London Flashcards

1
Q

Who wrote London?

A

William Blake

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2
Q

What were William Blake’s life dates?

A

1757-1827

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3
Q

Where did Blake fall in terms of literary eras?

A

Between neoclassicism and romanticism

–>Usually perceived as Romantic though

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4
Q

What was Blake’s background like?

Did he stick with this throughout his life?`

A

Supportive parents
10-Sent to drawing school
14-apprentice for engraver

Yes- worked as an illustrator
‘illuminated literature’
–>literature accompanied w/ detailed illustrations

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5
Q

When did Blake first publish his works?

What was it like?

A

1783

v immature

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6
Q

What was public reactions to Blake’s works during his lifetime?

How did this change in the 20th century?

A

Illustrated literature=
labour intensified
expensive
–>small circulation of his work

Considered failure

Appreciated in 20th century for personal style and radical ideas

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7
Q

What was Blake’s reaction to his lack of success during his lifetime?

A

Became depressed, isolated and alienated

Harbored anxiety and anxiety about this apathy

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8
Q

When did Blake change style from lyrical imagery to a more prophetic tone?

A

1790s

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9
Q

What were Blake’s views?

A

Leading up to French Revolution- political radicalisation intensified
Distained church (but loved imagery)
Disapproved of marriage- self imposed slavery (married himself)
Anti:
child labour
slavery
poverty

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10
Q

What does the languid verb within the first line ‘I wander thro’ each charter’d street’ suggest of the narrator (first person pronoun)?

A

Directionlessness
-Victim of exploitative system
(capitalism)

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11
Q

What does the repetition of ‘charter’d’ in lines 2 and 3 represent?

A

City becoming increasingly dominated by money and government domination

  • ->lost freedom
  • ->age of capitalism
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12
Q

What effect does the extended assonance in the end of the first stanza ‘And marks in every face I meet/Marks of weakness, marks of woe’ produce?

What does the repetition of marks suggest?

A

Sense of legarthy

Suggests multiple flaws of the system

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13
Q

What does the anaphoric, all-encompassing repetition of ‘In every…’ in the second stanza create?

A

Image of endless stream of helpless people being failed by the system
–>no one is spared

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14
Q

What does the alliterative metaphor of ‘The mind-forg’d manacles I hear.’ at the end of the second represent?

A

Self-imposed oppression caused by preoccupation w/ materialism

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15
Q

What does the use of the two social minorities ‘Chimmney-sweeper’s’ ‘the hapless Soldiers’ ‘ in stanza three do?

A

Illustrates how significant sections of society have been mistreated by the pillars of the Establishment

Shows clear examples that reinforce Blake’s overall message:
capitalism is failing to protect people in our society
–>materilism is breaking us apart from the inside out

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16
Q

What does the use of capitalisation in lines 14-15 ‘How the youthful Harlot’s curse/Blasts the new born Infant’s tear’ make a link between harlots and children?

What does this create an image of?

A

The youthfulness of the prostitutes is mirrored in youth of babies

Creates image of cyclical oppression that is inescapable when trapped into

17
Q

What does the violent verb ‘Blasts’ in line 15 metaphorically imply?

A

An assault on the infant

18
Q

What does the ‘Harlot’s curse’ in line 14 refer to?

CONTEXT

A

Syphilis

Major cause of death in the 18th century

19
Q

What tone does the last line ‘And blights with plagues the Marriage hearse.’ carry?

Link w/ context

A

Prophetic tone

1790s- Blake changed from lyrical tone to prophetic tone

20
Q

What does the unusual, oxymoronic phrase ‘the Marriage hearse’ end the poem with?

A

A strong sense of Blake’s views
-against institution of marriage
(=self surpression)

21
Q

What are the themes of London?

A

Innocence

corruption

22
Q

How does the structure reflect Blake’s idea of cyclical oppression?

A

Rhyme scheme in stanza 2 is reflected n stanza 4

23
Q

How is London identified as a Romantic poem?

A

Gives voice to the marginalised and oppressed

–>social change

24
Q

What can you link London to?

A
The Prelude
-themes of innocence and nature 
Living space
-themes of corruption
Ozymandias
-themes of oppression and corruption