Key Chosen Quotes for Romeo and Juliet Flashcards

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1
Q

Love/SONNET FORM:
Juliet: “S d n m, t g f ps’ s”
Romeo: “T m n w m p’s e I t”

A

J: “Saints do not move, though grant for prayers’ sake”
R: “Then move not while my prayer’s effect I take”

freedom to express sexual desire instead of patriarchal view of preserving virginity.

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2
Q

Through the RJ encounter about saints, what does Shakespeare show?

A

_R and J explore sexual attraction (lust) through religious imagery (blasphemous and sacrilegious)

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3
Q

What happens after Saints encounter?

A

Volta—> J encourages R to kiss her by refusing him kissing her hand (J is in control)

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4
Q

How did Shakespearean society view women (ORIGINAL SIN)

A

Deceitful, manipulative, corrupting
(Adam and Eve)

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5
Q

How does Juliet portray sense of control over Romeo?

A

falcon imagery as a metaphor to convey herself as is control of him.
imagines R as falcon / princes/royalty
J takes masculine role –> Elizabethan society= women subservient to men?

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6
Q

Juliet/Control:
“H, R h! O f a f’s voice.”

A

“Hist, Romeo, hist! O for a falconer’s voice.”

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7
Q

Juliet/Patriarchy:
“T p m, s m w t”
Materialism:
“A m f a t f I’ll l” —> DOWRY (Juliet’s maturity)

A

“Thy purpose marriage, send me word tomorrow”
“And my fortunes at thy foot I’ll lay”

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8
Q

Juliet/Subservience/Patriarchal:
G f, I b y o m k, h me with p but to s a w.”

A

Good father, I beseech you on my knees, hear me with patience but to speak a word.”
—> Capulet silences her
(J believes in hope because she is young)

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9
Q

“O h d. T i t s”

A

“O happy dagger. This is thy sheath.”
—> masculinity killed her.
sexual imagery
Makes audience question patriarchy ( J would rather die than have family chose her partner).

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10
Q

Romeo/ Sexual Desires/Masculinity:
“N o h l t s-s g.”
to Rosaline Capulet

A

“Nor ope her lap to saint-seducing gold.”

immature/ immoral/ obsessed by sex and unattainable women
BRIBES ROSALINE (WOMAN OF GOD) TO HAVE SEX WITH HIM
he also objectifies women

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11
Q

Romeo/Control over J:
“My nyas?”
What does this suggest?

A

Shakespeare critiques Catholic Verona
nyas= untrained/baby falcon
Romeo sees himself in control (FALCONER)
infantilizes Juliet (13 years old)
Also R & J are not made for each other/ they are too different
R fixates on J’s age which offer social, material and sexual gain as he thinks that she is easy to manipulate
NOT TRULY IN LOVE (COMPETITION OF CONTROL)

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12
Q

Why does Shakespeare critique Juliet’s marriage age?

A

Patriarchy —> Damage to women
Verona= Catholic —-> Elizabtehan audience = PROTESTEANT (society is morally wrong to audience)

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13
Q

Romeo/masculinity/love/blame
“s J, T b hath m me e
A i m t soften’d v’s steel.”
(this is between Benvolio’s rhyming couplet)

A

“sweet Juliet, Thy beauty hath made me effeminate
And in my temper soften’d valour’s steel.” *
SOLIQUOY - in denial
—-> critique on patriarchal society
*REVENGE/// PRE-MEDITATED

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14
Q

How did Tybalt break the rules of the Elizabethan Duel?

A

He killed Mercutio when he was unarmed.
Rules were in place to prevent unnecessary death (just to convey power?)

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15
Q

Romeo/Fate/Superstition:
“O, I am f’s fool!”

A

“O, I am fortune’s fool”
FRICATIVE SOUNDS “f” to create sense of ANIMALISTIC RAGE
bare teeth (symbolize masculine aggression)

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16
Q

Romeo/Fate/Tragic Hero:
“O w with me in s m’s book”
“I’ll b t in a t g.”

A

-“One writ with me in sour misfortune’s book.”

-“I’ll bury thee in a triumphant grave.”

Misfortune’s book= FATE
Paris in love w/ J and so was Romeo
—–> SEXUAL PASSION
patriarchal rules control sexual relationships (Shakespeare critiques)

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17
Q

Romeo CONTRASTS/ LOVE
“O, she d t the t to b b!”

A

“O, she doth teach the torches to burn bright!”
- fire illustrates J’s sexual appeal, he is drawn to her like a moth to a flame
-However, association with flame ,burns brightly, then dies, could foreshadow death (FATE)

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18
Q

Define Hamartia

A

A noble character’s fatal flaw or weakness

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19
Q

R & J’s marriage not in society/LOVE:
“As a r j in an E’s ear; beauty too rich for use, for earth too dear!”

A

“As a rich jewel in an Ethiop’s ear”

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20
Q

Romeo/Lust/Immaturity:
“So s a s d t with c.”

A

crows surrounding pure innocent doves as contrast= J’s beauty/appeal
unattainable
Also crows could symbolize the danger to the innocent, pure girl which could allude to innocent deaths in Verona.”
immaturity —-> patriarchy (value of women based on looks)
crows—> death, decay
Romeo’s decision to meet her (Romeo’s fault)

21
Q

ROMEO/LOVE/RELATIONSHIPS:
“Juliet is the Sun”

A

Heliocentric —-> R’s life around her (lust)
R sees himself as a tragic hero (romanticizes lust constantly chasing after unattainable women)
-!!! Heliocentric model proposes that Earth orbits the Sun constantly —> if close or touching = death, destruction, panic —–> MARRIAGE OF R & J WILL NOT BE ACCPETED OR CORRECT IN FATE. (out of place)
metaphorically*

22
Q

ROMEO/LUST/RELATIONSHIPS:
SONNET
“My l , two b p, r s To smooth t r t with a t kiss.”

A

“My lips, two blushing pilgrims, ready stand To smooth that rough touch with a tender kiss.”
Blushing - contrast to death
sexual passion
Pilgrims go to Shrines
HUBRIS- challenge God in a BLASPEHMOUS way —> use of Christian imagery.
Shakespeare depicts impenetrable barriers which force R&J to marry and develop tension and conflict.

23
Q

How does Shakespeare use CAPULET to explore the PARENTING CHOICES IN R&J?

A

Capulet wants to preserve Juliet’s virginity for advantageous gain in marrying her to a affluent family

24
Q

CAP ABT J/ RELATIONSHIPS/PATRIARCHY:
-“She h not seen the c of f y: Let two m s w in their p”

“may think her”:
-“r to be a b.”

A

“She hath not seen the change of fourteen years: Let two more summers wither in their pride”

“ripe to be a bride”
-encourages Paris to view J in sexual way (textured/flavorful)
-objectifying her / commodity for P’s wealth

25
Q

Lord Cap:
“But w her gentle Paris, get her h, My w to her c is but a p”

A
26
Q

Lord Cap/ RELATIONSHIPS
“And too soon m’d are t so e m”

*LINKS WITH
Lady Cap:
“Ay, you h been a m-h in y t.”
(humorous tone???)

A

“And too soon marr’d are those so early made”
—> Lord Cap speaking from experience? feels guilty for forcing sex on Lady Cap making her a mother
Is this why Lady Cap is so distant from Juliet —> Nurse is mother.
*******
insight—>Lord Cap is unfaithful (PLEASURE)
mayb bc married early// uses Lady Cap for heirs
-Shakespeare calls out/critiques/attacks DOUBLE STANDARD!!!
women= virgin, pure, faithful // men =whatever.

27
Q

Lord Cap/ CONFLICT/POSITIVE ROLE MODEL?:
“G coz, let him a…”

“V b of him To be a v and w-g’d y.”

A

“Gentle coz, let him alone…”

“Verona brags of him To be a virtuous and well-govern’d youth.”
-ignorant or civilized? /// based on social status at party or wanting to impress Paris

28
Q

Lord Cap represents a MALE ATTITUDE/TYBALT DEAD FOR 1 DAY:
accuses Juliet of faking emotion:
“A conduit, girl? In one l b T c a b, a sea, a w.”

A

girl —> belittles her/ links display of emotions to femineity
“A conduit, girl? In one little body Thou counterfeits a bark, a sea, a wind.”
shows far too much grief—> melodramatic?
criticizes nobility (children are viewed as trade)

29
Q

Lord Cap:
“My f i”

A

“My fingers itch”
- He controls himself because he is not that kind of father// but he inflicts emotional trauma on Juliet

30
Q

Lord Cap/ Parental figures/Relationships/Patriarchy:
“Out you g-s c? Out you b!”
During scene J= Father hear me.
(J’s op =(is) OVERLOOKED/UNHEARD!!!

A

“Out you green-sickness carrion? Out you baggage!”
-“green-sickness carrion”= vulture that feeds on corpses (HER FAMILY NAME?/DIGNITY/LEECH ONTO HER FAMILY —>(YOUTH GIVES MORE MARRIAGE OPPS—> if not then always with fam///BURDENSOME!!!))
kill family/eat flesh
Baggage reinforces burdensome view of J.

31
Q

Lord Cap/ POSSESSION/PATRIARCHY/ PARENTAL RELATIONSHIPS/SOCIAL/FINANCE:
talking about death of J to P
“N b thy w d H d lain w they bride”

“There she lies, F as she was, d by him.”
-sexual imagery
-DESCRIBES DEATH AS LOVER TAKING VIRGINITY OF J BEFORE P
-not upset (lost “market value”)

A

Capulet is fixated on daughter’s sexual role instead of death.
“Night before thy wedding day Hath death lain with they bride”

“There she lies, Flowered as she was, deflowered by him.”
in reference to virginity/purity/possession

32
Q

Lord Cap reconciling with Lord Montague:
Offers JULIET’S DOWRY —-> still thinks of daughter in financial ways.

“brother M (…) This is my d’s j”

A

“brother Montague (…) This is my daughter’s jointure”

-Thinks of Juliet in financial terms even in death.
-No emotion
-Peace in form of DOWRY
-Conform to PATRIARCHAL STANDARDS (ARRANGED MARRIAGE DOWRY.)

33
Q

What does the character of Mercutio introduce in R&J?

A

-An alternative view on R’s ideas about love

34
Q

Why does Shakespeare highlight deaths like Tybalt and Mercutio in R&J?

A

To show irresponsibility of men // ideals of manhood and masculinity as wrong.
mindless violence to showcase power.

35
Q

What does the character of Benvolio bring to R&J?

A

Voice of reality and reason
is a counterpart to Friar Lawrence
wants to stop feud (maturity even as ROMEO’s close in age friend)
-allied with Montague
-is an IRONIC CAUSE of TRADEGY as he GATECRASHES the Capulet ball (Structure) how all deaths start.
-influences R&J in falconry imagery

36
Q

BENVOLIO/ LOVE:
“T t some new i to they e And the r p of the o will d”

A

“Take thou some new infection to they eye And the rank poison of the old will die”
-Love is not real
-Shakespeare introduces Friar Lawrence after (master of fighting infection?)

37
Q

BENVOLIO/LOVE:
“B is h l, and b b the d”

A

“Blind is his love, and best befitsthe dark”
-blind to reality when in love
Romeo feels in the poetic

38
Q

What kind of LOVER is R?

A

R is a PETRARCHAN LOVER and this means that he in love with the idea of being in love. = IMMATURE/ FALSE REALITY.

39
Q

Define PETRARCHAN LOVER (contextual).

A

comes from Italian poet Petrarch who wrote poems about unrequited love for a woman. Petrarchan lover idealizes mate and uses metaphors and similes to describe feelings.
******
-Is often self-conscious, isolated and driven by his suffering = ROMEO!!!

40
Q

Benvolio CONFLICT/MALE AGRESSION:
B:”H, be g, a!”
R: ……. —> “fortune’s fool”
B”W d t s?”

A

Tries to persuade Romeo to leave=SAFETY
Shakespeare gives rhyming couplets to endings or words of wisdom.
B:” Hence, be gone, away!”

B:” Why dost thou stay”
!!wise because he cuts through Romeo’s sense of self-pity/ self-lying.

41
Q

Tell a STRUCTURE POINT on Friar’s loss of wisdom.

A

At the beginning, Friar speaks all words of wisdom/// shown as he speaks in RHYMING COUPLETS.
However, when Friar marries R&J, his couplets break down

42
Q

Benvolio/Male Aggression/Conflict:
“I p t, g M, let’s r: The d is h”

“If we m, we shall not s a b F now these hot days, is the mad b s.”

A

“I pray thee, good Mercutio, let’s retire: The day is hot”

“If we meet, we shall not scape a brawl For now these hot days, is the mad blood stirring.”
-Out of public arena or Prince will punish
-Aware that hot days lead to MORE VIOLENCE and MORE DEATH.
—–> MERCUTIO REFUSES (immaturity)
extreme passion for chaos, wit, violence.

43
Q

Benvolio/ Male Aggression:
“public HAUNT of men.”

A

Allusion to ghosts/// risk of death
(INNOCENT AND THEIR OWN)
—->Prince will be OUTRAGED
Mercutio refuses so out of loyalty Benvolio stays.

44
Q

How does Shakespeare present TYBALT in R&J?

A

-an irredeemable character who presents a sexist, overly aggressive male- everything wrong with patriarchal society.
-Male Honor —-> JUSTIFIES MALE AGRESSION
Etiquette and manners were self-deception —-> TYBALT is in love with the image of VIOLENCE
T represents the youthful male perspective that glorifies violence.

45
Q

Tybalt/Hubris/Male Aggression:
“T thee B, l u thy d.”

A

“Turn thee Benvolio, look upon thy death.”
-vanity
-foreshadows death by Romeo (lack of self-knowledge)

46
Q

Tybalt/Christianity/Hubris:
“W, d and t of p? I hate the word As I hate hell, all M, and t.”

A

Challenges God’s authority.
“What, drawn and talk of peace? I hate the word As I hate hell, all Montagues, and thee.”
Medieval and Tudor vision of HELL = ULTIMATE PUNISHMENT FOR SINS
so T diminishes hell in challenge to B/ diminishes Christianity
*******
double syllable emphasized: “Hate hell” breaks (stressed/unstressed) IAMBIC PENTAMETER (Shakespeare shows that T is WRONG).

47
Q

Tybalt/Male Aggression/Family Honor:
“It f w s a v is a g: I’ll not e him.”
CHALLENGES CAPULET (PATRICARCH OF FAMILY)

A

“It fits when such a villain is a guest: I’ll not endure him.”
-Men use family honor to justify male aggression and violence
Vanity/Hubris = ENTITLEMENT.

48
Q

What does a SOLILQOUY present?

A

A character’s genuine thoughts.

49
Q

Tybalt/Homophobia as INSULT:
“M, thou ct with R.”

A

“Mercutio, thou consortest with Romeo.”