Lecture 6 Flashcards

1
Q

What are motion pictures?

A

Photographs filmed and projected at
24/25 still frames per second, creating
the illusion of motion / ‘life’.

Subject(s) MOVE within the frame.

The frame itself may MOVE.

The French call a tracking shot ‘un travelling’.

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2
Q

What are the factors filmmakers must consider when filming motion?

A

Camera Portability

Gripping Cost: Equipment; Crew

Schedule: Production / setup time

Technical: Image / Lens / Focus

Aesthetic: Visual Context; Editing; Screen Time

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3
Q

What equipment can filmmakers use when filming motion?

A

Track & Dolly + tripod-top Sliders

Crane / Jib

Stabilisers:

(e.g.) Steadicam ® Panaglide ® Glidecam ®

Vehicular Transport (including drones)

+

Hand Held Camera

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4
Q

Production costs?

A

Equipment

Transport

Crew

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5
Q

KEY GRIP / GRIP

A

Gripping refers to crew / work / equipment required for

work including gathering shots with a moving camera.

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6
Q

FOCUS-PULLER

A

Camera crew member needed for shots when acquiring shots where subject-camera distance (focus point) may change during the shot - due to subject or/and camera movement……TIME!

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7
Q

SCHEDULE

Fledgling production crew need to take into account:

A

Time-consuming setup

Takes longer to shoot

More difficult to execute……so greater number of retakes. …but sometimes gets a lot of screen time ‘in the can’.

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8
Q

TECHNICAL CHALLENGES of MOVING CAMERA SHOTS

A

Executing smooth movement

Maintaining subject framing

Maintaining subject focus

Affects image sharpness

Limits choice of LENS

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9
Q

Cine-Aesthetics?

A

Visual Context

Screen time

Editing

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10
Q

PANNING Left to Right

A

Camera is fixed on tripod

Function…
Scan / survey location/space
Follow subject (suitable…?!)
Indicate character POV

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11
Q

What is a WHIP-PAN?

A

Extremely rapid pan used to dramatically (violently) relate two (usually) or more framed shots. *

Example scenario: Character 1 being secretly watched by Character 2.Executed with static shot of Char 1, followed by whip-pan off Char 1, straight onto Char 2, watching.

In fact, the ‘shot’ is often a trick – hiding a CUT…	…actually two shots with rapid camera movement,	(rapid blur) at the END of shot 1 and START of Shot 2,	with the invisible cut in the middle of the blur, to make it look like one shot.
  • Alternatively, making two events seem as if they are taking place in close proximity, reinforcing their dramatic / narrative / parallel link.
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12
Q

What is a tilt?

A

The camera is fixed on tripod and tilted up and down.

Function…
Scan / survey location/space
Follow subject (suitable?!)
Indicate character POV
\+
DRAMATISE …?
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13
Q

What is a CRANE?

A

The camera move may: descend towards or rise above subject; follow subject’s descent/rise; scan / reveal’ up or down over subject.

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14
Q

What is a Track IN?

A

Camera closes in on static subject.

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15
Q

What is a Track OUT?

A

Camera pulls back from static subject.

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16
Q

What is Tracking LEFT / RIGHT?

A

Track Camera moves laterally to scan screen or follow subject or as subjective P.O.V.

17
Q

What is a FOLLOW Track?

A

Camera moves forward with subject

(over the shoulder) or as subjective P.O.V.

18
Q

What is a REVERSE Track?

A

Camera moves backwards with subject

or as subjective P.O.V.

19
Q

What is a CURVED Track?

A

Camera moves partially around subject(s).

May be used as a subjective P.O.V.,
or to suggest a shift in viewpoint or
perspective – psychological shift?

20
Q

What is a CIRCULAR Track?

A

Designed to allow the camera to rotate 360o
around a subject – most often a person or people.

Creates a dizzying effect - may be further
heightened by also rotating the subject(s).

21
Q

Types of camera stabilisers

A

STEADICAM ®

PANAGLIDE ®

GLIDECAM ®

However… Steadicam et al have NOT replaced the Track or Hand Held camerawork – it’s effect is different, but smoother does NOT necessarily mean better…

…depends on context or effect sought.

22
Q

HAND-HELD camerawork

A

Visually jarring compared to stabiliser

Effect / Context

Lens (focal length) crucial…

Choose Wide Angle or Telephoto?

23
Q

ZOOM

A

NOT a camera move, but a LENS ACTION

24
Q

Zooming is NOT the same as tracking.

A

What happens if you Track IN and Zoom OUT
at exactly the same ‘pace’?

(or Track OUT and Zoom IN?)

The ‘ZOLLY’ shot…

25
Q

The alternative to camera movement is?

A

CUTTING
i.e. - replacing one shot involving
camera movement with two or
more shots edited together.

Is it as good?

…an acceptable compromise?

…the only practical solution?

26
Q

FUNCTION / EFFECT / IMPACT

of camera movement

A

Survey / reveal frame

Follow subject

Convey subjective P.O.V…

Enhance empathy / identification…

Express or externalise - ?