on dreams and unconscousness
30
Q

Suprematsim

A
  • 1913 - 1934
  • lead by Kazimir Malevich
  • strove to disassociate feeling from represpresentational art
31
Q

Constructivism

A
  • 1914 -1934
  • Russian modernism, representing the socialist utopia
  • art was no longer for art’s sake, had to be practical for all people
32
Q

De Stijl

A
  • 1914-1931
  • led by Piet Mondrian, means “the Style” in Dutch
  • simplified geometry with only primary colors
  • strove for objective beauty (universal and abstract) as opposed to subjective (3d, senses)
33
Q

Abstract Expressionism

A
  • 1946 - 1950s
  • American Expressionism, removed the representation from German Expressionism
  • ex: Jackson Pollock
34
Q

Pop Art

A
  • 1960s
  • co-opted advertising and movies
  • Andy Warhol
35
Q

Conceptual and Performance Art

A
  • 1960s -1970s
  • not about creating new art but new ideas
36
Q

Postmodernism

A
  • 1970s -
  • belief that there is no current culturual baseline and mixes styles from the past