LMC Test 1 Studying

Question 1

type of filmic organization which parts relate to one another through series of causally related events taking place in time/space.

Answer 1

Narrative Form

Question 2

All events seen and heard iplus all events which are inferred or assumed to have occurred. Arranged in terms of chronological order, duration, etc.

Answer 2

Story

Question 3

All events directly presented to audience, ordered in period when they are presented.

Answer 3

Plot

Question 4

Aspect of temporal manipulation involving time span presented in plot and assumed in the story.

Answer 4

Duration

Question 5

Element in film that is repeated in significant way.

Answer 5

Motif

Question 6

Anything which originates from within the film world.

Answer 6

Diegesis

Question 7

Common arrangement using three directions of light on a scene.

Answer 7

Three Point Lighting

Question 8

Lighting that creates little contrast between light and dark areas of the shot.

Answer 8

High-Key Lighting

Question 9

The bright source of light used in three point lighting.

Answer 9

Key Lighting

Question 10

The less bright source in three point lighting balancing the key light.

Answer 10

Fill Light

Question 11

Source of light coming from behind the subject.

Answer 11

Backlighting

Question 12

Character’s Desire Determines Plot and Everything is built around his/her goals.

Answer 12

goal oriented protagonist

Question 13

The central character’s psychological traits cause much of the action in the film.

Answer 13

Scenes motivated by cause-effect.

Question 14

Explicit markers throughout the film to help organize time and action.

Answer 14

Deadlines/Time Markers.

Question 15

Story is resolved.

Answer 15

Closure.

Question 16

What do costumes contribute toward the narrative?

Answer 16

Establishes traits/shifts in the characters.

Question 17

Aspect of Mise-En-Scene that guides our attention.

Answer 17

Lighting

Question 18

Lighting which creates harsh/well defined shadows.

Answer 18

Hard LIghting

Question 19

Light which avoids casting harsh shadows on its subject.

Answer 19

Soft Lighting

Question 20

Manipulation of filmed materials VIA Camera Lens

Answer 20

Perspective

Question 21

Short Focal Length exaggerating depth.

Answer 21

Wide Angle

Question 22

Long, focal length flattens space.

Answer 22

Telephoto

Question 23

Staging in several planes of action.

Answer 23

Deep Space

Question 24

All frames are in clear focus.

Answer 24

Deep Focus

Question 25

Shift planes in and out of focus in one continuous shot.

Answer 25

Rack Focus

Question 26

Method of squeezing image to create a wider image than what could be presented on a 35 mm film.

Answer 26

Anamorphic Lens

Question 27

Effect of engineering physical/emotional responses plus an intellectual conclusion.

Answer 27

Eisenstein Constructs Effect

Question 28

Instantaneous jump from one shot to another.

Answer 28

Cut

Question 29

Lightens shot from black.

Answer 29

Fade In

Question 30

Darkens shot to black.

Answer 30

Fade Out

Question 31

Briefly superimposes end of shot A on beginning of shot B

Answer 31

Dissolve

Question 32

Shot B replaces Shot A through a boundary line sweep.

Answer 32

Wipe

Question 33

Editing where the two edited shots have similar graphics (color, movement, shapes, composition).

Answer 33

Graphic Match

Question 34

Shot transition which omits part of an event.

Answer 34

Elliptical Editing

Question 35

Shot transition that repeats part of an action again.

Answer 35

Expansive Editing

Question 36

Shot which establishes spatial distance between characters.

Answer 36

Establishing Shot

Question 37

Next shot is in line of axis of what the previous shot’s character was looking at.

Answer 37

Kuleshov Effect/Eyeline Match

Question 38

Cut that seems to be an interruption of a single shot.

Answer 38

Jump Cut

Question 39

Cut that adheres to 180 rule but doesn’t adhere to same position.

Answer 39

Cheat Cut

Question 40

What are the four types of relations in editing

Answer 40

Graphical, Rhythmic, Spatial, and Temporal

Question 41

What are the different types of editing.

Answer 41

Editing Continuity vs Editing Discontinuity.