Learning to write Flashcards

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1
Q

Phoneme and Grapheme

A
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2
Q

Stages of writing development

A

1) Drawing
2) Letter-like forms
3) Copied letters
4) Child’s name and string of letters
5) Words
6) Sentences
7) Text

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3
Q

Fine motor control

A

Coordination of muscles in hands and fingers

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4
Q

Emergent writing

A

Describes children’s early scribbles or representations of the written word

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5
Q

Directionality

A

Writing from left to right

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6
Q

Kroll’s theory

A

Researches stages of writing development (later Perera added suggested age ranges for the stages)

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7
Q

Kroll’s Stages of writing development (1981)

A

1) Preparation: -6 years -basic motor skills acquired and some principles of spelling
2) Consolidation: 7/8 - more informal, colloquial, unfinished sentences, strings of clauses
3) Differentiation: 9/10 - awareness of writing as separate from speech, stonger understanding of writing for different audiences and purposes
4) Integration: mid-teens - the ‘personal voice’ is developed meaning they can control their writing and make appropriate linguistic choices

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8
Q

Heenman (1985) Five Developmental Stages of Writing

A

1) Scribble: child uses lines/scribbles to convey meaning
2) Isolated letter: numbers, symbols, lines - but no correlation with speech; could read messages with help of pictures (stringing together letters)
3) Transitional: spell some words correctly, still use letters/numbers/symbols on their own
4) Stylised sentence: patterns around words used, can leave spaces in between words (letter/sound knowledge), can read back own writing without pictures
5) Writing: write messages by themselves, write for different purposes (e.g. letter, story), logical order to discourse, sentences more complex, more punctuation, ‘writers voice’

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9
Q

Cognitive Processes to master in writing

A

(lowest to highest skills)
1) Fine motor skills - handwriting
2) Spelling
3) Generating ideas
4) Translating - transcribing ideas
5) Knowledge of topic
6) Knowledge of audience
7) Awareness of different styles (genre)
8) Setting goals
9) Monitoring writing as you go
10) Reviewing - evaluating, editing

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10
Q

Novice writing - features of early writing

A

Linear writing
Knowledge-telling
Limited cohesion
- little overall control in the whole discourse, except in very obvious surface forms e.g. letter format, traditional story openings/closings

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11
Q

Linear writers

A

Tending to write in a non-reflective form of writing

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12
Q

Knowledge-telling

A

Thinking of a topic and writing all they can on the subject
Knowledge telling = Limited cohesion

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13
Q

Flower and Hayes theory

A

About the generation and production of ideas on paper
- coherent writing is based on constraints (rules and convention)
1) Knowledge - formed in your mind and translated into a linear form (text-generation); must be organised or reader cannot follow

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14
Q

Flower and Hayes’ three constraints

A

1) Knowledge - formed in your mind and translated into a linear form (text-generation); must be organised or reader cannot follow
2) Sentence formation - ideas have to be transformed into strings of sentences where a writer must follow the syntactical rules needed to convey their ideas
3) Goals - the given task (genre of writing) and success criteria
Each one of these impose considerable demands on the writer

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15
Q

Taffy Raphael’s theory

A

Looked at the actual difficulties involved in the transcription (physical writing) process
- in order to write a student must draw upon three ‘knowledges’

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16
Q

Taffy Raphael’s three knowledges

A

Declarative - knows the rule about punctuation / spelling etc
Procedural - knows how to write the required punctuation mark / grapheme etc
Conditional - guides a writer when to use the punctuation (or other feature)

17
Q

Writer acknowledging conditions for feature

A

For the writer to spot the conditions when something must be carried out seems more difficult to acquire than the other knowledges e.g. automaticity, knowledge of genre and protocols

18
Q

Automaticity

A

When a process has become so rehearsed that it takes up very little room in our working memory - the area where we hold our ideas when undertaking a task

19
Q

Working memory

A

Where we hold our ideas when undertaking a task

20
Q

Knowledge of genre

A

Form and genre is a major demand on the working memory. For a novice writer who does not know the conventions of a text, not knowing how to start a text with an appropriate sentence is challenging
- Subsequent decisions about shaping and planning a whole text can be overwhelming
Novice writers might therefore resort to simple knowledge telling with little attention to the required discourse features that distinguish one form of text from another

21
Q

Protocols

A

The comments writers make when they write
- Rules and guidelines that a writer is considering when producing a text e.g. appropriate word choice, punctuation, topic
- for novice writers the protocols are identical to what they end up writing. This shows: at an early age reflection and decision making is not evident, suggesting the decisions taken in novice writing are more impulsive than planned and the writers working memory is unable to juggle wide ranges of thoughts

22
Q

Jean Chall’s model

A

Each stage builds on skills mastered in earlier stages; lack of mastery at any level can halt the progress beyond that level

23
Q

Jean Chall’s model of the stages of reading acquisition

A

0) Pre-reading and pseudo-reading: pretend reading (turning pages + repeating stories), letter and word recognition (especially those in their name), words - -6 years
1) Initial reading/decoding: reading simple texts containing high-frequency lexis (when children learn difference between between phonemes and graphemes) 600 words understood - 6-7
2) Confirmation and fluency: reading more quickly, accurately and fluently paying more attention to the meanings of words and texts - 7-8 years old
3) Reading for learning: reading for knowledge and information becomes the motivation - 9-14 years old