Lowood Flashcards

1
Q

‘great grey hills heaved up round the horizon’ chapter 5

A

setting implies Lowood is stricter than Gateshead - enclosure of being trapped

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2
Q

‘numbed fingers’ chapter 5

A

cold weather is a symbol that the children are never shown love or care. cf to Gateshead

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3
Q

‘the indefatigable bell’ chapter 5

A

personification shows they have no choices alternatively it implies how relentless the day is

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4
Q

‘the garden was a wide enclosure, surrounded with walls so high as to exclude every glimpse of prospect’ chapter 5

A

link to red room, Brocklehurst sees sexuality as a threat. Victorians believed that through gardening children themselves might become cultivated

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5
Q

“are you happy here?” chapter 5

A

not relevant to the conversation with Helen Burns. Jane always needs reassurance and Helen replied “you ask rather too many questions”

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6
Q

‘the water in the pitchers was frozen’ chapter 6

A

ice - deliberate metaphor for lack of escape

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7
Q

Miss Scatcherd

A

link to scratching which implies she is a character that inflicts pain on others

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8
Q

“the Bible bids us return good for evil” chapter 6

A

Helen is utterly stoic and she is giving Jane theological advice - they have antithetical beliefs ‘we should strike back again’

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9
Q

‘Helen heard me patiently… I asked impatiently’ chapter 6

A

contrast of personality

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10
Q

Mr Brocklehurst

A

evangelical hypocrite - daughters treated entirely different but at Lowood “all these top knots must be cut off” - they have to conform to what he wants - hypocrisy of religion itself and charity school

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11
Q

‘what an extraordinary sensation that ray sent through me!’ chapter 7

A

exclamatory - Jane has an epiphany

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12
Q

Helen Burns

A

educates Jane about human nature. anticipates death - has consumption . stoic “death is so certain an entrance to happiness”. eloquence and warmth

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13
Q

Miss Temple

A

she is a huge comfort to Jane - motherly

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14
Q

‘murmur of pleasure ran through the ranks of my companions’ chapter 8

A

Jane is clear from allegations against her and the murmur of pleasure is a metaphor that puts Mr Brocklehurst into an even darker light

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15
Q

contrast between Gateshead and Lowood

A

Jane would not go back to Gateshead for ‘its privations and daily luxuries’ as for love from Helen and Miss Temple Lowood is more attractive

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16
Q

coming of spring

A

motif suggestive of Jane’s development and growth

17
Q

‘classes were broken up, rules relaxed’ chapter 9

A

irony - freedom

18
Q

‘disease had thus become an inhabitant of Lowood, and death its frequent visitor’ chapter 9

A

demonstrating a gothic response

19
Q

‘true, reader’ chapter 9

A

first time she addresses the reader. talking about Helen Burns and considering life and death in reality not in abstract

20
Q

‘I saw her face, pale, wasted but quite composed’ chapter 9

A

Helen is under a physical attack but ‘composed’ - home with God. she is content and accepting death. Helen talks of heaven as home - “my last home” - poignant

21
Q

“I’ll stay with you, dear Helen” chapter 9

A

dear in italics - passion of love

22
Q

‘I was asleep, and Helen was - dead’ chapter 9

A

Helen and Jane alter egos - Helen has to die for Jane to live - Jane takes part of Helen with her

23
Q

‘how I longed to follow it farther’ chapter 10

A

Jane talking about nature but metaphorically thinking about her life - she is courageous and seeks life

24
Q

‘I desired liberty; for liberty I gasped; for liberty I uttered a prayer’ chapter 10

A

repetition of ‘liberty’ is important for the French Rev indicating through the sublime of ‘it seemed scattered on the wind then faintly blowing’ that Jane is a Romantic heroine.seeking the new - inspired to create art of change at a time of change

25
Q

Thornfield

A

job offer. etymology of Thornfield - spikes alternatively an escape for freedom

26
Q

Bessie

A

source of information - sometimes warm not motherly. reveals how Jane has grown through her paintings and that she has learnt French

27
Q

‘Mr Eyre came to Gateshead and wanted to see you’

A

foreshadows Jane’s inheritance