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Grad Music History > Listening Test 1 > Flashcards

Listening Test 1 Flashcards

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1
Q
A

MISSA LAUDA SION, Kyrie

Giovanni Pierluigi da Palestrina

4 parts (independant/contrapuntal)

a capella

Syllabic

Imitation

Melisma on the word “mercy”

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2
Q
A

Sonata Pian’ E Forte

Giovanni Gabrieli

Two seperate choruses

Contrasting dynamics

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3
Q
A

Amarilla Mia Bella, Madrigal

Giulio Caccini

Example of Monody

Affect: Love (notice trills and ornamentation)

Melodic line w/lute accomp. (Basso Continuo type 1)

Throughcomposed

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4
Q
A

Dafne, “Bella ninfa fuggitiva,” Chorus

Jacopo Peri

Unison

Homophonic (voices and instruments same rhythms)

Primative

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5
Q
A

L’ORFEO, Act III, “Possente spirito”

Claudio Monteverdi

Stile Representativo

Repeated bass line (causes dissonance w/melody)

Specific Instrumentation (Wood organ and chitarrone create basso continuo type 2)

2 melody lines, one plain and one ornamented (only one performed)

Affect: Sorrow

Ritornello

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6
Q
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JEPHTE, Conclusion, Oratorio

Giacomo Carissimi

Judges 11:29-40

Affect: Sorrow

Basso continuo type 2

Singers: Historicus (narrator), Jephte, Filia (daughter), Chorus

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7
Q
A

JEPHTE, Conclusion, Oratorio

Giacomo Carissimi

Judges 11:29-40

Affect: Sorrow

Basso continuo type 2

Singers: Historicus (narrator), Jephte, Filia (daughter), Chorus

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8
Q
A

JEPHTE, Conclusion, Oratorio

Giacomo Carissimi

Judges 11:29-40

Affect: Sorrow

Basso continuo type 2

Singers: Historicus (narrator), Jephte, Filia (daughter), Chorus

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9
Q
A

JEPHTE, Conclusion, Oratorio

Giacomo Carissimi

Judges 11:29-40

Affect: Sorrow

Basso continuo type 2

Singers: Historicus (narrator), Jephte, Filia (daughter), Chorus

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10
Q
A

SYMPHONIAE SACRAE, Motet 9

Heinrich Shütz

Text: Song of Solomon

Affect: Love

Arioso style (faster moving recitative w/more expression/melodic interest)

Trio Sonata

Polarity between voices

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11
Q
A

FANTASIA CHROMATICA

Jan Pieterzoon Sweelinck

Monothematic (based on 1 subject)

Chromatic in nature

Subject unchanged throughout except augmentation or demanution (to provide unity)

Stretto (“to overlap”)

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12
Q
A

FANTASIA CHROMATICA

Jan Pieterzoon Sweelinck

Monothematic (based on 1 subject)

Chromatic in nature

Subject unchanged throughout except augmentation or demanution (to provide unity)

Stretto (“to overlap”)

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Grad Music History (6 decks)

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