'Lady Day and (John Coltrane)', 'Inner State (of Mind)' and 'Love and Affection' from Back in the Day (2000), Courtney Pine Flashcards

1
Q

Who is Courtney Pine and when was he born?

A

‣Contemporary jazz musician

‣Born in 1964

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2
Q

What does Courtney Pine’s style blend?

A

Soul, R&B, reggae and hip-hop with traditional elements.

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3
Q

What does CP play?

A
He is a virtuoso saxophonist.
He also plays:
‣flute
‣bass clarinet
‣keyboard
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4
Q

What is ‘Back in The Day’?

A

Courtney Pine’s self-produced 8th album, released in 2000.

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5
Q

Which songs are covered? Who are the covers originally by?

A

Covers:
‣Lady Day and (John Coltrane) - Gil Scott-Heron (1971)
‣Love and Affection - Joan Armatrading (1976)

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6
Q

What is the standard notation used?

A

‣Short score with:
◦piano
◦vocal
◦chord symbols - with guitar tab above the stave

Other parts notated on additional staves as required.

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7
Q

What are cross-heads used for?

A

To notate:
◦Rhythms in the rap section
◦Multi-phonics
◦Key-click effects

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8
Q

How are dynamics represented?

A

Traditionally.

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9
Q

How is tempo shown?

A

Using BPM.

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10
Q

Give an example of where an occasional other effect is written into the score.

A

Vibrato, bar 39, LD+JC

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11
Q

What is the contrast like between the instrumentation of the three songs?

A

There is a considerable contrast of instrumentation between the songs.

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12
Q

What is the instrumentation in LD+JC?

A

◦Vocals
◦Piano
◦Guitar
◦Sax

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13
Q

What is the instrumentation in ISOM?

A

◦’Jazz horn grouping’ - sax, trumpet, trombone
◦vocals
◦rap
◦guitars

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14
Q

What is the instrumentation in LAA?

A
◦Vocals
◦bvox
◦guitar
◦bass clarinet
◦tenor sax
◦strings
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15
Q

Describe the sonority of Inner State of Mind

A
  • Distortion and random background noises at start
  • Dubbed voices
  • Drum programme
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16
Q

Features of sonority in Lady Day and John Coltrane

A
•Dubbed voices
•Drum programme
•Extended performance techniques
▪Multi-phonics
▪Key clicks
17
Q

Features of sonority in Love and Affection

A

•Variation of vocal timbres

18
Q

What are the predominant textures of the three songs?

A

Homophony and melody-dominated homophony.

19
Q

What are five textural features of Inner State (of Mind) and where can they be found?

A

◦Homophony - Voices (bar 1), Horns and sax (bars 70-71)
◦Melody dominated homophony - bars 2-9 (sax and piano)
◦Rap with accompaniment (e.g. bars 21-35)
◦Broken chords - Bars 80-87
◦Riff - e.g. bars 94-115

20
Q

What are three textural features of Lady Day and (John Coltrane) and where can they be found?

A

◦Homophony - close harmony (bar 21)
◦Melody dominated homophony (bar 1 onwards)
◦Riff e.g. bars 5-12

21
Q

What are three harmonic features of Love and Affection and where can they be found?

A

◦MDH - Bars 1-12
◦Riff - e.g. bar 22 onwards
◦Free counterpoint - bars 84-94

22
Q

What are the metres of the three songs?

A

ISOM◦ Brisk quadruple metre (4/4)

LD+JC◦ Fast quadruple to slower rubato at the close

LAA◦ Opens with rubato quadruple time passage, moves to upbeat strict tempo

23
Q

Name four rhythmic features of ISOM and state where they are found.

A

‣Syncopation ‣ e.g. bars 2 and 3
‣Dotted rhythm ‣ bar 11
‣Scotch snap ‣ bar 75
‣Irregular groupings ‣ bar 97

24
Q

Name four rhythmic features of LD+JC and state where they are found.

A

‣Dotted rhythm ‣ Bar 81
‣Scotch Snap ‣ Bar 31
‣Triplets ‣ Bar 126
‣Long sustained notes ‣ Bars 46-48

25
Name four rhythmic features of LAA and state where they are found.
‣Triplets ‣ Bar 25 ‣Irregular groupings ‣ Bar 31 ‣Off-beat chords ‣ Bars 13-14 ‣Cross-rhythms - Bar 12 ('really laugh')
26
What melodic features are the songs characterised by? Where are these exhibited?
‣Pentatonicism ‣ ∙ISOM bars 1-2 ∙LAA - String motif using minor pentatonic scale ‣ bars 84-85 ‣Blue notes ‣ ∙ISOM bar 2, Gb ∙LD+JC , bar 23, Gb ``` ‣Chromaticism ‣ ∙ISOM, bar 100, ornamented chromatic descent C-B-Bb-A ∙LD+JC, bar 75 ∙LAA, bass clarinet, bars 30-32 ```
27
What melody is borrowed in ISOM?
'Summertime' from Gershwin's 'Porgy and Bess'
28
What time of singing is found in ISOM and where?
Scat singing, bars 52-53
29
What type of word setting can be found in LAA?
Melismas, bar 47
30
Where can conjunct lines be found in Love and Affection?
Bars 16-19
31
Where can narrow-range lines be found in LD+JC?
Bars 5-7
32
What is repeated in ISOM?
Short figures, bar 99
33
Name six types of ornamentation heard in LD+JC and state where they are found.
``` ∙Acciaccaturas‣ bar 8 ∙Controlled vibrato‣ bar 39 ∙Bending of notes‣ bar 45 ∙Fall-offs‣ bar 50 ∙Sliding up to pitch‣ bar 52 ∙Glissandos‣ bar 55 ```
34
Name eight harmonic features of Lady Day and (John Coltrane) and state where they can be found.
``` ‣12 bar blues ‣7th chords (21) ‣Sevenths and sharpened 9ths- produce false relations (1) ‣9th chords (47) ‣13th chords (81) ‣Augmented chords (119) ‣Parallel harmony (65) - parallel 7ths ‣Change of harmonic rhythm ```
35
Name three harmonic features that can be found in Inner State of Mind and state where they are found.
‣Quartal harmony (70-71) ‣False relations (18) ‣Half-diminished chords (53)
36
Name three harmonic features found in Love and Affection and state where they can be found.
‣Use of basic chords (opening) ‣Primary chords (bar 22->) ‣Chromatic side stepping (bar 62)
37
What is the tonality and structure of ISOM?
‣Cm ‣Modal key signature ‣freely evolving structure with recurring 'Inner state' motif, instrumentals and alternating verse (supported by riff) and rap sections.
38
What is the tonality and structure of LD+JC?
‣Cm ‣Modified 12 bar blues ‣+Intro ‣+Extended Coda
39
What is the tonality and structure of LAA?
``` ‣Opens in C#m ‣Moves to E major ‣Freely evolving structure ‣Intro ‣Riff-based song with a prominent refrain. ```