Locke's Legacy Flashcards
1
Q
Locke’s Legacy
Dramatic changes include:
A
- The development of a public sphere( An extra-political space that facilitated the exchange of ideas & the formation of consensus)
- A new & rapidly expanding reading public, w/ new literary genres to accommodate its tastes (The commercialization of literature, ‘leisure’ as a commodity)
- New science, new ways of seeing the world (Newton & Locke, ‘the laws of nature’ & empiricism)
2
Q
Locke’s Legacy
Changes lead to:
A
A new & rapidly expanding reading public, w/ new literary genres to accommodate its tastes (The commercialization of literature, ‘leisure’ as a commodity)
- New science, new ways of seeing the world (Newton & Locke, ‘the laws of nature’ & empiricism)
3
Q
Locke’s Legacy
How did Locke influence the eighteenth-century?
A
- Science
- Philosophy
- Religion
- Art (the novel)
4
Q
Locke’s Legacy
Locke & Gender
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- Lockean philosophy provides a powerful basis for arguing for access to education for women.
- ‘No innate ideas’ suggests no man/woman is born with knowledge, but rather that each person acquires it through experience.
- All have the same faculties—the senses & the power to reflect on sensory data—required to gather knowledge.
- Women’s ‘defects’ not a result of design (‘nature’), but rather of culture & prejudice (‘nurture’)
5
Q
Locke’s Legacy
Locke & Religion
A
- Powerful argument for ‘rational religion’, the various forms of deistic thought that run through eighteenth-century culture (Pope, “Essay on Man”)
- We can ‘reason upwards’ to God
- God can be inferred through reflection upon the sensory data
6
Q
Locke’s Legacy
Locke & Skepticism
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- Fueled a number of the philosophers of the Enlightenment
- The existence of that which cannot be known/confirmed through the senses, Hume concludes, is dubious
- Demands sensory data to legitimize claims (Hume): “it is experience only which gives authority to human testimony” (185)
7
Q
Locke’s Legacy
The novel
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- Emerging as a form in the late seventeenth & early eighteenth centuries
- “Novel” a term of derision; ‘a novelty,’ associated with things new, fashionable, temporary, ephemeral
- Earlier models: memoirs, auto/biographies, journalistic accounts
- Eighteenth century = a period of remarkable experimentation with the form
- The form remains inchoate, developing in the period
- Also remains a somewhat suspect form, lacks the ‘literary authority’ of poetry or drama
- The novel’s ‘triumph’ or ‘coming of age’ is a Romantic-era affair (Walter Scott) (Ina Ferris)