lesson 2 Flashcards

1
Q

labov

A

Labov (1927) is the founder of ʻsociolinguisticsʼ Research started in the 1960s
● new methodology focusing on the ʻspeech communityʼ
● quantitative analysis of linguistic and social variation
● groundwork the ʻfirst waveʼ of sociolinguistics
○ ʻsecond/third wavesʼ address shortcomings

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2
Q

Labov researched language change, and made three important realisations

A

there is variation in language

● this variation is quantitative (%)

● quantitative patterns of variation differ between groups of speakers

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3
Q

The Department Store study Peopleʼs pronunciation of (r) varied by…

A

● social factors — working class vs. middle class ● stylistic factors — careful speech vs. casual speech ● language-internal factors — word-medial vs. word-final position Individuals differed, but the patterns hold at community level

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4
Q

speech community

A

Labovʼs definition of a speech community: “A speech community is not defined by any marked agreement in the use of language elements, so much as by participation in a set of shared norms; these norms may be observed in overt types of evaluative behaviour, and by the uniformity of abstract patterns of variation which are invariant in respect to particular levels of usage.”

By this definition, New York City is a speech community ● different rate of use of variants ● agreed social meaning (evaluative behaviour) ● agreed abstract patterns of variation

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5
Q

realisations

A

● language variation is a prerequisite for language change ● language change from above/below (conscious awareness) ○ not the same as from higher/lower social classes! ○ social classes often show a cross-over pattern ● more on language variation and change next week

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6
Q

Language variation and women

A

● Principle 1 (Sex-Prestige Pattern)
○ in stable variation, women use more of the standard variant than men do

● Principle 2a
○ in change from above, women use more of the prestigious incoming variant

● Principle 2b
○ in change from below, women are most often the innovators

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7
Q

Why does the Sex-Prestige Pattern exist?

A

● women often lack material status and power, so compensate for this by using more prestigious language

● really?
○ if men are more prestigious, women should be copying men
○ and should we theoretically take menʼs speech as the norm?

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8
Q

social networks

A

Social networks are “the aggregate of relationships contracted with others”

● dense, multiplex networks work as an enforcement mechanism; outside influence is resisted

● sparse, [pauciplex] networks are open to input from outside

● this has consequences for language, too

Social networks can also explain the city-hopping pattern in language change ● more connections between larger cities ● further spread from local centres

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9
Q

problems with networks

A

Speakers are simply presented as members of social categories, networks or groups who select linguistic variables, and the meaning assigned to language reflects the meaning of those who select it.ʼ Emma Moore

ʻHow do linguistic variants acquire social meaning through social practice – or, how do variables mean?ʼ Penny Eckert

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10
Q

communities of practice

A

ʻ…an aggregate of people who come together around mutual engagement in an endeavour. Ways of doing things, ways of talking, beliefs, values, power relations – in short, practices, emerge in the course of this mutual endeavour.ʼ Penny Eckert & Sally McConnell-Ginet

● mutual engagement

● jointly negotiated enterprise

● shared repertoire

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11
Q

three waves of sociolinguistics

A

● Labovian sociolinguistics — broad categories

● social networks — locally relevant categories

● communities of practice — social meaning Looking at language use quantitatively can give explanations for language variation, language change, and social meaning

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12
Q

index field

A

Indexical field: boxes = social types ● bold = permanent states ● italic = stances (slides p. 32)

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13
Q

Accent

A

Where speakers differ
(or vary) at the level
of pronunciation
only (phonetics and/
or phonology), they
have different accents.
Their grammar may
be wholly or largely
the same. Accents
can index a speaker’s
regional/geographic
origin, or social factors
such as level and type
of education, or even
their attitude.

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14
Q

Dialect

A

A term widely applied
to what are considered
sub-varieties of a
single language.
Generally, dialect
and accent are
distinguished by how
much of the linguistic
system differs. Dialects
differ on more than
just pronunciation,
i.e., on the basis of
morphosyntactic
structure and/or how
semantic relations
are mapped into the
syntax. (See also
Variety.)

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15
Q

speech community (book)

A

Speech community
Variously defined on
subjective or objective
criteria. Objective
criteria would group
speakers together in
a speech community
if the distribution of a
variable was consistent
with respect to other
factors (e.g., style).
Subjective criteria
would group speakers
as a speech community
if they shared a sense
of and belief in comembership.

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16
Q

style-shifting

A

Variation in an
individual’s speech
correlating with
differences in
addressee, social
context, personal goals
or externally imposed
tasks.

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17
Q

attention to speech

A

Labov proposed
that the different
distribution of forms
in different styles
was motivated by the
amount of attention
the speaker was paying
to the act of speaking.
In activities such as
reading aloud, reading
word lists or minimal
pairs, Labov argued
that speakers are
paying more attention
to their speech than
they are in interviews,
and in interviews they
pay more attention
than when conversing
with friends and
family. Contrasts
with accommodationbased accounts of
style-shifting such as
audience design. Also
contrasts with more
agentive theories of
style-shifting such as
acts of identity.

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18
Q

triangulation

A

Triangulation
A researcher’s use of
several independent
tests to confirm their
results and aid in
the interpretation
of their results. For
example, use of data
from sociolinguistic
interviews and a rapid
and anonymous study

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19
Q

labov interview

A

(i) read a list of minimal pairs (pairs of words that have different meanings but only differ
from each other in one sound);
(ii) read a list of words in isolation (some of which contain the variables under investigation
and some of which do not);
(iii) read aloud a short narrative (carefully constructed to contain the variables in as many
linguistic environments as possible);
(iv) talk with the interviewer about their life, some of their beliefs, and their life experiences.

20
Q

stratified

A

See Broad and
Fine stratification.
The systematic and
consistent patterning of
a variant with respect
to some independent
factor

21
Q

monotonic

A

A steady increase or
decrease in a feature
along the x-axis of a
graph.

22
Q

trend

A

Steady increase
or decrease in the
frequency of a form
across a scale or set of
measures.

23
Q

Probability/
probabilistic

A

The likelihood with
which a variant will
occur in a given
context, subject to the
linguistic and nonlinguistic constraints.
An adjustment of raw
frequencies of forms.

24
Q

Inherent
variability

A

A way of modelling
variation as a property
of the grammar.
Contrasts with a
model of variation
as speakers’ (or a
speaker’s) alternation between different
sound or grammar
systems (see code
switching ). Also
contrasts with
the notion of free
variation . Inherent
variability unifi es
interspeaker and
intraspeaker variation
in ways that the other
two approaches do not

25
Q

Overt prestige

A

The prestige associated
with a variant that
speakers are aware of
and can talk about in
terms of standardness,
or aesthetic and moral
evaluations like being
‘nicer’ or ‘better’. (See
also Covert prestige.)

26
Q

covert prestige

A

A norm or target that
is oriented to without
the speaker even
being aware that they
are orienting to it.
Evidence of covert
prestige can be found
in mismatches between
speakers’ self-report of
using one variant and
actual use of another
variant. Often used
(wrongly) to refer to
the value associated
with non-standard or
vernacular varieties.

27
Q

Observer’s
paradox

A

The double-bind
researchers fi nd
themselves in
when what they are
interested in knowing
is how people behave
when they are not
being observed; but the
only way to fi nd out
how they behave is to
observe them.

28
Q

Participant
observation

A

The practice of
spending longer
periods of time with
speakers observing
how they use language,
react to others’ use of
it, and how language
interacts with and is
embedded in other
social practices and
ideologies. A means of
gathering qualitative
data rather than
quantitative data.

29
Q

Audience design

A

Derived from
accommodation
theory. Proposal that
intraspeaker variation
arises because speakers
are paying attention
to who they are
addressing or who
might be listening to or
overhearing them, and
modify their speech
accordingly

30
Q

Speaker design

A

A further approach
to analysing styleshifting . Stresses the
speaker’s desire to
represent her/himself
in certain ways. (See
also Acts of identity .)

31
Q

social class

A

A measure of status
which is often based
on occupation,
income and wealth,
but also can be
measured in terms
of aspirations and
mobility. These factors
can then be used to
group individuals
scoring similarly on
these factors into
socioeconomic classes.

32
Q

status

A

Max Weber’s theory
of social class held
that it was based on
a person’s status,
measured in terms of
their lifestyle and life
choices in addition to
measures of wealth
and occupation (as per
Marx)

33
Q

cross-over effect

A

The cross-over
effect emerges at the
intersection of style
and class. Typically
it refers to the
breakdown in the most
careful speech styles
of clear stratification
between speakers
of different social
classes. For example,
when reading word
lists, speakers from the
second-highest social
class will suddenly
produce more tokens
of an incoming or
prestige form than
speakers in the highest
social class do, instead
of producing slightly
fewer tokens as they do
in their conversation
or interview styles (cf.
Hypercorrection).

34
Q

fine stratification

A

A distribution of
variants, e.g., across
groups of speakers in
different styles, which
shows each group of
speakers patterning
minimally differently
from each other in
each style. Shows up
as small gaps between
trend lines on a line
graph

35
Q

broad stratification

A

A distribution of
variants – for example,
across groups of
speakers in different
styles – which shows
each group of speakers
patterning markedly
differently from each
other in each style.
Shows up as a big gap
between trend lines on
a line graph.

36
Q

change from above

A

Changes taking place
in a speech community
above the level of
individuals’ conscious
awareness. Able to
be commented on.
One variant is clearly
standard or has clear
overt prestige. It does
not refer to changes
led by higher social
classes (though this
may often be the case).
(See also Change from
below.)

37
Q

change from below

A

Changes taking place
in a speech community
below the level of
conscious awareness.
Not the subject of
overt comment. It does
not refer to changes
led by lower social
classes. (See also
Change from above.)

38
Q

hypercorrection

A

The production of
a form which never
occurs in a native
variety on the basis
of the speaker’s
misanalysis of the
input (cf. Cross-over
effect).

39
Q

linguistic insecurity

A

Speakers’ feeling that
the variety they use
is somehow inferior,
ugly or bad. Negative
attitudes to one’s own
variety expressed in
aesthetic or moral
terms

40
Q

negative concord

A

A language where
a negative element/
constituent in a
sentence requires all
other indefi nites to also
be negative has a rule
of negative concord.

41
Q

core network member

A

Term used by Jenny
Cheshire to describe
the members centrally
involved and actively
participating in a
friendship network.
Distinguished
from peripheral
and secondary
members who were
progressively less
involved.

42
Q

dense and loose networks

A

Dense networks are
characterised by
everyone within the
network knowing
each other. In loose
social networks not all
members know each
othe

43
Q

uniplex tie

A

A network tie between
individuals that
expresses one role or
basis for contact and
interaction. (See also
Multiplex tie.)

44
Q

multiplex ties

A

Individuals in a social
network can be linked
through a single
social relationship
(a uniplex tie; e.g.,
mother~daughter)
or through several
social relationships
(multiplex ties;
e.g., cousins~
coworkers~
neighbours).

45
Q

life-modes

A

Different modes
of production and
consumption. Social
class may be seen as a
process giving rise to
these distinctions.

46
Q

community of practice

A

Unit of analysis
introduced to
sociolinguistics by
Penelope Eckert and
Sally McConnell-Ginet
in their research on
language and gender.
A smaller unit than a
social network. Comembership is defined
on three criteria:
mutual engagement,
a jointly negotiated
enterprise and a shared
repertoire. Associated
with analyses
of variation that
emphasise speakers’
agency. (See also Acts
of identity; Speaker
design.)