Main developments in drama, music, poetry and architecture Flashcards

1
Q

Tradition of drama in tudor soc (PRE-REF)

A
  • Medievel miracle and morality plays were often performed in English centres such as Coventry and York
  • English grammar schools followed a humanist tradion of putting on plays in Latin
  • the court also put on ‘disgusings’ - elaborate performances which involved music and dandincg
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2
Q

How did this tradition of drama change after the ref?

A
  • The break with rome, increasing use of the printing press and noble patronage encouraged it to reach new heights
  • Growth of the eng lang and vocab, plus the humanist emphasis on the study of classical Greek and Roman texts, history and language encouraged playwrights
  • they could now produce their own versions of classics or rewrite Eng history (Mega propaganda)
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3
Q

Big steps for drama (all under Liz)

A
  • 1576: first London theatre opened by James Burbage
  • 1587: the second, ‘The Rose’ was opeened
  • This innovation got rid of temporary stages and allowed playwrights to use more complex staging
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4
Q

Design of theatres

A
  • built in the round, had pulley systems and trap doors
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5
Q

Accesibilty of theatres

A
  • Able to provide entertainement for the rich and poor alike
  • Rich would pay to use the seating on balconies, poor could pay one penny to stand
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6
Q

influential poets

A

> John Skelton - Henry VIII’s tutor. Satiricial poetry which often mocked the wealthy and powerful. I.e. ‘Why came ye not to court?’ which was an attack on Wolsey

> Wyatt and Howard were also both courtiers and poets

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7
Q

The aim of poetry

A
  • Aimed to improve the English language and quality of English poetry
  • Both influenced by humanist learning and reading Latin/Italian Verse
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8
Q

How did Wyatt and Howard work?

A
  • translated the sonnets of Petrach, a 14th c italian writer, but also began to write their own poetry
  • Credited with inventing the most common form of sonnet in ENgland - invented the couplet
  • could be seen in things like Wyatts love sonner ‘Whoso list to hunt’
  • Howard was the first person to use blank verse in his translation of Virgil
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9
Q

How poetry developed

A
  • The sonnet and blank verse became the most widely used literary forms by Elizabethan playwrights and poets
  • Shakespeare wrote 154 sonnets and used blank verse in his plays
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10
Q

What does shakespeare’s career reflect?

A
  • The impact of humanist thought and the Renaissance on English culture and society
  • Shakespeare went to a grammar school established by ed
  • In shakespeare’s work, innovations in poetry, English and drama were combined to create propaganda for the tudors.
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11
Q

What were developments in music influenced by?

A
  • Renaissance and European interest in polyphonal music
  • English composers under the patronage of the church or the monarchs experimented with this form both in the production of religious works and, increasingly, of secular works
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12
Q

Henry VIII and music

A
  • liked the tradition of increasingly grand, lengthly music, but this began to chanhe during the REF when musical peices became shorter and plainer
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13
Q

Ed and music

A
  • Under eddy the high treble part was removed, and English texts were used instead of Latin
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14
Q

Maz and music

A
  • Marys reign saw a return to longer, more complex peices in Latin , which a high descant
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15
Q

Liz and music

A
  • LIke her religious settlement: a comprimise

- Latin could still be used but the length of peices became shorter

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16
Q

How were composers musical styles and careers determined

A
  • highly ingleucned by the religious changes which occured

- Early composers included John Taverner and Christopher Tye

17
Q

Tavener and music

A
  • Tavener was choirmaster and organist at Wolseys cardinal college, Oxford in 1526.
  • He prodcued a series of latin masses and other religious works in latin using polyphonal techniques
18
Q

Tye and music

A
  • Worked a generation later than Tavener
  • Had protestant sympathies and was employed at Edwards court to give advice on music
  • His works were still secular but used English traditions i.e. ‘The Actes of the Apostles’ (1553) was a translation of the New Testament book dedicated to Ed
19
Q

Tallis and mysic

A
  • career lasted from 1520 to 80s despite his catholicism
  • proabably due to his ability to adapt
  • under liz his compositions reached new heights with the ambitious Spem in Alium (1570)
  • also branched out from the Latin, using English texts and composing some secular peices
20
Q

architecture and Henry

A
  • the only tudor monarch to build new palaces
  • in the 1530s, began building Nonsuch palace (Surrey) also embarked on ambitious and expensive rebuilding plans at whitehall and bridewell
21
Q

WHy did the later tudor monarchs not build

A
  • partly because their finances were so limited
22
Q

Who did actually build in the tudor period then?

A
  • their nobility, influenced by humanist and European ideas of architecture, built extravagantly
  • earliest example = duke of somerset
23
Q

Building of the nobility from the 1570s

A
  • from 1570s began building country houses on a grand scale
  • Longleat owned by Sir John Thynee 1568. Used stoneman Smythson to help him
  • Smythson went on to become one of the earliest architects, though it was not considered a profession until the 17thc
  • Smythsin went on to build another famous house at Wollaton for Sir Francis Willoughby
24
Q

Other annonyomus builders

A
  • constructed famous mansions - i.e. cecil’s country house Theobalds,
  • the Earl of Leicester’s renobation of the medieval Kenilworth castle
25
Q

What were the style of these houses ispired by

A
  • known as ‘progidy houses’
  • strongly influenced by interst in Roman and Greek classical architecture
  • designed for comfort and privacy. used light and space to create a pleasant living environement
26
Q

How did this new style of house differ from the old one

A
  • old ones were stone castles and fortified manors of the early 16th c, main purpose was defence
  • brick was now used instead of stone
  • the emphasis of light and space meant the use of multiple windows
27
Q

How did this new style of the late Tudor mansion reflect the period

A
  • the lack of empahsis on defence reflects the increasing political stability of the period
28
Q

How did building evolve for the general pop

A
  • not just confined to tudor nobility and gentry
  • surving wills show average number of rooms in a house went from 3 under Henry to 4/5 under Liz
  • Prosperous yeomen under Liz may have had as many as 6-8 rooms , whilst husbandmen (small landowners) many have had 2-3
  • wealtheir farmers built second floors and would include a fireplace and a chimeny
  • those with less money extended houses on the gruond floor and would often build a seperate kitchen to reduce risk of fire
29
Q

Overall

A
  • by the end of LIz, tudor culture had changed considerably as a result of the ref, humanist ideas and royal and noble patronage
  • growth of englisn drama and poetry lef to the first theatres and a distinct english style of verse
  • art was harnessed by the tudor monarchs for propaganda, whilst music also developed into something recgonisably english in style
  • architecture and building had rapid growth