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ART APP > Lesson 3: Visual Arts > Flashcards

Lesson 3: Visual Arts Flashcards

1
Q

A form of visual arts in which color is applied to various surfaces to create images with decorative value, representational value, or both

A

Painting

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2
Q

It depicts various intrinsic values of man through imaginative aggregation of lines and colors

A

Painting

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3
Q

It is the application of colored pigments to a flat surface like canvas, paper, wood or plaster.

A

Painting

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4
Q

Sources of pigments

A

Clay
Plants
Vegetables matter
Coal bar

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5
Q

It is believed to be the first chemical pigment

A

Prussian (German) blue

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6
Q

It is the various used to ind and disperse color pigments

A

Medium

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7
Q

A technique developed during the Renaissance Period. It becomes part of the wall

A

Fresco (fresh in Italian)

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8
Q

Kinds of fresco:

A

Buon fresco
Fresco secco

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9
Q

Kind of fresco:
Water color paints are applied to fresh plaster so that pigments and plaster mix chemically

A

Buon fresco (true fresco)

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10
Q

Kind of fresco:
The paint is applied to dry plaster and its binding material is gum

A

Fresco secco (dry fresco)

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11
Q

favorite medium of Medieval and Renaissance Period.
Pigments are mixed with egg yolk to a panel, usually wood (often covered with linen) on which several coats of gesso (chalk and gum) have been carefully rubbed down to create a glassy-smooth surface

A

Tempera

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12
Q

invention of oil painting was attributed to the Flemish brothers Hubert and Jan Van Eych, who applied oil paints to wooden panels, and even on canvases.

A

Oil

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13
Q

Oil advantages:

A

a. It remains moist for a long time
b. It can be modified or altered

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14
Q

a synthetic medium which is water-based paint made from
acrylic resins

A

Acrylics

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15
Q

Acrylics advantages:

A

a. Quick drying
b. Durability
c. Adaptability
d. Can be cleaned simply by water

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16
Q

it is mixed with water and applied to paper, pale and light in color. This medium is suitable for rapid, spontaneous expression in painting.

A

Watercolor

17
Q

Watercolor characteristics:

A

Transparent
Opaque

18
Q

Under watercolor:
Comes in cakes, tube or pans

A

Transparent

19
Q

Under watercolor:
Obtained in tubes

A

Opaques

20
Q

Elements of painting

A

Line
Color
Value
Volume
Texture
Perspective
Form
Style

21
Q

– it defines the shape or form of an artwork. In painting, the line is often an edge formed between to areas of color or light and shadow
– “line is the simplest, the most primitive and the most universal means of creating any visual art.”

A

Line

22
Q

most important element in painting. It not only refers to hue, but also to value - the amount of white or black in the hue, its intensity or brightness, and the presence or absence of light

A

Color

23
Q

it can be observed whether the picture is predominantly light or dark or whether they merged together or are distinctly apart

A

Value

24
Q

Example of value

A

Light values
Dark values

25
Q

Light values

A

Happiness and peace

26
Q

Dark values

A

Gloom and doom

27
Q

In painting, volume is an art illusion; the contour lines and shadows are there but do not change.

A

Volume

28
Q

the way an object is felt through the sense of touch. It may also reveal itself when it catches or reflects the light.

A

Texture

29
Q

Example of texture

A

a. Artist’s thick paint
b. Added objects like screws, bolts, scraps of cloth or metal

30
Q

means on how one perceives distance. In painting, it
is the means to make one visualize the objects in space.

A

Perspective

31
Q

Kinds of perspective

A

Linear perspective
Aerial perspective

32
Q

objects seem smaller as they recede
into the distance.

A

Linear perspective

33
Q

objects or things become lighter in color and duller outline as they approach the horizon; changes in appearance in relation to the atmosphere

A

Aerial perspective

34
Q

it is the overall design of the artwork. Designs commonly used
by painters are based on the triangle, the circle, and rectangle

A

Form

35
Q

qualities present in the artwork that will distinguish its creator
from others. The artist’s personality, outlook in life, ethnicity, training, etc. reflect on his work, and as his personality changes, his style may change

A

Style

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