Living Space by Imtiaz Dharker Flashcards

1
Q

Story + message of ‘Living Space’:

A
  • The poem describes the ramshackle homes of people living in the slums of Mumbai.
  • The poet explains that the problem is the lack of “straight lines”.
  • In terms of buildings, straight lines suggest solidity and security; the lack of them fragility and risk - the precariousness of the structures is a metaphor for insecure lives, with no guarantee of the essentials for survival - the houses may collapse just as their lives may
  • Yet the survival of the people is praised by the poet as miraculous, their dependence on scraps, old bits and pieces with which to construct their homes is presented as a triumph of hope and faith
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2
Q

Tone of ‘Living Space’:

A
  • Tone of admiration – as narrator admires the faith and aspirations of the people living in the slums
  • Tone of fragility – fragility of human life, still able to exist in ramshackle environment
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3
Q

Imagery in ‘Living Space’:

A
  • Imagery of ramshackle living space – crowded + unstable nature of slum life and slum infrastructure
  • Religions imagery - religious connotations in the use of the colour white, the ‘gathering of the light’ and the ‘walls of faith’
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4
Q

Who is Imtiaz Dharker?

A

Imtiaz Dharker is aa contemporary poet (currently 70 years old)

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5
Q

Cultural background of Imtiaz Dharker:

A

She is Pakistani born but grew up in Glasgow - she draws one her multi-cultural experience in her work

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6
Q

What has Imtiaz Dharker written?

A

Dharker has written 5 collections of poetry and often deals with themes of identity, the role of women in contemporary society and the search for meaning

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7
Q

Where did Dharker say ‘Living Space’ is set?

A
  • Although no city is mentioned, Dharker has said that it is set in the slums of Mumbai, where people come and live in hopes of a better life
    – Dharker’s intimate knowledge of Mumbai is evident in this poem
    – she works to raise awareness of issues in other countries
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8
Q

Professions of Dharker:

A
  • Dharker is also an artist and documentary and filmmaker
    o As well as painting a picture of poverty in developing country in ‘Living Space’ , there is also a general sense of life and hope, in even the poorest places
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9
Q

How many people move to Mumbai, why and what do they face?

A
  • Each year 1,000s of people move to the city of Mumbai, India from rural areas as many think that the city will provide them with lots of opportunities
  • Although, people who move think that they will have a better quality of life, cities such as Mumbai face lots of challenges e.g., poverty, lack of sanitation, homelessness etc. and they do not always have a better quality of life
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10
Q

What is there in Mumbai?

A

In Mumbai, the squatter settlement of Dharavi is now home to over 1mn people

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11
Q

Description of Dharavi slum:

A
  • Dharavi lies between 2 railway lines and is one of the biggest squatter settlements in the world
  • The squatter settlement of Dharavi is unplanned, overcrowded and noisy
  • Houses are made from cardboard, wood, corrugated iron, plastic sheeting and metal from oil drums
  • There is a lack of sanitation and clean drinking water
  • Open sewers mean pollution and disease are common
  • Nevertheless, the colour and vibrancy of ‘slum’ settlements mean creativity and hope abounds – strong sense of community in slum settlements
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12
Q

“There are just not enough straight lines.”

A
  • begins with abrupt sentence
  • doesn’t start with a positive view but focuses on what the living space lacks
  • lack of “straight lines” – metaphor for the fragility of people’s lives in the slums of Mumbai
  • Properly constructed buildings with perpendicular walls and sturdy ceilings are secure- these walls and lives are not
  • It could be interpreted that prosperous Western lives move forward — in straight lines — and people progress in a positive direction as they grow older- the slum dwellers have no progression; go nowhere
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13
Q

“Beams / balance crookedly on supports / Thrust off the vertical.”

A
  • the plosive and alliterative ‘b’s in ‘Beams balanced’ adds to the idea of the rough and ready nature of the homes
  • This is a metaphor for the fact that nothing is easy for this community, things aren’t handed out on a plate
  • ‘Balanced crookedly’ suggests that the beams are unstable; that the Mumbai slums are at high risk of collapsing, just as lives are precarious - the enjambed, irregular-length lines that reinforce this idea
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14
Q

“Nails clutch at open seams.”

A
  • The personification of “Nails clutch” give the reader a sense of the desperation of the community - these shacks could give way any time
  • The fact that the seams are “open” suggests lack of protection, bareness and vulnerability, like their lives
  • buildings are unstable and the fixings are loose – nails not actually joining anything together and the whole structure is “open” and exposed
  • nails are personified and seem to want to join the structure more solidly – verb “clutch” gives the nails a human characteristic and implies that they are desperately reaching forwards – however there is nothing for them to grasp only “open seams”
  • the nails represent faith like the eggs - the word “clutch” is used as a verb in this line, but it is also a collective noun (a word that describes a collection of things) describing a group of eggs - the poet links the nails and the eggs showing how each of them represent faith
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15
Q

“The whole structure leans dangerously / Towards the miraculous.”

A
  • There is a juxtaposition of negative and positive; a change from danger and hardship to the idea of aspiring towards ‘…the miraculous” - the people’s survival here is remarkable
  • protruding line (longest line) imitating the protruding beams and lack of infrastructural stability in Dharavi slum
  • This introduces the poet’s own feelings, her admiration for their resilience
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16
Q

“Into this rough frame, / Someone has squeezed / A living space”

A
  • overcrowding suggested by the “rough frame”
  • speaker implies that the person who has fitted or “squeezed” their home into the small space is to be admired
  • the 3 short lines are separated and singled out as a stanza from the 2 lengthier stanzas above and below it also conveys Dharker’s idea of also conveys Dharker’s idea of ‘squeezing’ into a living space
17
Q

“and even dared to place / these eggs in a wire basket,”

A
  • This signifies the fragility of their lives
  • The verb “dared” suggests courage and resilience in the most difficult of circumstances
  • The eggs are a metaphor for rebirth and hope
  • hopeful tone – placed delicately in harsh environment + new life
  • in awe
  • The eggs in a basket that hang out “over the dark edge” are an act of faith, not only because someone has so delicately placed them in such a ramshackle environment, but also because they contain new life
  • The eggs, like the buildings are miracles
  • This is echoed in the last line with the reference to “walls of faith”
  • It may seem like an act of faith to live in one of these rough structures - a daring attempt to live in such a place - in this way the poem represents the fragility of human life and celebrates the way that faith brings boldness
18
Q

“fragile curves of white / hung out over the dark edge / of a slanted universe,”

A
  • he contrast between the delicate eggs and the “dark edge of a slanted universe” makes the poet’s point succinctly
  • The lyricism also signifies the essential beauty of life, even if in a “dark”, precarious environment.
  • “fragile curves” juxtaposition to “rough frame”
  • “hung out” – enjambment, despite poverty hope overflows their cramped living spaces OR the enjambment reflects the ways structures lean over and into each other
  • The “slanted” universe is a parallel to the crooked walls and roofs; slanted because of the injustice of having to live in this way in a world where there is enough for all
19
Q

“gathering the light / Into themselves,”

A
  • the idea that the people are able to “gather’” the “light” — juxtaposed with the darkness of the previous two lines — into their lives
  • The fact of being alive is seen as positive
20
Q

“as if they were / the bright, thin walls of faith.”

A
  • the eggs are a symbol of hope - the “bright” eggs contrast with the “dark edge/ of a slanted universe.” - they stand out as something white, pure and whole against a broken dark world
  • faith is precarious - the “walls of faith” are “bright” which implies something positive, but they are also “thin” which suggests fragility. Perhaps the poet feels that faith, like the shell of an egg, is easy to break
21
Q

Irregular structure + no metre + enjambment

A
  • Lines are short and the first three sentences are abrupt, a hook to draw in the reader
  • Each line varies in length – seem to jut out into the page like some of the crooked beams the poet presents
  • The following sentences are flowing, but expressed in short irregular-length, enjambed lines, to reflect the ramshackle environment
  • enjambment – buildings all merging into each other “beams” jutting out connecting buildings together in ramshackle way – cramped environment
22
Q

Some rhyme

A
  • There are some instances of rhyme in the poem (that/flat, beams/seams, space/place, white/light
  • In these cases, the rhyme acts as a way of holding the poem together
  • the rhymes are similar to the nails in the poem which are attempting to lend stability to the overall structure
23
Q

Stanzas

A
  • stanza 1 – zoomed out, bigger picture, general statements about the slums
  • stanza 2 – zoomed in to the living space
  • stanza 3 – further zoomed in to the eggs
  • reflects her skills as a film-marker and documentary maker – cinematic quality