LECTURE 2 & 3 Flashcards

1
Q

INFLUENCES ON ARCHITECTURE

A

GENERAL INFLUENCES, INFLUENCES OF NATURE, INFLUENCE OF MAN

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2
Q

GENERAL INFLUENCES

A

NEEDS OF MAN & ACTIVITIES OF MAN

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3
Q

NEEDS OF MAN

A

PHYSICAL NEEDS, EMOTIONAL NEEDS, INTELLECTUAL NEEDS

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4
Q

WHAT ARE THE TWO PHYSICAL NEEDS?

A

SELF PRESERVATION AND REPRODUCTION

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5
Q

food, shelter, clothing, livelihood, and other basic needs

A

SELF PRESERVATION

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5
Q

for the population to
increase and continue in existence.

A

REPRODUCTION

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6
Q

ACTIVITIES OF MAN

A
  • DESIRE FOR PRESERVATION
  • DESIRE FOR RECOGNITION
  • DESIRE FOR RESPONSE
  • DESIRE FOR SELF-EXPRESSION
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7
Q

WHAT ARE THE INFLUENCES OF NATURE?

A

CLIMATE & TOPOGRAPHY

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8
Q

This affects the habits and temperaments
of people

A

CLIMATE

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9
Q

WHAT ARE THE TWO TYPES OF CLIMATE?

A

WARMER CLIMATE & COLDER CLIMATE

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10
Q

plans are more open and often include courts or patios.

A

WARMER CLIMATE

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11
Q

more compact in arrangement. The severe cold winds are avoided by providing a cover from portion of the building to the other.

A

COLDER CLIMATE

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12
Q

The general terrain or contour of the surface of an area.

A

TOPOGRAPHY

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13
Q

WHAT ARE THE INFLUENCES OF MAN?

A

SOCIAL CONDITIONS & MAN’S PERSONALITY

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14
Q

Since architecture is the most permanent and cumulative reflection of the social structure of a certain period, the interests of the people dictate the type and appearance of its buildings

A

SOCIAL CONDITIONS

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15
Q

In this setting, this reflects his interest in the type of house that he prefers to live in. This influence is even more magnified when you are dealing with residential clients

A

MAN’S PERSONALITY

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16
Q

refers to the size of something compared to a reference standard or to the size of something else (like a human being).

17
Q

refers to the proper and harmonious relation of one part to another or to the whole.

A

PROPORTION

18
Q

In architecture, you can achieve proportion
through?

A
  • MATERIAL PROPORTIONS
  • STRUCTURAL PROPORTIONS
  • MANUFACTURED PROPORTIONS
19
Q

PROPORTIONING SYSTEMS

A
  • GOLDEN SECTION
  • CLASSICAL ORDERS
  • RENAISSANCE THEORIES
  • MODULOR
  • KEN
  • ANTHROPOMETRY
20
Q

a mathematically-based proportioning system used by ancient civilizations including the Greeks and Romans as well as by modern designers, most notably the French-Swiss architect Le Corbusier.

A

GOLDEN SECTION

21
Q

Used by the Greeks and Romans of ancient antiquity represented the perfect expression of beauty and harmony. They were not based on a fixed unit of measurement, but rather on the proportioning of the parts to the whole.

A

CLASSICAL ORDERS

22
Q

The architects of the Renaissance, believing that their buildings had to belong to a higher order, returned to the Greek mathematical system of proportions.

A

RENAISSANCE THEORIES

23
Q

who developed the proportioning system which was based on musical scale?

A

PYTHAGORAS

24
They thought that architecture was mathematics translated into spatial units.
Renaissance Architects
25
They thought music to be the geometry translated into sound
Greeks
26
They applied the proportioning system developed by Pythagoras (which was based on the musical scale) and developed a progression of ratios that formed the basis of their architecture.
Renaissance Architects
27
This proportioning system was made famous by the French-Swiss architect Le Corbusier.
Modulor
28
This was based on the measuring concepts used by the Ancient Greeks, Egyptians and other high civilizations.
Modulor
29
It uses the mathematical proportions of the human body as a point of reference.
Modulor
30
The Modulor combines the aesthetic dimensions of the ____________ and ____________ with the scale of the human body.
Golden Section & Fibonacci numerical series
31
He developed this system for the serial production of standard furniture and for determining the lengths, heights, and widths of inner spaces.
Le Corbusier
32
It is a traditional Japanese unit of length.
Ken
33
It originally designated the interval between two columns and it was standardized later for residential architecture.
Ken
34
It was used as the absolute measurement for the construction of buildings and as an aesthetic module that ordered the structure, materials and space of Japanese architecture.
Ken
35
Together with ken, another module also affected the design of Japanese spaces
Tatami
36
the traditional Japanese floor mat
Tatami
37
It was originally proportioned to accommodate two persons sitting or one person sleeping.
Tatami
38
The smaller side of a tatami was equal to the?
ken and two kens equaled the length of a tatami.
39
The Japanese inner spaces were formed according to
ken modules and the placement of tatamis
40
This refers to the size and proportions of the human body.
ANTHROPOMETRY
41
This search for the functional dimensions of the human body.
Anthropometric proportioning methods