Kiss Of The Vampire Flashcards

1
Q

Who produced and distributed the film Kiss of the Vampire?

A

Produced by Hammer Film Productions and distributed by J. Arthur Rank and Universal

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2
Q

What was the intended relation of Kiss of the Vampire to Dracula?

A

It was intended to be the second sequel to 1958’s Dracula

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3
Q

Why does the script of Kiss of the Vampire not reference Stoker’s character?

A

To distance itself from unfavourable comparisons to the superior Christopher Lee

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4
Q

What other monster movie franchises had Hammer achieved success with by 1963?

A
  • The Mummy
  • Frankenstein
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5
Q

What significant cultural events occurred in 1963?

A
  • Early stages of ‘Beatlemania’
  • Assassination of JFK
  • Soviet Union launching the first woman into space
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6
Q

What does the capitalised, serif font of the title imply?

A

Connotations linked to the vampire film genre

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7
Q

What does the blood dripping from the letter ‘V’ signify?

A

It references the vampire’s fangs

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8
Q

How does the use of a ‘painted’ main image relate to the film’s context?

A

It links to the poster for Christopher Lee’s Dracula

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9
Q

What is the significance of the color palette used in the film poster?

A

It reinforces the film’s dark, scary conventions

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10
Q

In what order are the stars listed on the film poster?

A

More highly paid male actors first and in order of fame

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11
Q

What aspect of Barthes’ Hermeneutic Code is present in Kiss of the Vampire?

A

Suspense created through the enigmas surrounding the male and female vampires

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12
Q

What do the bats symbolize in the context of Barthes’ Semantic Code?

A

Their conventional association with vampirism and horror

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13
Q

What do Barthes’ Symbolic Codes reinforce in Kiss of the Vampire?

A

Horror, darkness, and fear

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14
Q

Fill in the blank: The title Kiss of the Vampire features a _______ that creates connotations linked to the vampire genre.

A

capitalised, serif font

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15
Q

True or False: Kiss of the Vampire was a completely original story unrelated to previous vampire films.

A

False

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16
Q

What is the cultural context of the advert?

A

The advert could be familiar with the codes and representations of monster movie film posters, including fonts and depictions of ‘the monster’ and its (usually female) victims.

17
Q

What theoretical perspective does Roland Barthes’ Semiotics provide?

A

Suspense is created through the enigmas surrounding the connoted relationship between the male and female vampires, emphasised by the ‘kiss’ of the title and the fate of their two victims.

18
Q

How does Barthes’ Semantic Code apply to the advert?

A

It could be applied to images of bats and their conventional association with vampirism and horror in general.

19
Q

What are the Symbolic Codes in Barthes’ theory related to horror?

A

The Symbolic Codes of horror, darkness, and fear are reinforced through signifiers such as the moon and the male victim’s ‘submissive sacrifice’ gesture code.

20
Q

What does Claude Lévi-Strauss’ Structuralism suggest about the text?

A

The text is constructed through binary oppositions, applied to the opposing representations of vampires and their victims, and the romantic connotations of ‘kiss’ opposed to the stereotypical ‘vampire’ monster.

21
Q

What political and social context influenced women’s representation in the 1960s?

A

The 1960s marked the start of women’s sexual liberation, with events like the introduction of the contraceptive pill and increased female participation in the workforce.

22
Q

What stereotypes of women are encoded in the film poster?

A

‘Older’ stereotypes of women as passive victims and ‘male fears’ of women challenging male dominance are both present in the film poster.

23
Q

How do dress codes in the advert reinforce femininity?

A

Both women wear pale dresses made of light materials that highlight their curves and reveal flesh, reinforcing their femininity.

24
Q

What does the gesture code of the woman on the left signify?

A

Her gesture code represents the stereotypical passive victim of the ‘monster’, with his power highlighted by holding her by just one arm.

25
Q

How is the female vampire represented in the advert?

A

The female vampire’s pose, including baring her teeth and raising her arm, represents her in a non-stereotypically dominant way.

26
Q

What is Stuart Hall’s theory of representation?

A

The images in the poster form part of a ‘shared conceptual road map’ that gives meaning to the world of the poster, encouraging the audience to decode familiar generic iconography.

27
Q

What does David Gauntlett’s theory of identity suggest about the female vampire?

A

The female vampire may act as a role model for women struggling against male oppression or seeking equality with men.

28
Q

What does Liesbet Van Zoonen’s feminist theory state about the female vampire?

A

By assuming a ‘co-antagonist’ role, the female vampire contributes to social change by representing women in non-traditional roles, although the passive female victim reinforces traditional roles.