Lecture 8 Flashcards

1
Q

What is gain?

A
  • Gain refers to the difference between the input intensity (reaching the hearing aid microphone), and the output intensity (from the hearing aid receiver)
  • Gain= Output - Input
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2
Q

What is frequency response?

A

Frequency response refers to the gain at various frequencies

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3
Q

Frequency response is ____ dependent

A

Frequency

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4
Q

What is saturation response?

A
  • Maximum output that the hearing aid can produce. In a saturation response, a higher input does not translate to a higher output
  • Top level volume
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5
Q

What is input-output function?

A

Visual representation of output as a function of input (the gain provided by the hearing aid will depend on the input level)

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6
Q

What is linear amplification?

A
  • In linear amplification, the amount of gain applied is the same, regardless of the input. This is a 1:1 relationship
  • Equal input and equal output
  • Linear HAs also have a maximum output (the top level that the HA can produce)
  • The way we get to the maximum output is by the gain and the limiting system of the HA
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7
Q

Linear gain is the ____ degree angle

A

45

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8
Q

What is non-linear amplification?

A
  • In non-linear amplification, the amount of gain applied depends on the input (i.e. soft, moderate, or loud intensity sounds)
  • As the input level gets higher, the gain will change to affect the output
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9
Q

Explain dynamic range in someone with SNHL (picture)

A
  • SNHL has a reduced dynamic range (they need inputs to be brought up to a level of audibility, however, the loudness comfort of the patient doesn’t change that much)
  • A: normal hearing
  • B: SNHL (blue bar is showing the reduced dynamic range)
  • C: Now this individual has linear amplification (need a mechanism in place to make loud sounds less loud)
  • D: Now this individual has compression (placing all environmental sounds in that range)
    • Provides comfort, audibility, and a difference between soft, medium, and loud sounds
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10
Q

What 4 things does compression do?

A
  1. Compression helps to preserve the waveform and maintains speech recognition ability
  2. Maintains a perception of “soft”, “moderate”, and “loud” sounds by fitting the sound into the residual dynamic range
  3. Maintains a comfortable listening levels for patients
  4. Reduces the adverse effects of loud inputs
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11
Q

What is compression ratio?

A
  • The ratio of incremental change from input to output level
  • Change in Input vs. Change in Output
  • The reference for this is always to 1 dB change in output
  • For example a 2:1 CR indicates that a change in input of 2 dB, results in 1 dB change in output
  • CR = delta input/delta output
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12
Q

CR 1:1 and CR 2:1 (picture)

A

CR 1:1
- Linear amplification
- More gain for soft sounds
CR 2:1
- The HA is saying once I reach a certain intensity, our compression ratio will kick in
- Putting the breaks so sound isn’t too loud
When the curve flattens out we reach the MPO
- The maximum power output of the HA for safety and comfort

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13
Q

It is important to limit the ____ at ____

A

Output, high inputs (controlling the gain at high levels)
- may have a CR of 2:1 at high inputs

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14
Q

How do you control the gain at high levels?

A
  • “Automatic Gain Control” (AGC); the gain is automatically adjusting based on the input level
  • Compression may also be referred to as “Non-Linear Gain”
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15
Q

What happens without compression?

A
  • Before compression was possible, an alternative to limiting the output could be achieved by Peak Clipping.
  • Peak clipping results in distortion, and a poor speech perception, and degrades intelligibility
  • The output is no longer a sine wave, as there is missing information to process from in the input signal (the top part of the amplitude of the signal is chopped off)
  • However, this gets the job done and still creates a safe listening environment for the patient
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16
Q

What is the compression threshold (CT), or knee point?

A
  • Compression Threshold or Kneepoint refers to the level set where compression will be activated. In an I/O graph, this is the “bend” deviating from the 45 degree (linear gain) angle.
  • The knee point might be 40 dB (after an input of 40dB, the HA will start to compress that sound)
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17
Q

What is wide dynamic range compression (WDRC)?

A
  • WDRC is compression activated across a wide range of inputs (i.e. a low knee-point or compression threshold (CT)
  • A HA that is activating compression at a fairly low-level input
  • Ex) 4:1 (4dB in and 1dB out)
18
Q

Compression is not ____

A

Instantaneous

19
Q

What is attack time?

A

Attack time refers to the time it takes to turn down the gain in response to an increase in the signal level. The attack times can vary (usually 1-20 ms)

20
Q

What is release time?

A

Release time refers to the time it takes to turn up the gain in response to a decrease in the signal level. The release times can vary (20-30 ms up to approximately 5 seconds)

21
Q

What happens if release time is too fast?

A

Slight distortion and “pumping” may be audible

22
Q

What happens if release time is too slow?

A

If the delay in the gain restored slowly, there may be audibility gaps for our patients

23
Q

How is compression controlled or set?

A
  • Remember: we can adjust the amount of gain at soft, moderate, and loud inputs in the software BUT manufacturer’s can have different ways of making this adjustment
  • Generally, we are not specifically selecting a compression knee point or choosing a ratio, but changing the gain at different inputs effects these two points.
24
Q

What happens if we reduce the knee point?

A

If we reduce the knee point, it means that softer sounds are going to get more of a boost

25
Q

What happens if we increase the knee point?

A

If we increase the knee point, it means that softer sounds are going to get less of a boost

26
Q

Explain this picture

A
  • Soft sounds are getting more gain then the loud sounds (a compression system)
  • Dashed line is a feedback estimation line
  • Very top line is the MPO of the HA (the HA cannot provide more gain than that)
27
Q

If we increase sounds, we are ____ the compression ratio

A

Reducing

28
Q

Ideally, we try to keep the compression ratios of ____ or less

A

2:1

29
Q

higher compression is sound that isn’t as ____ to patients

A

Natural

30
Q

What is headroom?

A
  • Headroom refers to the dB range between the upper level of amplified speech and the hearing aid’s Maximum Power Output (MPO)
  • Optimizing the headroom is ideal so that the peaks of speech can have fluctuation and variation while remaining comfortable
31
Q

What is compression limiting?

A

Compression limiting occurs when the compression setting limits the output of the hearing aids

32
Q

What are the two components of compression limiting?

A

Commonly the result of AGCo ,but can be AGCi

33
Q

What is the AGCi?

A
  • Automatic gain control input
  • Input controlled compression systems detect the level input before the volume control of the hearing aid. The gain is reduced at the pre- amplifier of the hearing aid
  • Sound comes into the HA and the level detector is happening before the pre-amplifier
34
Q

What is the AGCo?

A
  • Automatic gain control output
  • Output Controlled Compression systems detect the level of input after the volume control of the hearing aid. The gain is reduced at the output amplifier of the hearing aid
  • Gain comes into the HA and is modified and the compression system is reducing gain at the output past the pre-amplifier
35
Q

Does the MPO change with AGCo?

A

The MPO doesn’t change no matter what position the patient has the volume in

36
Q

Does the MPO change with AGCi?

A

Yes

37
Q

What is expansion?

A
  • Expansion is a technique used in hearing aids to make low level sounds softer
  • Expansion reduces the gain for low-level sounds from the environment, and attempts to make the noise generated from the hearing aid lessened
  • Expansion, like compression, can have a kneepoint, attack and release times, and a ratio
38
Q

What is the expansion line?

A
  • Below expansion knee point it is making low gain even softer (less gain for soft sounds)
  • When you do REM, it will help confirm if the levels have been set correctly (gets it bang on for the patients)
39
Q

Is there any downside to making soft sounds audible?

A

If expansion system is too aggressive, we can be affecting the audibility of the softest sounds (between the HF consonants /s, z/)

40
Q

Explain the Barbie and compression anaolgy

A
  • Think about compression like a car driving down a street
  • Driving towards a stop sign
    • Speed = gain
    • Breaks = compression system
  • Rapidly approaching the stop sign (a lot of gain), she slams on the breaks = linear processing with peak clipping
  • This time she is driving and when she is about 15m away, she puts on the breaks and comes to an abrupt stop = linear amplification with a very high knee point
  • Now, a km away from the stop sign and presses on the break and stops right at the stop sign = WDRC
    • If pressing on the break as she slowly gets to the stop sign = WDRC with multiple knee points