Lecture 15 - Language development in later childhood Flashcards
things that happen in language development in later childhood
- start mastering that last few sounds in production
- it’s a long time before some syntactic constructions are understood (ask vs. promise)
• distinguishing between: I asked him to clean his room vs. I promised him to clean his room - peer interactions start happening more and more often, and these things shape their language and they get better at interacting with peers
- developing narrative skills
- developing literacy
Peer Interactions
- they are a trial-by-fire form of communicative competence
- learn things fast cause you get a lot of feedback (maybe negative)
- in-group language: adolescent register
- playing with language (humor, sound play)
adolescent register
- particular mode of speech that adolescents use with each other
- “like”, “y’know”
- Various slang terms
- either get abandoned or absorbed into general use
Fun with language
Ely & McCabe (1994)
- about 25% of kindergarteners’ speech involved language play
- playing with sound
- Riddles:
- word games capitalizing on ambiguity (phonological, morphological, semantic, lexical)
- “Knock knock. Who’s there? Lettuce. Lettuce who? Lettuce in!”
- solving riddles correlates with reading ability
Verbal Humor
• Part of socializaion into community
• Develops with age
– Young: scatalogical (potty humor)
– Mid-childhood: more complex, e.g. puns/jokes
– Adolescence: as sarcastic and ironic as adults
• Varies from culture to culture
– Teasing
– AA: ‘your mama’ statements (ritualized verbal game)
Gendered Speech
- Starts differentiating around age 2, 3
- The only biological components:
• voice deepening (adolescence)
• higher incidence of dyslexia in men (maybe socially conditioned: boys think reading is “girly”) - everything else socially conditioned
Gendered Speech in Adults: Males
- males have larger vocal cords = larger surfaces vibrate more slowly = low PITCH
- Males have longer vocal tracts = low FORMANTS (resonances that make vowels)
fundamental frequency of U.S. adults
males 120Hz; females: 200Hz
***This discrepancy differs by culture: suggests that certain aspects of gendered speech are learned
Gendered Speech in Children
- until ~ 13 years, no difference in PITCH
- as early as 4, differences in FORMANTS
- adult listeners can identify child gender about change at 4 years old (because they appear to be using formants)
why are formants different?
the bigger the instrument the lower the pitch (differences in vocal tract size)
children are selectively imitating gendered speech patterns
Gendered speech/language within social constructs
• unwittingly enforced by teachers, parents
- behavior X is okay for boy, not girl (or vice versa)
• identify with same-gender peers
- girls seek affiliation, boys seek power and autonomy (in suburbia) - AA city girls show more balanced pattern - compete (allegedly male_ as well as cooperate
• in narratives, girls are more likey to quote others
- a lot of attention to language, more literacy later - gender variability in attudes toward literacy (reading is 'girly')
extended discourse
talking about stuff that is not just in “the here and now”
early on, lots of language is about immediate context
in school years, more need to have decontextualized language ( the “tell” part of “show and tell”)
key development in literacy skills (written language is always decontextualized)
explanations, descriptions, encouraged in the classroom
paradigmatic extended discourse
logical writing
classroom writing
narrative discourse
more natural, in social settings
story telling
focus on human intentions within the story
- story (usually about past events)
- at least two clauses about a single event
things that change with age about narratives
- changes in length (become longer with age)
- changes in structure
- age 4: “leapfrog” narratives (no train of thought)
- between 4 and 8: chronological narratives (and then….and then…)
- Age 8+: more classic narrative (high point analysis)
• build up to high point/climax
• also, lots of evaluation (how narrator feels about events)