LMC Test 1 Studying Flashcards

1
Q

type of filmic organization which parts relate to one another through series of causally related events taking place in time/space.

A

Narrative Form

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2
Q

All events seen and heard iplus all events which are inferred or assumed to have occurred. Arranged in terms of chronological order, duration, etc.

A

Story

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3
Q

All events directly presented to audience, ordered in period when they are presented.

A

Plot

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4
Q

Aspect of temporal manipulation involving time span presented in plot and assumed in the story.

A

Duration

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5
Q

Element in film that is repeated in significant way.

A

Motif

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6
Q

Anything which originates from within the film world.

A

Diegesis

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7
Q

Common arrangement using three directions of light on a scene.

A

Three Point Lighting

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8
Q

Lighting that creates little contrast between light and dark areas of the shot.

A

High-Key Lighting

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9
Q

The bright source of light used in three point lighting.

A

Key Lighting

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10
Q

The less bright source in three point lighting balancing the key light.

A

Fill Light

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11
Q

Source of light coming from behind the subject.

A

Backlighting

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12
Q

Character’s Desire Determines Plot and Everything is built around his/her goals.

A

goal oriented protagonist

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13
Q

The central character’s psychological traits cause much of the action in the film.

A

Scenes motivated by cause-effect.

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14
Q

Explicit markers throughout the film to help organize time and action.

A

Deadlines/Time Markers.

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15
Q

Story is resolved.

A

Closure.

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16
Q

What do costumes contribute toward the narrative?

A

Establishes traits/shifts in the characters.

17
Q

Aspect of Mise-En-Scene that guides our attention.

A

Lighting

18
Q

Lighting which creates harsh/well defined shadows.

A

Hard LIghting

19
Q

Light which avoids casting harsh shadows on its subject.

A

Soft Lighting

20
Q

Manipulation of filmed materials VIA Camera Lens

A

Perspective

21
Q

Short Focal Length exaggerating depth.

A

Wide Angle

22
Q

Long, focal length flattens space.

A

Telephoto

23
Q

Staging in several planes of action.

A

Deep Space

24
Q

All frames are in clear focus.

A

Deep Focus

25
Q

Shift planes in and out of focus in one continuous shot.

A

Rack Focus

26
Q

Method of squeezing image to create a wider image than what could be presented on a 35 mm film.

A

Anamorphic Lens

27
Q
A