MacBeth Context Flashcards

1
Q

Allegory

A

A story, character, place, or event is used to convey a hidden meaning, typically
moral or political, about real-world events or issues (e.g. Duncan’s death is an allegory for
the risks of killing your king).

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2
Q

Allusion

A

An indirect reference to another event, person or work which the writer assumes the reader is familiar.

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3
Q

Archetype

A

The first real example or prototype of something; an ideal model or the perfect
image of something.

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4
Q

Bathos

A

An anti-climax which is abrupt; usually humour that comes from an odd and sudden change in tone.

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5
Q

Biblical

A

Language that relates to the bible and thus has religious connotations.

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6
Q

Blazon

A

A poem in which the speaker describes a woman’s physique by focusing on and
listing various individual parts of a woman’s body.

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7
Q

Caricature

A

An imitation where particular notable characteristics are exaggerated to a
comic or grotesque effect

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8
Q

Colloquialism

A

An informal word or phrase used in normal or familiar conversation

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9
Q

Comic relief

A

Relief from tension caused by the introduction of a comedic element.

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10
Q

Connotation

A

An impression, idea, or feeling associated with a word or phase beyond its literal meaning.

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11
Q

Dichotomy

A

A division or contrast between two opposed things.

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12
Q

Double entendre

A

Words or phrases that have a double meaning and is deliberately ambiguous, especially when one of the meanings is risqué. (For example: In Elizabethan England, the use of the word “die” referred to both death and orgasm).

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13
Q

Dysphemism

A

The substitution of a more offensive term for one considered less so.

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14
Q

Epithet

A

A word or phrase applied to a person to describe an actual or credited quality. (For
example: “star crossed lovers” = Romeo and Juliet).

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15
Q

Epitome

A

A perfect example of a specific quality

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16
Q

Epizeuxis

A

The repetition of words in succession within the same sentence.

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17
Q

Euphemism

A

The substitution of a harmless term for one that is considered as offensively risqué or explicit.

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18
Q

Extended metaphor

A

A metaphor that continues over many sentences and could even extend throughout the entire play.

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19
Q

Foreshadowing

A

A device in which an author suggests certain plot developments that might come later in the play.

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20
Q

Grotesque

A

Ugly and distorted, physically or figuratively, in a way that is comic or repulsive.

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21
Q

Hyperbole

A

An extravagant exaggeration of fact, used either for serious or comic effect.

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22
Q

Ideology

A

A system of beliefs and ideals, typically forming a framework for a political policy or a religion.

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23
Q

Imagery

A

Use of language which is visually descriptive or symbolic.

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24
Q

Irony

A

The use of words where the meaning is contrary to what is expected to actually occur.

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25
Q

Juxtaposition

A

A literary technique that places two opposing words, phrases or events side
by side, often for the main purpose of comparing or contrasting them. (For example - “Here is much to do with hate, but more to do with love.”)

26
Q

Manifestation

A

A physical expression or realisation of an abstract idea through a character, object, place, or event.

27
Q

Motif

A

An element that reoccurs, such as a word, phrase, idea, image, action, character or
symbol that appears throughout the play for emphasis.

28
Q

Oxymoron

A

A form of paradox that combines a pair of contrasting terms into a single,
sometimes unique expression. (For example - When Juliet says “O happy dagger”).

29
Q

Parable

A

A story used to teach a moral or spiritual lesson, typically told in the Bible by Jesus.

30
Q

Pathetic Fallacy

A

When human emotions or characteristics are given to objects, nature or the weather.

31
Q

Personification

A

Giving something non-human a human trait, capability, or personality.

32
Q

Pun

A

A play on words which suggests multiple meanings.

33
Q

Satire

A

The use of humour, irony or exaggeration to ridicule and criticize an individual’s stupidity.

34
Q

Semantic Field

A

When a writer employs multiple words which are similar and thus group together under one sub-heading

35
Q

Sibilance

A

The repetition of ‘s’ sounds close together.

36
Q

Simile

A

Comparing something to something else in a nonliteral way, in order to convey a particular idea or quality of the original thing.

37
Q

Symbolism

A

Using one object or character to expose a broader idea running throughout the play.

38
Q

Trope

A

A particular type of character, event, or setting that is used frequently in stories (e.g. ‘The Damsel In Distress’ is a trope)

39
Q

Zoomorphism

A

Imagery representing animal forms.

40
Q

Anaphora

A

Repeating a sequence of words at the beginning of adjacent clauses.

41
Q

Antithesis

A

Parallel structure that uses opposites to create emphasis. (For example: “It was the best of times, it was the worst of times”).

42
Q

Aside

A

A part of an actor’s lines that are not meant to be heard by other characters on stage
and intended only for the audience; a short digression

43
Q

Blank verse

A

Unrhymed poetry written in iambic pentameter

44
Q

Couplet

A

A rhymed pair of lines

45
Q

Cyclical

A

When the same sequence of events repeats throughout a story

46
Q

Dramatic Irony

A

When a character shows that they are oblivious of the reality of which the audience is aware.

47
Q

Dramatic monologue

A

A passage of speech in which one person is speaking to an audience or “thinking out loud”.

48
Q

Epistrophe

A

When the same word (or group of words) is employed at the end of successive sentences with the aim of emphasising it.

49
Q

Exposition

A

Information provided through stage directions, narration, dialogue, or description, used to introduce the audience to crucial background information.

50
Q

Heroic couplet

A

The last two lines of a Shakespearean Sonnet - a couplet of rhyming iambic pentameter.

51
Q

Iambic pentameter

A

A sentence (10 syllables in total) which is composed of two syllables: the first unstressed; the second stressed.

52
Q

In Media Res

A

Starting in the middle of the action

53
Q

Microcosm

A

Using a place, group of people, or event in the small-scale to represent something much larger (e.g. the battle at the start of Macbeth is a microcosm for the whole play)

54
Q

Paradox

A

A statement that seems to contradict itself but is still true.

55
Q

Paradox

A

A statement that seems to contradict itself but is still true.

56
Q

Parallelism

A

Using components that are similar in grammar, structure, or meaning within a sentence or multiple sentences, or throughout the text as a whole (e.g. “He came, he saw, he conquered”).

57
Q

Refrain

A

A word, phrase, or sentence that is repeated throughout a text.

58
Q

Soliloquy

A

A dramatic device whereby a character stands alone on stage and addresses the audience, giving voice to their deepest thoughts and feelings.

59
Q

Sonnet form

A

highly stylized form of poetry, with 14 lines written in iambic pentameter. (For example - Romeo and Juliet’s first real encounter in the balcony scene)

60
Q

Stichomythia

A

A dialogue between two characters who speak one after the other. For
example:

LADY MACBETH: _____
MACBETH: _____
LADY MACBETH: ____
MACBETH: ____