LIstening for midterm Flashcards

1
Q

Drum rolls and man is singing “wine” “margaret” woman comes in singing

A

Alban Berg Wozzeck act 3 and transition 1922

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2
Q

strings playing , pretty tonal, continuous line of scalular motion, change of character, staccoto strings, change again, more minor and dark (downward eighth notes)

A

Johannes Brahms
String Quartet in A minor, op. 51/2, ii 1873

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3
Q

Ich Wund……er with piano underneath

A

Alma Schindler [Mahler]
(1879–1964)
Five Songs, #5 “Ich wandle unter Blumen” published 1911

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4
Q

Large orchestra, soaring lines mostly tonal, high screachy woodwinds at times, sad string lament at the very beginning

A

Gustav Mahler
Symphony No. 10 in F-sharp Major
I. Andante – Adagio 1910

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5
Q

Low string instrument beginning voice icchhhh sprriii, mostly short lines horn call response
Ending has a choir part

A

Gustav Mahler Symphony No. 3 in D minor
IV. “Was spricht die tiefe Mitternacht?”
1896

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6
Q

string lines connecting to make a motive, plucking on the string instruments, voice comes in after a minute in long lines

A

Arnold Shoenberg String Quartet No. 2, op. 10 in F-sharp
IV. “Entrückung” [Rapture] 1908

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7
Q

Piano piece, descending scale beginning, flourishes into a quicker speed, interjecting dissonances

A

Arnold Shoenberg Drei Klavierstücke [Three piano pieces], op. 11
I. Mäßige Viertel [Moderate quarter note]
1909

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8
Q

Chord beginning sort of melody
piano piece

A

Arnold Shoenberg
Sechs kleine Klavierstücke [Six little piano pieces], op. 19
III. Sehr langsame Viertel [very slow quarter note] 1913

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9
Q

single note beginning, call and response on piano, less melody more resonance

A

Arnold Schoenberg Sechs kleine Klavierstücke [Six little piano pieces], op. 19
VI. Sehr langsam [very slowly] 1913

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10
Q

Flute and piano plus voice, invid –in at beginning, phrasing that leads down

A

Arnold Schoenberg Peirrot Lunaire: 1. Moondrunken 1912

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11
Q

violin, piano opening before voice, some plucking crescendoing line with energy (grotesque)

A

Arnold Schoenberg: Peirrot Lunaire:
19. Serenade 1912

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12
Q

Opera feel, male baritone phrasing up. Female voice over tremolo instruments, tensious moment, female

A

Richard Strauss: Solome first scene 1905

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13
Q

orchestra with woman singing in high range

A

Richard Strauss: Solome final scene 1905

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14
Q

Man singing solo to start trumpet interlude, strings followed by upset woman, intensifying emotion tristan melody

A

Richard wagner Tristan and Isotide
Beginning of Act 1: Sailor’s Song 1857-59

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15
Q
A

Music for Strings Percussion and Celesta, I
“Song of the Harvest” 1939 Bela Bartok

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16
Q

Uncertainty in string music over percussion snare feeling

A

Bela Bartok Music for strings Percussion and Celeste 1936

17
Q

Contuous Violin eighth notes, very atonal and then more tenuto accents

A

Bela Bartok “Song of the Harvest” 1931

18
Q

Piano music, sounds almost like 2 pianos, scalular descents, then unison

A

Bela Barok Mikrokosmos “From the Island of Bali” 1932-39

19
Q

Piano, continous eighth notes with more crunch, tritones everywhere

A

Bela Bartok Mikrokosmos “Diminished Fifth” 1932-39

20
Q

Thirds planing over female voice. Dom –mi. (requiem) Main theme (“pieee Jusee)

A

Lili Boulanger Pie Jesu 1917

21
Q

Ragtime feel, heavy textured piano music

A

Emmanuel Chabrier Souveniers De Munich 1886

22
Q

piano music with two moving lines, distant fuzzy feeling, nostalgic

A

Debussy Estampes “Pagodes” 1903

23
Q

Allegro, picking on one string instrument and strumming with another (very quiet at first)

A

Debussy String quartet in G minor op 10. mvt 2 1886

24
Q

motive of thirty second notes in almost syncopation like rhythm

A

Debussy Preludes book 1
1910 “Violes”

25
Q

Peaceful, serene top line stops a good bit. Very quiet.

A

Debussy Preludes book 1
“Des pas sur la neige” 1910

26
Q

Also very quiet Eighth and sixteenth note rhythm

A

Debussy Preludes book 1
“La fille Aux Cheveux de lin” 1910

27
Q

Ghibli feeling piece, sinking chords

A

Debussy Preludes book 1
“ La Cathedral Engloutie”

28
Q

classic rag, stereotypical of what is expected

A

Scott Joplin
(ca. 1867–1917)
“Maple Leaf Rag” 1899

29
Q

solo from freshmen year quarter quarter eighth note groups, soloist followed by orchestra

A

Modest Mussorgsky
(1839–1881)
Pictures at an Exhibition, I. Promenade 1874

30
Q

Feels like movie a few measures in, tremolos heavy

A

Maurice Ravel String Quartet in F major, 2 1903

31
Q

piano work, very soft starting with 2 quarter notes, orchestra underneath

A

Maurice Ravel Piano Concerto in G, 1 1931

32
Q

tremolo with flute solo on top beginning, large orchestral work, harp, vibrant

A

Igor stravinsky Introduction to Petrushka 1910

33
Q

Bassoon opening, low reeds

A

Stravinsky the Rite of Spring 1913, Introduction

34
Q

drum intro, staccato and accents, wind flourishes, dance

A

Stravinsky Rite of Spring 1913, Dance of Rival tribes