L7: LATE MEDIEAVAL IN ITALY Flashcards

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1
Q

Gothic in Italy is often referred to as ______ or Italian Gothic

A

Romanesque
Gothic

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2
Q

Characteristics of Early Christian Gothic

A
  1. thick walls
  2. small windows
  3. round arches
  4. barrel vaults
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3
Q

The oldest example of
Cistercian Romanesque Gothic

A

FOSSANOVA ABBEY, Latina, C. Italy

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4
Q

is austere and beautiful
Cistercian Romanesque Gothic.

A

CASAMARI ABBEY, Lazio, C. Italy

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5
Q

is one of
the most important places of Christian pilgrimage. It is the resting place
of St. Francis of Assisi and an UNESCO World Heritage, 2000

A

SAN FRANCESCO MONASTERY, Umbria, C. Italy

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6
Q

the first Italian Gothic example of French origin

A

BASILICA OF ST. FRANCIS, Bologna, N. Italy

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7
Q

The 2nd largest Gothic cathedral in the world, next to Cathedral of Seville, Spain.
It was finished with Candoglia marble (pink with green layers). The cathedral is the largest medieval cathedral in Italy & can
accommodate 40,00 people. More than 50 architects took part in the construction of the church in a span of 5 centuries

A

MILAN CATHEDRAL

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8
Q

is a 7-domed pilgrimage
church

A

BASILICA DE SAN ANTONIO PADUA

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9
Q

a Dominican church with beautiful
brickwork

A

S. GIOVANNI e PAOLO, Venice

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10
Q

by Cardinal Guala Bicchieri, is
closest in spirit and form to the French gothic style.
Its façade is finished with grey-green stones.

A

S. ANDREA, VERCELLI

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11
Q

was designed perhaps by Filippo Calendario in Islamic and Gothic mix.
The whole scheme of columned and pointed arches with a combination of carved capitals and long horizontal line of open tracery is a unique design of Venetian Gothic. Venetian Gothic is a style of palatial residences for rich merchants and aristocrats. It is faced with white and rose-colored patterned marble with a central ornate window.

A

DOGE’S PALACE

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12
Q

was designed by Giovanni and
Bartolomeo Buon

A

CA D’ ORO, Venice

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13
Q

Was designed by Arnolfo di Cambio. The exterior is faced with polychrome marble panels in various shades of green and pink bordered by white, an elaborate 19th-century Gothic Revival façade by Emilio De Fabris

A

FLORENCE CATHEDRAL

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14
Q

was initially designed by Giotto & later by Andrea Pisano and Francesco Talenti.
The Cathedral, Bell Tower, Baptistery and its surrounding city is a World Heritage Site by UNESCO in 1982

A

The FLORENCE CATHEDRAL BELL TOWER

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15
Q

Interior with zebra-marble stripes on piers & walls. It is one of the most stupendous undertakings since the building of Pisa cathedral.
Its Piccolomini Library houses the precious illuminated choir books and frescoes painted by the Umbrian Bernardino di Betto, called Pinturicchio, probably based on designs by Raphael.

A

SIENA CATHEDRAL

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16
Q

by Arnolfo di Cambio is faced with striped
marble, basalt & travertine & windows are filled with alabaster.
Its façade has glittering mosaics created by artist Cesare Nebbia.

A

ORVIETO CATHEDRAL

17
Q

The city’s principal Dominican
church and the first great basilica in Florence . It was designed by Fra Sisto Fiorentino and Fra Ristoro da Campi. The façade was later designed by Leon Battista Alberti in the renaissance style.

A

S. MARIA NOVELLA, Florence

18
Q

Gothic version of a basilican church by
Arnolfo di Cambio.
It is the largest Franciscan church in the world.
Its most notable features are its 16 chapels decorated with frescoes.
It contains monuments of celebrated Italians. Inside are Michelangelo’s and Galileo’s tombs

A

S. CROCE

19
Q

was begun during the time of King
Roger.
The façade portals are Gothic.
The bell tower holds one of the largest astronomical clocks in the
world, built in 1933 by the Ungerer Company of Strasbourg.
Every day at midday the figures are set in motion and show scenes from the history.
The open timber ceiling is a beautiful romanesque/basilica type design with colorful Arab motifs

A

MESSINA CATHEDRAL

20
Q

was erected in by Walter Ophamil.
It was turned into a mosque by the Saracens after their conquest of the city in the 9th cent.
It is characterized by the presence of different styles, due to a long history of additions, alterations, and restorations, the last of which occurred in the 18th cent.
It is a rich mix of Norman and Catalan Gothic.
It is the site of royal coronations and burials.
It is an UNESCO World Heritage, 2015

A

PALERMO CATHEDRAL