Listening for final Flashcards

1
Q

Hear, Play….

A

Milton Babbit, “Play on Notes” 1966

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2
Q

Sounds almost like arpeggios on violin, very soft, up and down passed to pianist

A

Violin Concerto Alban Berg 1935

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3
Q

Begins with trills, orchestra, strings, flute growls, very quick rhythmic gestures, female voice enters low and then jumps to a higher octave

A

Pierre Boulez Le marteau sans maître, mvt 5 1953-55

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4
Q

Piano high note followed by bass, pointallistic, piano piece, at times the lines appear to be following one another

A

Pierre Boulez structures 1a 1952

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5
Q

Ver quiet piano beginning, melodic slow melody (very much like an etude) (less dissonant) The lines appear to provide an element of harmony to one another, conjunct

A

Luigi
Dallapiccola Quaderno musicale di Annalibera
* “Quartina”1952-1953

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6
Q

Eighth notes very quiet piano music, one moving line with whole notes underneath to begin, accented moments, oscilliations,

A

Luigi Dallapiccola, Quaderno musicale di Annalibera No.4Linee” 1952-53

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7
Q

Piano upper note and dissonant lower note,dissonant scale, very quiet but crescendos, almost creates an arpeggio, lines work almost independently

A

Luigi Dallapiccola, Quaderno musicale di Annalibera, no. 6 Fregi 1952-53

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8
Q

Piano piece, funky chords to start with and then the lines create counterpoint, lines mostly function together to form this work

A

Arnold Schoenberg, Piano Piece, op. 33a, 1929

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9
Q

Strings in chord, homophonic texture to begin, almost tense

A

Arnold Schoenberg String Quartet #4, III. Largo1936

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10
Q

clarinet, beginning, plucked, groove t then the string lines work together to create a groove,

A

Anton Webern, Symphony, op. 21, mvt 2: Variations 1927-28

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11
Q

Beat me on an anvil OH GOD

A

Ruth Crawford Seeger
Three Songs
“Prayers of Steel”
1931–33

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12
Q

Is it wickedness?

A

Kendrick Lamar
DAMN.
1. Blood
2017

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13
Q

Multiple voices, Like a party, they rarely meet homophonically. Sounds like a chorus piece for a modern musical

A

Luciano Berio
Sinfonia
III. “In ruhig fliessender Bewegung”
1966

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14
Q

Violin, quarter, eighth, quarter, followed by low cello, followed by violin, pluck

A

Elliott Carter
String Quartet #5
Introduction
1995

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15
Q

Violin line with plucked moments around, more strings are added in, combination of interjections of strings

A

Elliott Carter
String Quartet #5
Giacoso
1995

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16
Q

multiple quarter notes on violins, longer lines of strings before pluck

A

Elliott Carter
String Quartet #5
Interlude 1
1995

17
Q

flute growl, garbling, person singing through instrument, more flute sounds

A

George Crumb
Vox balaenae (voice of the whale)
1971

18
Q

large triangle, flute run craziness, woman scream singing, plucked. Woman singing rhythmically “Luna”

A

George Crumb
Night of the Four Moons
IV. ¡Huye luna, luna, luna!
1969

19
Q

Tuba, trombone interjection, honk, honk, honk, with strings and then string crescendos, repeated

A

Gerard Grisey
Les espaces acoustiques
No. 3 Partiels for 18 musicians
1975

20
Q

Ominious piano and strings, trombone line, trilling strings, (horror movie score similar) tense (Star wars similiar)

A

Charles Ives
Symphony #4: 1. Prelude 1917

21
Q

single quick rhythmic piano line to begin with what sounds like interjections from piano underneath, repeatss.. they change as the piece goes on little by little

A

Steve Reich
Piano Phase
1967

22
Q

Strings lightly trilling, sing hissing, plucking underneath rhythmic, clarinet line, Ahhh, Ahhh, Ahhh

A

Kaija Saariaho
L’amour de loin
Act 2, scene 1 “Clemence” [
2000

23
Q

Clarinet and flute line followed by melodic female voice “Vieennnna”

A

Kaija Saariaho
L’amour de loin
Act 2, scene 2 “L’amour de loin”
2000