LECTURE 10 & 11

Question 1

DIFFERENT TYPES OF KITCHEN

Answer 1

1. Straight line kitchen
2. L-shaped kitchen
3. Corridor or Galley Kitchen
4. U-shaped kitchen
5. Peninsula or G-Shape Kitchen
6. Island Kitchen

Question 2

• For small apartments
• Little cabinet space
• Not ideal for working triangle

Answer 2

Straight line kitchen

Question 3

• Located on 2 adjacent walls
• Efficient and usually more attractive than a straight-line kitchen
• 2 work centers on one wall and the other on an adjacent wall
• Not for large kitchens

Answer 3

L-shaped kitchen

Question 4

• Uses two opposite walls
• Small to medium size (ideal for long narrow rooms)
• Not ideal if there is too much traffic through kitchen
• Leave at least 120cm of open space between cabinets

Answer 4

Corridor or Galley Kitchen

Question 5

• Popular, highly effective, and attractive
• No traffic passes through the kitchen to other areas of house
• Compact work triangle
• Leave at least 170cm of space between both sides of the U

Answer 5

U-shaped kitchen

Question 6

• is a piece of cabinetry projecting into empty space that is often used as cooking center, eating area, or food prep center
• Plenty of workspace
• Traffic is reduced and work triangle is compact

Answer 6

Peninsula or G-Shape Kitchen

Question 7

• Modification of straight, L or U-shaped design
• is stand-alone cabinetry accessible from all sides that may house sink, cooking center, food prep area, or countertop/snack bar
• 120cm of clearance for easy access

Answer 7

Island Kitchen

Question 8

when designing kitchens, always keep in
mind the?

Answer 8

WORK TRIANGLE

Question 9

consists of the distance between the refrigerator, sink and range or stove

Answer 9

work triangle

Question 10

Perimeter of triangle should be less than?

Answer 10

670 cm

Question 11

It is an orthographic projection of an object as it would appear if cut through by an intersecting plane.

Answer 11

section

Question 12

emphasize the solid-void relationship between the floors, walls, and roof structure of a building and the vertical dimensions and relationships
of the contained spaces.

Answer 12

Design sections

Question 13

articulate the structural and material assemblies and details of a building.

Answer 13

Construction sections

Question 14

represents a vertical section of a building. After a vertical plane slices through the construction, we remove one of the parts

Answer 14

building section

Question 15

It is an orthographic projection of the portion that remains. cast onto a vertical picture plane parallel or coincident with the cutting plane.

Answer 15

building section

Question 16

It reveals the shape and vertical scale of interior spaces. the impact of window and door openings on these spaces. and the vertical connections between the internal spaces as well as between inside and outside.

Answer 16

Building sections

Question 17

The conventional symbol for indicating the location of the section cut in a plan drawing is a

Answer 17

broken line of long segments separated by
short dashes or dots

Question 18

is the sensation of movement or strain in muscles, tendons, and joints.

Answer 18

Kinesthetic

Question 19

Are senses those concerned with perceiving the body’s own movement and with informing the individual of his or her position and the position of the limbs in space.

Answer 19

Proprioceptive Senses

Question 20

In essence, this sensory system is composed of two separate systems

Answer 20

Vestibular system & Kinesthetic

Question 21

in the ear, which is mainly concerned with maintaining the body’s posture and equilibrium

Answer 21

Vestibular system

Question 22

feeling of motion

Answer 22

Kinesthetic

Question 23

system which consists of sensors in the muscles, tendons and joints that indicate the relative positions and movements of the limbs and of different parts of the body.

Answer 23

Kinesthetic

Question 24

It is crucial for notifying the operator about what the body is doing, without each and every part of it having to be monitored.

Answer 24

Proprioceptive System

Question 25

The shape or conformation of the space and especially the kinesthetic experiences of space as we move through the environment is conveyed by the perception of?

Answer 25

edges

Question 26

In design, we are not dealing with geometrical solids as pure obstructions, but as forms to be linked together and penetrated by human movement.

Answer 26

CIRCULATION

Question 27

Our definition of the shortest distance between two points in design will be the distance that may be covered with the least effort, in other words, the line with the least breaks or jerks in the natural flow of the human movement considered.

Answer 27

CIRCULATION

Question 28

The most economical distance, requiring the least amount of energy and fuel and as a consequence, the most efficient.

Answer 28

SHORTEST DISTANCE

Question 29

it means fast traffic, as any wasted time means a loss. So the circulation must be as short and as straight as possible

Answer 29

SERVICE CIRCULATIONS

Question 30

In the contrary, must be organized in certain instances so that the public will actually cover as much ground as possible. It should never reach the limit of boredom and fatigue. (e.g Department Store)

Answer 30

PUBLIC CIRCULATIONS

Question 31

Understand how people move around through the circulatory system, and mostly how smoothly and easily they do move from one area of activity to another

Answer 31

ARCHITECTURAL APPLICATION

Question 32

We can all read a plan just by following the moves of the people in it, from the time they land at the point of entry until the time they come out of the building – as workers, as visitors, etc. – and by projecting ourselves into the mind of the different kinds of people and different kinds of activities they get into while in the building.

Answer 32

ARCHITECTURAL APPLICATION

Question 33

Various colors have a strongly emotional effect on people. It reflects the spirit of the people who create it. Color is definitely related to the lives of the individuals and the material things with which they are associated

Answer 33

Chromatic Energy of Architectural Design

Question 34

Tends to produce rage or passion; it is exciting and stimulates the brain. It has an aggressive quality and is frequently associated with violence and excitement. It also suggests health and vitality and often has amorous connotations.

Answer 34

RED

Question 35

denotes joy, stimulating cheerfulness. It is also the most luminous color. Yellow also demands attention, and so it is used in dangerous locations, such as the edge of a subway platform to mark the hazard, while red used to be the color for firetrucks, yellow is now preferred.

Answer 35

YELLOW

Question 36

has a stimulating effect and should usually be used in relatively small amounts. The occupant of an orange office, for instance will become ill at ease after a short time and will leave it at every opportunity.

Answer 36

ORANGE

Question 37

is restful and warming but should be combined with orange, yellow or gold because it could be depressing if used alone.

Answer 37

BROWN

Question 38

suggests cold and is also depressing unless combined with at least one livelier color.

Answer 38

GRAY

Question 39

is cheerful, particularly when used with warm colors like red, yellow and orange.

Answer 39

WHITE

Question 40

is sedative and soothing. It suggests a stately or melancholy atmosphere.

Answer 40

PURPLE

Question 41

is peaceful and tranquil. It reduces excitability and therefore helps one to concentrate.

Answer 41

BLUE

Question 42

has a cooling quality and it acts as a sedative.

Answer 42

GREEN

Question 43

can be used to help express architectural forms - and -if carelessly used, it can destroy architectural form.

Answer 43

Color