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Contemporary Arts > Lesson 3 > Flashcards

Lesson 3 Flashcards

1
Q

The highest recognition given to Filipinos who have contributed significantly to the status of Philippine arts, such as music, visual arts, literature, film, broadcast arts, theater, dance, architecture, design, and allied arts.

A

Order of National Artists

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2
Q

When was the Order of National Artists established?

A

1972

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3
Q

Only _____ individuals have been conferred this highest honor of becoming a National Artist of the Philippines.

A

73

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4
Q

_____ National Artists were awarded posthumously.

A

26

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5
Q

He is the first National Artist.

A

Fernando Amorsolo

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6
Q

Originally, the recognition was called ___________________, until it was elevated in 2003 by then-President Gloria Macapagal Arroyo to the rank of Order

A

The National Artists Award

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7
Q

For a person to be considered in the selection of the National Artists Order of the Philippines, he or she must possess these 6 qualities, according to the official gazette.

A
  • Must be a Filipino citizen;
  • Work has contributed to nation-building;
  • Their distinctive style and pioneering works impacts succeeding generations of artist;
  • There is excellence in the practice of their art form;
  • Their art form enriches artistic expression or style; and
  • Their work is prestigious national and international recognition.
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8
Q

He wrote songs and musical arrangements based on the folk songs of different ethnic groups in the country.

A

Antonio R. Buenaventura

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9
Q

In 1935,with Francisca Reyes-Aquino, National Artist for Dance, researched and popularized Philippine folk songs and dances.

A

Antonio R. Buenaventura

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10
Q

He was the conductor of the PHILIPPINE ARMY BAND that brought back the band’ s prestige as one of the world’s best military bands that can sound like a symphony orchestra.

A

Antonio R. Buenaventura

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11
Q

The notable contribution of this National Artist in Philippine music was the use of folk music in his works.

A

Antonio J. Molina

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12
Q

He made innovations by using folk instruments like the KULINTANGAN and GABBANG.

A

Antonio J. Molina

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13
Q

He was a musician, composer, teacher and conductor for incorporating “Asianess” in his music.

A

Francisco Feliciano

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14
Q

This world renowned artist created unique musical works by transforming our indigenous music to a level equal to the music of western countries.

A

Francisco Feliciano

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15
Q

The National Artist known for making music using a leaf. He was included in the Guinness Book of World Record for having such talent.

A

Levi Celerio

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16
Q

He was a great musician who deserved an honor for enriching the Philippine music.

A

Levi Celerio

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17
Q

Among his famous pieces are Sa Ugoy ng Duyan, Dahil Sa Isang Bulaklak, Ang Pipit, Kalesa, etc.

A

Levi Celerio

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18
Q

He was also the lyricist of the famous Christmas song, Ang Pasko ay Sumapit.

A

Levi Celerio

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19
Q

An active musicologist, he embarked on fieldwork to collect and document music from folk religious groups in Quezon.

A

Ramon P. Santos

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20
Q

His ethnomusicological orientation has but richly enhanced his compositional outlook. Embedded in the works of this period are the people-specific concepts central to the ethnomusicological discipline, the translation of indigenous musical systems into modern musical discourse, and the marriage of Western and non-Western sound.

A

Ramon P. Santos

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21
Q

He has also done research and fieldwork among the Ibaloi of Northern Luzon.

A

Ramon P. Santos

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22
Q

She brought honor and glory to her country at a time when the Philippines was just an insignificant speck in the map for most people in Europe.

A

Jovita Fuentes

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23
Q

Founded the Artists’ Guild of the Philippines and produced the series “Tour of the Operaland.”

A

Jovita Fuentes

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24
Q

She sang for fund-raising programs for the San Lazaro Hospital, Abiertas House of Friendship, La Liga de Damas Catolicas, Convento de Monjas Carmelitas, and Casa de Buen Pastor.

A

Jovita Fuentes

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25
Q

She worked for the organization of a Filipino Symphony Orchestra and a Filipino Opera Company.

A

Jovita Fuentes

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26
Q

She worked with musical clubs and organized concerts and worked for the establishment of the Music Production Foundation by the Philippine Congress, signed into law by President Ramon Magsaysay.

A

Jovita Fuentes (Music)

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27
Q

The first female National Awardee in Music in the Philippines.

A

Jovita Fuentes

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28
Q

She was also the first Filipina to be acclaimed one of the best opera singers in the world in the early 1900s.

A

Jovita Fuentes

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29
Q

He is known as “people’s musician”

A

Felipe Padilla de Leon (Music)

30
Q

Why is Felipe Padilla de Leon known as “people’s musician”?

A

For the sentiments and aspirations of his music in times of war and of peace in our country.

31
Q

His orchestral music include Mariang Makiling Overture (1939), Roca Encantada, symphonic legend (1950), Maynila Overture (1976). Orchesterstuk (1981); choral music like Payapang Daigdig. Ako y Pilipino, Lupang Tinubuan, Ama Namin; and songs Bulaklak, Alitaptap. and Mutya ng Lahi.

A

Felipe Padilla de Leon

32
Q

This National Artist played an important part in the development of the Philippine choral music.

A

Andrea Veneracion

33
Q

She was the founder of the world renowned choral group, the Philippine Madrigal Singers, which has won several awards in and outside the country.

A

Andrea Veneracion

34
Q

This Bulakena began her research on folk dances in the 1920’s making trips to remote barrios in Central and Northern Luzon.

A

Francisca Reyes-Aquino

35
Q

Her research on the unrecorded forms of local celebration, ritual and sport resulted into a 1926 thesis titled “Philippine Folk Dances and Games,” and arranged specifically for use by teachers and playground instructors in public and private schools.

A

Francisca Reyes-Aquino

36
Q

Author of the 1926 thesis titled “Philippine Folk Dances and Games,”

A

Francisca Reyes-Aquino

37
Q

In 1954, she received the Republic Award of Merit given by the late Pres. Ramon Magsaysay for “outstanding contribution toward the advancement of Filipino culture”, one among the many awards and recognition given to her.

A

Francisca Reyes-Aquino

38
Q

In the 1940’ s, she served as supervisor of physical education at the Bureau of Education that distributed her work and adapted the teaching of folk dancing as a medium of making young Filipinos aware of their cultural heritage.

A

Francisca Reyes-Aquino

39
Q

Through the (ROFG), he had effected cultural and diplomatic exchanges using the multifarious aspects and dimensions of the art of dance.

A

Ramon Obusan

40
Q

He was also acknowledged as a researcher, archivist and documentary filmmaker who broadened and deepened the Filipino understanding of his own cultural life and expressions.

A

Ramon Obusan

41
Q

He was a dancer, choreographer, stage designer and artistic director. He achieved phenomenal success in Philippine dance and cultural work.

A

Ramon Obusan

42
Q

Some of her major works are Amada, Tales of the Manuyu, Bayanihan, Rama Hari and At a Maranaw Gathering.

A

Alice Reyes

43
Q

She creatively interweaved Philippine ethnic dance, modern dance and ballet producing a one of a kind contemporary dance routine.

A

Alice Reyes

44
Q

Her most significant contribution in the Philippine dance is the development of unique Filipino modern dance idiom.

A

Alice Reyes

45
Q

Tagged as her most ambitious work is the Filipinescas: Philippine life, Legend and Lore.

A

Leonora Orosa-Goquinco

46
Q

She is known as the “Trailblazer”, “Mother of Philippine Theater Dance”, and “Dean of Filipino Performing Arts Critics”.

A

Leonora Orosa-Goquinco

47
Q

Among the major works of her are cultural dances namely Singkil, Vinta, Tagabili, Pagdiwata and Salisid.

A

Lucresia Reyes Urtula

48
Q

She was the dance director of the Bayanihan Dance Company for three decades. A multi-awarded company, both nationally and internationally, Bayanihan has awakened a new pride among Filipinos in their cultural heritage; added a new dimension to the country’s dance tradition; and has built a rich reserve of international goodwill.

A

Lucresia Reyes Urtula

49
Q

She is an actor, director and writer.

A

Daisy H. Avellana,

50
Q

Born in Roxas City, Capiz on January 26, 1917, she elevated legitimate theater and dramatic arts to a new level of excellence.
• staging and performing in breakthrough productions of classic Filipino and foreign plays
• encouraging the establishment of performing groups
• the professionalization of Filipino theater.

A

Daisy H. Avellana,

51
Q

Together with her husband, National Artist Lamberto Avellana and other artists, she co-founded the Barangay Theatre Guild in 1939 which paved the way for the popularization of theatre and dramatic arts in the country, utilizing radio and television.

A

Daisy H. Avellana,

52
Q

She starred in plays like Othello (1953), Macbeth in Black (1959), Casa de Bernarda Alba (1967), Tatarin.

A

Daisy H. Avellana,

53
Q

She is best remembered for her portrayal of Candida Marasigan in the stage and film versions of Nick Joaquins Portrait of the Artist as Filipino.

A

Daisy H. Avellana,

54
Q

Her directorial credits include Diego Silang (1968), and Walang Sugat (1971). Among her screenplays were Sakay (1939) and Portrait of the Artist as Filipino (1955).

A

Daisy H. Avellana,

55
Q

With Teatro Pilipino, he revived the sarswela and other traditional Filipino drama and introduced contemporary western drama.

A

Rolando Tinio

56
Q

He was an outstanding director, poet, thespian and playwright known for his numerous remarkable productions and notable scripts.

A

Rolando Tinio

57
Q

Aside from Theater, he is also a National Artist for Literature.

A

Rolando Tinio

58
Q

His plays include Half an Hour in a Convent, Wanted: A Chaperon, Forever, Condemned, Perhaps, In Unity, Deep in My Heart, Three Rats, Our Strange Ways, The Forsaken House, Frustrations.

A

Wilfrido Ma. Gurrero

59
Q

By bringing theatre to the countryside, he made it possible for students and audiences in general to experience the basic grammar of staging and acting in familiar and friendly ways through his plays that humorously reflect the behavior of the Filipino.

A

Wilfrido Ma. Guerrero

60
Q

In 1947, he was appointed as UP Dramatic Club director and served for 16 years. As founder and artistic director of the UP Mobile Theater, he pioneered the concept of theater campus tour and delivered no less than 2,500 performances in a span of 19 committed years of service.

A

Wilfrido Ma. Gurrero

61
Q

A teacher and theater artist whose 35 years of devoted professorship has produced the most sterling luminaries in Philippine performing arts today: Behn Cervantes, Celia Diaz-Laurel, Joy Virata, Joonee Gamboa, etc.

A

Wilfrido Ma. Gurrero

62
Q

Hailed as the Queen of Kundiman, she has already been a part of different Spanish zarzuelas at a very young age of seven.

A

Honorata “Atang” dela Rama

63
Q

The kundiman and zarzuelas mirror the Filipino people.

A

Honorata “Atang” dela Rama

64
Q

Dalagang Bukid, Mascota, Marina, Pangarap ni Rosa are few of the zarzuelas that she portrayed with excellence.

A

Honorata “Atang” dela Rama

65
Q

An exceptional theater designer, the quality of his designs made him incomparable to other designers.

A

Salvador F. Bernal

66
Q

He used local materials in producing creative and unique sets and costumes.

A

Salvador F. Bernal

67
Q

He was a professor at the University of the Philippines and Ateneo de Manila where he shared his competencies to the aspiring young designers.

A

Salvador F. Bernal

68
Q

Hailed as the TITAN OF THE PHILIPPINE THEATER, he took the lead in promoting “legitimate theater” in the country.

A

Severino Montano

69
Q

He was a top caliber playwright, theater artist, and director who took up degrees in and outside the Philippines, in order to share his learning and skills to the younger Filipino generation.

A

Severino Montano

70
Q

He became the dean of the Philippine Normal College where he founded the Arena theater in 1953. The Arena theater served the grassroots and promoted drama to the masses through school-community theaters.

A

Severino Montano

71
Q

A dance epic showing the Filipino culture from pagan time to the present that elevated the Philippine native folk dance to its highest level of development.

A

Filipinescas

Contemporary Arts (3 decks)

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