Literary Periods Flashcards
Heroic or Homeric Period (Classical Period)
Homer’s Illiad and Odyssey, Greek legends passed along orally
Warrior princes, wandering sea traders, fierce pirates
Classical Greek Period
Plato, Aesop, Socrates, Aristotle
Sophisticated age of the polis, or ind. city-state, and early democracy
Classical Roman Period
Ovid, Horace, Virgil; Marcus Aurelius, Lucretius
Patristic Period
early Christian writings by saints; period in which Saint Jerome first compiles the Bible, when Christianity spread across Europe
Old English (Anglo Saxon) Period
so-called Dark Ages; includes early old English epics like Beowulf, The Wanderer, and The Seafarer
Middle English Period
French chivalric romances and French fables spread in popularity
Late or High Medieval Period
Chaucer, the Gawain, Wakefield Master, William Langland, Petrarch, Dante
Renaissance and Reformation
late 15th through early 17th c. in Britain
METAPHYSICAL POETRY
(1633-1680)
Highly intellectual style, which is witty, subtle, and somewhat fantastic
Ex: Donne, Hebert, Marvell, Cowley, Cleveland, Crashaw, Trahane, Vaughan
GOTHIC FICTION
(1764-1820)
Brooding, mysterious settings and plots
Walpole’s Castle of Ontranto
ROMANTICISM
(1790-1830)
Nature, imagination, individuality, fancy, freedom, emotion, wildness, beauty of natural world, rights of individual, nobility of common man
William, Wordsworth, Lord Byron, Coleridge, Blake, Keats, Shelley, Austen
TRANSCENDENTALISM
(1830-1850)
American/New England-based; primacy of ind. conscience and rejected materialism in favor of closer communion with nature
Emerson’s “Self-Reliance” and Thoreau’s Walden
REALISM
(1830-1900)
19th-c. reaction to Romanticism; novel gained popularity during this time; true-to-life approach to subject matter; focus on everyday life
da Balzac, Flaubert, Eliot, Dostoevsky, Tolstoy, Twain
NATURALISM
(1865-1900)
Used detailed realism to suggest that social conditions, heredity, and environment had inescapable force in shaping human character
Sought to identify underlying cause for person’s actions or beliefs
Ex: Wharton, Norris, Zola, Crane, London, Steinbeck, Glasgow, Wright, Dreiser
SYMBOLISM
(1870-1890)
Aimed to evoke, indirectly and symbolically, an order of being beyond material world of five senses
Baudelaire, Rimbaud, Yeats, Joyce, Eliot
MODERNISM
(1890-1940)
Experimentation and realization that knowledge is not absolute; common themes are loss of sense of tradition and dominance of technology
Attack on notions of hierarchy; stream of consciousness; doubt about objective reality; alternative viewpoints and ways of thinking
Draw attention to relationships between artist and audience, and form and content
Yeats, Woolf, Frost, O’Connor, Hemingway, Stein, Fitzgerald, Faulkner
SURREALISM
Elements of surprise, unexpected juxtapositions, and non sequitur
Aimed to free people from false rationality and restrictive customs and structures
EXISTENTIALISM
19th and 20th c.
Individual existence, freedom, and choice; no objective, rational basis for moral choice
Ex: Kierkegaard, Pascal, Nietzsche, Sartre