Licensing Flashcards

1
Q

US Copyright Act of 1976

A

Provides means to control usage and compensation through issuance of licenses (license = permission)

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2
Q

Licenses must be issued when:

A

Recorded, reproduced, and sold as physical media or permanent download
Used as segues on radio an TV
Streamed by a streaming service
Played publicly on any media (radio, TV, any venue, streamed)
Film, TV, and video games
Ads and sheet music
Physical song

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3
Q

What is a mechanical license?

A

Permission to fix a song

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4
Q

Who is a record company?

A

Anybody who wants to make a mechanical copy of a circle C property

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5
Q

Who owns the song? (Who is publisher?)

A

Can see on songfile.com (Harry Fox Agency)

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6
Q

Statutory rate

A

9.1 cents per unit (track)
Sent to publisher and split with composer of song
For less than 2500 units

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7
Q

Statutory rate for?

A
Physical copy or download
Streaming media (1 cent per stream)
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8
Q

Compulsory Mechanical License Provisions

A

File note of intent to record
Pay statutory rate
Make no changes to the song
Provide regular accounting of all records sold

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9
Q

Share of traditional mechanical license income

A

50/50 between publisher and songwriter/composer

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10
Q

Mechanical License forDigital Phonorecord Deliveries (Downloads)

A

Sam as physical in law

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11
Q

Controlled composition clause

A

Publisher asks songwriter to accept reduced mechanical royalty

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12
Q

MMA

A

Provide streaming income by establishing MLC, will create blanket licensing system

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13
Q

MLC

A

Music Licensing Collective

Will pay mechanical license fees for streaming and digital downloads

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14
Q

Performance Rights Organizations

A

They license the performance rights

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15
Q

Non-Dramatic Works

A

Small rights (Song w/o scene from musical, just song)

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16
Q

Dramatic Works

A

Grand rights (For entire musical)

17
Q

Exemption from Public Performance Licenses

A

Only in US
For movie theaters
In Europe this doesn’t happen

18
Q

License Fee Allocation

A

More money during primetime then during 3 AM (Time of day, audience reach, frequency)

19
Q

Monitoring Public Performances

A

Monitor major networks and radio stations for how much music is used
They store data (How many times your record got played)

20
Q

BDS

A

Broadcast Data Systems

21
Q

Distribution of Performance Rights Fees (to composers and publishers)

A

Writers don’t split royalties with publishers

22
Q

Mechanical Licenses for ?

A

Physical, Digital Media

23
Q

Synchronization Licenses for ?

A
Films
TV shows
Radio dramas
Commercials
Video Games
Ads
Promotional Music Videos
Non-Commerical Training Videos
24
Q

Sync License Fees

A

Always negotiated with publishers

25
Q

Rights Clearance

A

Group of people who get permission to use song for tv show

26
Q

Master Use License

A

Right to use a recorded piece of music in a film tv show commericial etc

27
Q

Performance Royalty Split

A

Record Labels 50%
Artists 45%
Background Singers 2.5%
Session Players 2.5%

28
Q

Sampling; Who Owns It?

A

Record Labels

29
Q

Specifics

A

Costs are always negotiated