Level 7 Signs And Terms 8/17/13 Flashcards

0
Q

With spirit

A

Con brio

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1
Q

If singing manner

A

Cantabile

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2
Q

With fire

A

Con fuoco

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3
Q

Gently, sweetly

A

Dolce

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4
Q

Sadly, sorrowfully

A

Doloroso

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5
Q

Expressively

A

Expressivo

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6
Q

Little

A

—etto

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7
Q

Humorous

A

Giocoso

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8
Q

Gracefully

A

Grazioso

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9
Q

Little

A

—ino

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10
Q

Lightly

A

Leggiero

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11
Q

Less

A

Meno

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12
Q

Much, very

A

Molto

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13
Q

Heavily, ponderously

A

Pesante

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14
Q

More

A

Piu

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15
Q

Little

A

Poco

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16
Q

Boldly, robustly

A

Robusto

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17
Q

Playful

A

Scherzando

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18
Q

Always

A

Sempre

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19
Q

Without

A

Senza

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20
Q

In a similar manner

A

Simile

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21
Q

Spirited

A

Spiritoso

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22
Q

Suddenly

A

Subito

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23
Q

Peacefully, tranquil, calm

A

Tranquillo

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24
Q

Slow

A

Adagio

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25
Q

Fast (also means cheerful, happy)

A

Allegro

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26
Q

Somewhat fast (slower than allegro)

A

Allegretto

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27
Q

Walking tempo

A

Andante

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28
Q

Slightly faster than andante

A

Andantino

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29
Q

Animated, with spirit

A

Animato

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30
Q

With motion

A

Con moto

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31
Q

Stately, broad, a very slow tempo

A

Largo

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32
Q

Slow

A

Lento

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33
Q

Moderately

A

Moderato

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34
Q

Very fast

A

Presto

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35
Q

Lively, quickley

A

Vivace

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37
Q

Lively

A

Vivo

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38
Q

gradually faster

A

accelerando

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39
Q

broadening, gradually slower

A

allargando

40
Q

return to the original tempo

A

a tempo

41
Q

less motion, slower

A

meno mosso

42
Q

more motion, faster

A

piu mosso

43
Q

gradually slower

A

rallentando

44
Q

gradually slower

A

ritardando

45
Q

held back, suddenly slower

A

ritenuto

46
Q

sustained, legato

A

sostenuto

47
Q

an accompaniment pattern using a three note chord. The notes of the chord are played bottom-top-middle-top

A

alberti bass

48
Q

play from the beginning to the fine

A

D.C. al Fine

49
Q

hold the note longer than its value

A

fermata

50
Q

release the soft pedal

A

tre corde

51
Q

press the soft pedal

A

una corda

52
Q

a style of writing in which an extended melody is imitated strictly and entirely in one or more voices

A

canon

53
Q

A motive is a short melodic or rhythmic pattern that appears throughout a piece. When the motive appears in the music, it may begin on a different note, the rhythm may change slightly or the motive may be inverted.

A

Motive

54
Q

The three sections of the sonata allegro form is?

A

1 exposition
2 development
3 recapitulation

55
Q

The immediate restatement of a melody or motive in another voice or hand.

A

Immitation

56
Q

Repetition occurs when a melodic or rhythmic pattern is repeated.

A

Repitition

57
Q

A sequence occurs when a melodic pattern is repeated at a higher or lower pitch, usually a 2nd or 3rd above or below the original pattern.

A

Sequence.

58
Q

Music in binary form has two sections: section A and section B. Each section is usually repeatd. The A section often ends on the dominant note, and the B section ends on the tonic.

A

Binary form.

59
Q

Music written in ternary form has three sections: section A, section B, and a repeat of section A. The two sections are often contrasting in character or style.

A

Ternary form.

60
Q

The sonata is a composition for piano which has separate sections called movements. The movements are usually contrasting in tempo and character.

A

Sonata.

61
Q

The sonatina is a short sonata, usually designed for instruction. A sonatina may have one, two, or three movements. The movements are usually contrasting in tempo and character.

A

Sonatina.

62
Q

Music in rondo has a recurring theme (A) that appears between contrasting sections (B, C, etc. ).

A

Rondo.

63
Q

Music with two or more independent parts or voices (melodies).

A

Polyphonic texture.

64
Q

Music with melody and accompaniment.

A

Homophonic texture.

65
Q

Sharps, flats, or naturals written before a note

A

Accidentals

66
Q

Used mainly in music of the classical period, play the first note as Half the value of the second note

A

Appoggiatura

67
Q

No specific key or tonality

A

Atonality

68
Q

The manner in which notes are executed, such as legato or staccato

A

Articulation

69
Q

The use of two different keys at the same time

A

Bitonality

70
Q

An extended ending to a piece of music

A

Coda

71
Q

A short coda

A

Codetta

72
Q

With

A

Con

73
Q

the pedal located on the right

A

Damper pedal

74
Q

Two flats placed before a note, indicating to lower the note a whole step

A

Double flat

75
Q

The symbol “x” placed before a note, indicating to raise the note whole step

A

Double sharp

76
Q

Letters or symbols which tell how loudly or softly to play the music

A

Dynamics

77
Q

Two different names for the same pitch, such as C# or Db

A

Enharmonic

78
Q

The end

A

Fine

79
Q

Play the piece with the first ending the repeat the piece. The second time through, skip the first ending and play the second ending.

A

First and second ending

80
Q

Lightly, delicatley

A

Leggiero

81
Q

An ornament in which the written note is played, followed by the note below the written note and the written note again

A

Mordent

82
Q

a word used to indicate the chronological order in which a composer’s music was written

A

Opus

83
Q

A repeated pattern

A

Ostinato

84
Q

Major or minor keys with the same letter name (such as C Major and c minor)

A

Parallel Major/minor

85
Q

A musical sentence, often four measures long

A

Phrase

86
Q

The use of several different keys at the same time.

A

Polytonality

87
Q

repeat the previous sections of music. go back to the nearest repeat sign, or to the beginning of the piece if there is none

A

Repeat sign

88
Q

Connect the first note to the second, the release the second note

A

Slur

89
Q

Sustained

A

Sostenuto

90
Q

a momentary contraction of the meter or pulse, often by changing strong and weak beats within a measure

A

Syncopation

91
Q

The speed at which to play the music

A

Tempo

92
Q

Release the una corda pedal

A

tre corda

93
Q

Hold the second note; do not play it

A

Tie

94
Q

an ornament in which the written note is alternated continuously with the note above. in music of the baroque or classical period begin the trill on the note above the written note. in music of the Romantic period begin on the written note

A

Trill

95
Q

A trill preformed with an added beginning from above or below

A

Trill with prefix

96
Q

An ornament in which the written note is surrounded by its upper and lower neighbors

A

Turn