Lamia Flashcards

1
Q

Fantastical, Mythical setting at the start.

A

‘upon a time, before the faery broods’
‘nymph’, ‘satyr’, ‘King Oberon’, ‘Dryads’, ‘Fauns’
‘In that sacred island dwelt/ A nymph to whom all hoofèd satyrs knelt,/ At whose white feet the languid Tritons poured/ Pearls’

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2
Q

Lamia’s initial state, as a SNAKE

A

‘a mournful voice’, ‘All pain but pity’
‘When from this wreathèd tomb shall I awaken!/ When move in a sweet body fit for life’
‘Ah miserable me!’
‘A palpitating snake’, ‘serpent prison house’
‘some penanced elf,/ Some demon’s mistress, or the demon’s self’
‘Her head was serpent, but ah, bitter-sweet!/ She had a woman’s mouth with all it’s pearls complete’

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3
Q

Lamia’s request to Hermes

A

‘I was a woman, let me have once more/ A woman’s shape and charming as before/ I love a youth of Corinth’

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4
Q

The relation of Hermes and the nymph

A

‘And towards her stepped: she like a moon in wane/ Faded before him, coward, could not restrain/ Her fearful sobs, self-folding like a flower’

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5
Q

Love in the fantastical is attainable; in reality love cannot last.

A

‘Nor grew they pale, as mortal lovers do’

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6
Q

Lamia’s transition

A

‘her elfin blood in madness ran’
‘her mouth foamed’
‘Her eyes in torture fixed’
‘convulsed in scarlet pain’
‘A deep volcanic yellow took her place’
‘She was undressed/ Of all her satires, greens and amethyst’
‘Nothing but pain and ugliness were left’

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7
Q

Lamia’s quest for Lycius

A

‘her new voice luting soft,/ Cried ‘Lycius! gentle Lycius!’
‘where she willed her spirit went’
‘her eyes/ Followed his steps’
Lamia ‘fell into a swooning love of him’

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8
Q

Lamia’s state after her transformation

The contradiction of her beauty…

A

‘Now a lady bright,/ A full born beauty new and exquisite’
‘A virgin purest lipped, yet in the lore/ Of love deep learnèd to the red hearts core’
‘As though in Cupid’s college she had spent/ Sweet days a lovely graduate’

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9
Q

Description of Lycius

A

‘Like a young Jove with calm uneasier face’

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10
Q

Lycius falls in love with Lamia immediately

A

‘So delicious were the words she sung,/ It seemed he had loved them a whole summer long.’
‘And soon his eyes had drunk her beauty up,/ Leabing no drop in the bewildering cup,/ And still the cup was full’

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11
Q

Foreshadowing of tragic end

A

‘Even as thou vanishest I shall die’

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12
Q

Lamia’s deceit

A

‘What canst thou say or do of charm enough/ To dull the nice remembrance of my home?’
‘it cannot be- Adieu!’ ‘Cruel lady, without any show of sorrow for her tender favourites woe’

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13
Q

Lycius in a trance like state

A

‘Out her new lips to his, and give afresh/ The life she had so tangled in her mesh’
‘As from one trance was awakening into another’
‘every word she spake enticed him on’

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14
Q

Sexual imagery

A

‘won his heart/ More pleasantly by playing woman’s part’

‘Lycius to all made eloquent reply,/ Marrying to ever word a twin born sigh’

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15
Q

Descriptions of Corinth

A

‘populous streets and temples lewd’
‘Men, women, rich and poor, in the cool hours,/ Shuffled their sandles’
‘threw their moving shadows on the walls’

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16
Q

Interaction with Apollonius

A

LYCIUS: ‘Why do you shudder, so ruefully?/ Why does your tender palm dissolve in dew’
Lamia: ‘Tell me who/ Is that old man? I cannot bring to mind/ His features,- Lycius! wherefore did you blind/ Yourself from his quick eyes’

17
Q

Apollonius as force of reason

A

‘Tis Apollonius Sage, my trusty guide/ And good instructor; but tonight he seems/ The ghost of folly haunting my sweet dreams’

18
Q

Prophetic interjections

A

‘And but the flitter-wingèd verse must tell,/ For truth’s sake, what woe afterwards befell’

‘Had Lycius lived to hand his story down’
‘But too short was their bliss/ To breed distrust and hate, that make the soft voice/ Hiss’

19
Q

Descriptions of love

A

‘Love in a hut, with water and crust, Is– Love, forgive us!-cinder, ashes, dust;/ Love in a palace is perhaps at last/ More grievous torment than a hermit’s fast’

20
Q

Description of the Palace

A

‘That purple lined palace of sweet sin’