Literary Periods Flashcards

1
Q

Heroic or Homeric Period (Classical Period)

A

Homer’s Illiad and Odyssey, Greek legends passed along orally
Warrior princes, wandering sea traders, fierce pirates

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2
Q

Classical Greek Period

A

Plato, Aesop, Socrates, Aristotle

Sophisticated age of the polis, or ind. city-state, and early democracy

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3
Q

Classical Roman Period

A

Ovid, Horace, Virgil; Marcus Aurelius, Lucretius

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4
Q

Patristic Period

A

early Christian writings by saints; period in which Saint Jerome first compiles the Bible, when Christianity spread across Europe

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5
Q

Old English (Anglo Saxon) Period

A

so-called Dark Ages; includes early old English epics like Beowulf, The Wanderer, and The Seafarer

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6
Q

Middle English Period

A

French chivalric romances and French fables spread in popularity

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7
Q

Late or High Medieval Period

A

Chaucer, the Gawain, Wakefield Master, William Langland, Petrarch, Dante

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8
Q

Renaissance and Reformation

A

late 15th through early 17th c. in Britain

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9
Q

METAPHYSICAL POETRY

A

(1633-1680)
Highly intellectual style, which is witty, subtle, and somewhat fantastic
Ex: Donne, Hebert, Marvell, Cowley, Cleveland, Crashaw, Trahane, Vaughan

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10
Q

GOTHIC FICTION

A

(1764-1820)
Brooding, mysterious settings and plots
Walpole’s Castle of Ontranto

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11
Q

ROMANTICISM

A

(1790-1830)
Nature, imagination, individuality, fancy, freedom, emotion, wildness, beauty of natural world, rights of individual, nobility of common man
William, Wordsworth, Lord Byron, Coleridge, Blake, Keats, Shelley, Austen

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12
Q

TRANSCENDENTALISM

A

(1830-1850)
American/New England-based; primacy of ind. conscience and rejected materialism in favor of closer communion with nature
Emerson’s “Self-Reliance” and Thoreau’s Walden

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13
Q

REALISM

A

(1830-1900)
19th-c. reaction to Romanticism; novel gained popularity during this time; true-to-life approach to subject matter; focus on everyday life
da Balzac, Flaubert, Eliot, Dostoevsky, Tolstoy, Twain

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14
Q

NATURALISM

A

(1865-1900)
Used detailed realism to suggest that social conditions, heredity, and environment had inescapable force in shaping human character
Sought to identify underlying cause for person’s actions or beliefs
Ex: Wharton, Norris, Zola, Crane, London, Steinbeck, Glasgow, Wright, Dreiser

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15
Q

SYMBOLISM

A

(1870-1890)
Aimed to evoke, indirectly and symbolically, an order of being beyond material world of five senses
Baudelaire, Rimbaud, Yeats, Joyce, Eliot

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16
Q

MODERNISM

A

(1890-1940)
Experimentation and realization that knowledge is not absolute; common themes are loss of sense of tradition and dominance of technology
Attack on notions of hierarchy; stream of consciousness; doubt about objective reality; alternative viewpoints and ways of thinking
Draw attention to relationships between artist and audience, and form and content
Yeats, Woolf, Frost, O’Connor, Hemingway, Stein, Fitzgerald, Faulkner

17
Q

SURREALISM

A

Elements of surprise, unexpected juxtapositions, and non sequitur
Aimed to free people from false rationality and restrictive customs and structures

18
Q

EXISTENTIALISM

A

19th and 20th c.
Individual existence, freedom, and choice; no objective, rational basis for moral choice
Ex: Kierkegaard, Pascal, Nietzsche, Sartre