Lecture 8: Perception spatial vision and visual pathways Flashcards

1
Q

Square wave grating

A

consists of alternating light and dark bars with sharp, square-like edges, where the luminance (or light intensity) changes abruptly between the bars

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2
Q

Sine wave grating

A

consisting of alternating light and dark bars with a luminance profile that smoothly undulates,

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3
Q

Spatial frequency

A

the level of clarity and image
the larger the spatial frequency, the clearer the image will be

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4
Q

What does a small amount of oscillations you have for the same unit of space mean

A

the longer the distance between the peaks is going to be

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5
Q

Long wavelength in relation to spatial frequency

A

low spatial frequency

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6
Q

short wavelength in relation to spatial frequency

A

high spatial frequency

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7
Q

contrast

A

the difference of the darkest and brightest regions against the average backgrounds

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8
Q

High amplitude at the peaks and troughs in relation to contrast

A

High contrast

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9
Q

Low amplitude at the peaks and troughs in relation to contrast

A

lower contrast

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10
Q

Phase

A

the position of the wave at any point in space e.g., can start of bright then go dark, or start of dark then bright. Grating translated.
degrees
The peaks of the waves are at different points in that continuum known as a phase shift

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11
Q

Key facts about ganglion cells in relation to spatial frequency

A

Every ganglion cell will have it’s own receptive field size
In centre of visual field the receptive fields are smaller, in the periphery the receptive fields are larger
Depending on the size of their receptive fields each ganglion cell is going to respond most to a different range of frequencies

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12
Q

What does spatial frequency depend on

A

receptive field size

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13
Q

In relation to spatial frequency when would a cell fire most

A

When the the spatial frequency matches it’s RF size

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14
Q

What does it mean to say that Ganglion cells are phase selective

A

Their firing is going to depend on how exactly the light stimulus is positioned on the receptive field
Likes the perfect amount of light in the centre and surround

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15
Q

Why sine waves

A
  • All images can be broken down into or built up from sinusoidal components (Fourier analysis and synthesis)
  • The visual system may be processing images in this way
  • Sine waves are useful and convenient stimuli for studying the visual system
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16
Q

What are composite gratings

A

stimuli that combine two or more gratings with different spatial frequencies and/or orientations, which are then perceived as a single, unified pattern

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17
Q

What would be seen in a high frequency picture

A

fine details e.g., sharp edges, different textures

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18
Q

What would be seen in a low frequency picture

A

coarse form, gradual changes in intensity or colour

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19
Q

Where is the highest visual acuity

A

centre of vision as has the highest density of cones

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20
Q

Visual acuity definition

A

the sharpness or clarity of vision, specifically the ability to discern fine details and shapes at a given distance.

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21
Q

How high spatial frequency affects visual acuity

A

makes visual acuity harder to perceive

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22
Q

What does the size of the visual angle mean for the image projection on the retina

A

the smaller the the visual angle the smaller the image on the retina regardless of how big the image might be in metres

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23
Q

what does it mean to say that visual acuity is constrained by cone spacing at the fovea

A

the sharpness of vision in the central part of the eye, the fovea, is limited by the distance between the cone photoreceptor cells

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24
Q

What does smaller cone spacing mean in terms of visual acuity

A

higher resolution or better acuity, cones need to be densely packed

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25
Q

What does 20/10 or 6/3 vision mean

A

good vision at 20 feet (6 metres) you can read what the average person reads at 10 feet (3 metres)away

26
Q

What does 20/40 or 6/12 vision mean

A

not so good: at 20 ft (6 metres) you can read what the average person reads 40 ft (12 metres) away

27
Q

Contrast sensitivity

A

how much contrast is needed for you to detect the pattern against the grey background

28
Q

Relationship between contrast sensitivity and contrast needed to detect a pattern

A

contrast sensitivity is the reciprocal;

29
Q

Michelson contrast

A

(Maximum luminance - Minimum luminance)/(Max + Min)

30
Q

Relationship between contrast sensitivity and spatial frequency

A

contrast sensitivity depends on spatial frequency

31
Q

Contrast sensitivity function

A

The ability to percieve sharp and clear outlines of very small objects, It is also defined as the ability to identify minute differences in the shadings and patterns. CS helps detect objects without a clear outline and distinguish them from their background contrast.

32
Q

Contrast sensitivity: high frequency cut off

A

photoreceptor spacing the point where a perceptual system (like vision or hearing) loses its ability to detect or discriminate details or changes in stimuli above a certain frequency

33
Q

Contrast sensitivity: low frequency cut off

A

lateral inhibition. The capacity of excited neurons to reduce the activity of their neighbours, so only the neurons that are the most stimulated and least inhibited respond.

34
Q

when low spatial frequency has matured by

35
Q

What happens to the nasal part of the optic nerve at the optic chiasm

A

crosses over and goes to the opposite area of the brain

36
Q

LGN key facts

A

Part of thalamus
Left and right LGN - monocular input
6 Layers
4. 1-2: magnocellular layers (M-cells)
5. 3-6: parvocellular centre-surround RFs
6. Concententric centre-surround RFs
7. Feedforward and feedback connections
8. Relays input to cortex, brings input from two eyes into register

37
Q

Magnocellular

A

large, fast moving objects rapid, transient response

38
Q

parvocellular

A

details of stationary objects slow, sustained response

39
Q

konicellular

A

s cone pathway

40
Q

what would happen if you lost functionality in left visual cortex

A

wont see anything from your right visual field

41
Q

Topographic map

A

in register in each eye
map like representation of visual space
adjacent parts of the visual field are represented by adjacent neurons

42
Q

Primary Visual cortex or V1 striate cortex:

A
  • 200 million neurons (100xLGN)
  • Six layers (input LGN layer 4)
  • Topographical mapping
  • Cortical magnification
  • Neurons turned to orientation, spatial frequency and direction
  • Binocular neurons (response to both eyes)
  • Ocular dominance (preferred for one eye’s input)
  • Simple, complex and hypercomplex cells
  • Columnar architecture
43
Q

topographical mapping in V1

A

parts of the image near the centre of your gaze (4,5,6) are magnified so receive more cortical tissue, cortical magnification.

44
Q

Cortical magnification in v1

A

Much more cortex is devoted to the centre of gaze than to the periphery.

Central 10deg = 50% of V1

1 deg at fovea = 20 mm of cortex

1 deg in periphery, 1- deg away = 1.5 mm of cortex

45
Q

receptive fields of neurons in V1

A

v1 neurons care about edges, edge detectors not spots of light.

Also spatial frequency tuned, direction-of-motion tuned

46
Q

Simple cells

A

Excitatory region well-defined: responds only if bar is properly positioned in receptive field.
phase sensitive - where is the bar positioned in the receptive field

47
Q

complex cells

A

Excitatory region less defined; will respond if bar is positioned anywhere in receptive field
phase insensitive

48
Q

Hypercomplex (end-stopped) cells

A

responds only to bars of particular lengths

49
Q

what does it mean to say v1 neurons are organised into columns

A
  • Neurons with similar orientation tuning form a column - all orientations within 0.5mm
  • Neurons with the same eye preference form a column - 0.5 mm per eye
50
Q

Dorsal stream

A

vision for action

51
Q

ventral stream

A

vision for perception

52
Q

specialized visual areas higher in the visual pathway

A

Parahippocampal place area (PPA): places or scenes
* Extrastriata body area (EBA): body parts
* Fusiform face area (FFA): faces or expert objects
* Modules of object specialization

53
Q

properties of extrastriate visual neuron receptive fields

A

Larger: respond to larger regions of the visual field than ganglion cells and V1 cells
* More complex: respond to complex forms; not just dots and bars
* Binocular: respond to input from both eye

54
Q

V4 neurons

A

respond to complex configurations of figures

55
Q

How neuronal response changes from retina to extrastriate cortex

A

becomes more complex
the final representation of an object in the brain is built up from simple features such as spots and edges that are grouped into more complex forms

56
Q

Adaptation: neural response to a vertical test stimulus after adaptation

A

Neurons previously most excited by the adaptor now
respond less to the neutral (vertical) test stimulus
* The peak firing rate is shifted to the left (-10 deg)

57
Q

Adaptation: psychologists electrode

A

neural response inferred from behaviour
Previous studies (cat, monkey) involved recording of responses of single neurons.
Not easily done in humans.
* Adaptation provides an indirect measure of neural responses

58
Q

Interocular transfer of adaptation

A

clue to location of neurons in the visual pathway responsible for the effect
If the effect transfers from one eye to the other, the site of adaptation must reside in binocular neurons in visual cortex

59
Q

Spatial frequency adaptation

A

Adapt to a certain spatial frequency (e.g., 7 cycles/degree)
Sensitivity decreases for that spatial frequency, but not
others (i.e., there is a dip in the CSF only around 7 cpd)

60
Q

Spatial frequency channels revealed by adaptation

A

SF channel: a set of neurons tuned to a limited range of spatial frequencies
The contrast sensitivity function looks continuous but contains several independent channels

61
Q

Spatial frequency channels

A

Visual patterns are analysed by neurons with different receptive field sizes, corresponding to a
specific range of spatial frequencies, i.e., spatial frequency channels
* The perception of any scene or image depends on the activity of several channels