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Adobe Premiere Pro CC > KBS > Flashcards

KBS Flashcards

1
Q

Project Panel

A

Shift

1

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2
Q

Source Monitor

A

Shift

2

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3
Q

Timeline

A

Shift

3

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4
Q

Program Monitor

A

Shift

4

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5
Q

Effect Contr Panel: kbs is: Shift *
You apply effects to a clip by dragging effect icons from the *** panel (not the Effects Contr Panel) to a clip.
But to ** and adjust effects for a selected clip, use the Effect Controls panel.
By default, an effect applied to a clip is active for the ** of the clip. But: you can make an effect start and stop at specific times or make it more or less intense by using **s.

A

Effect Contr Panel: kbs is Shift 5
You apply effects to a clip by dragging effect icons from the EFFECTS panel (not the Effects Contr Panel) to a clip.
But to view and adjust effects for a selected clip, use the Effect Controls panel.
By default, an effect applied to a clip is active for the duration of the clip. But: you can make an effect start and stop at specific times or make it more or less intense by using keyframes.

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6
Q

Audio Tracks Mixer Panel

A

Shift

6

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7
Q

Effects Panel: kbs is Shift *
You apply effects to a clip by dragging effect icons from the EFFECTS panel (not the Effect * Panel.)
Then: in the Effect *** panel, click the ** to show options for any effect, and specify **s. Make an effect start/stop at specific times or make it more or less intense by using *****s.

A

Effects Panel: kbs is Shift 7
Apply effects to a Clip by dragging effect icons from the EFFECTS panel (not the Effect Panel.)
Then: in the Effect Contr panel, click the triangle to show options for any effect, and specify parameters. Make an effect start/stop at specific times or make it more or less intense by using keyframes.

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8
Q

Media Browser Panel

A

Shift

8

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9
Q

Focus the Next Panel

A

Ctrl
Shift
.

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10
Q

Maximize or Restore the PANEL UNDER THE CURSOR (not the FOCUSED FRAME)

A

Tilda

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11
Q

Focus the Previous Panel

A

Ctrl
Shift
,

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12
Q

The Keyboard Shortcuts Menu

A

Cmd
Opt
K

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13
Q

To ‘press’ a currently highlighted ‘button’ in any Dialog Box

A

Enter

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14
Q

Cycle through (the buttons or fields) in any Dialog Box

A

Tab

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15
Q

Navigate to the next Column in the Panel.

A

Tab

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16
Q

Navigate to the Previous Column Field

A

Shift

Tab

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17
Q

Navigate to the next Row in the panel

A

Return

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18
Q

Navigate to the previous Row in the panel

A

Shift

Return

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19
Q

To begin entering text in a currently active field

A

Enter

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20
Q

Save the text entered into the current field, and nav to the next field above in the column

A

Shift

Enter

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21
Q

In an active Text Field, navigate to the beginning of the text in the field

A

Cmd

Left Arrow

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21
Q

In an active Text Field, navigate to the end of the extant text in the field

A

Cmd

Right Arrow

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22
Q

To save the text you typed into the currently active field and navigate to the next text field below in the column

A

Enter

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23
Q

In the PP,

to toggle List/Thumbnail View

A

Shift

\

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24
Q

In PP/List View:

To open a Bin with a KBS:

A

Navigate to that Bin using the Up and Down arrow keys,

Use the Right arrow key to open the Bin

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25
Q

In PP/List View:

To close a Bin with a KBS:

A

Navigate to that Bin using the Up and Down arrow keys,

Use the Left arrow key to close the Bin

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26
Q

In PP/List View:

To create a new Bin

A

Cmd

/

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27
Q

In PP/List View:

to Rename a Bin

A

Cycle select with Up or Down arrows to that Bin,
Press Enter
Type the new name,
Press Enter.

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28
Q

Open the selected Clip in the Source Monitor

A

Shift

O

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29
Q

Find…

A

Cmd

F

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30
Q

To select the results of a Find search

A

Shift

F

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31
Q

Import

A

Cmd

i

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32
Q

Import from the Media Browser

A

Opt
Cmd
i

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33
Q

To open up a file from the Media Browser for play in the SM

A

Shift

O

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34
Q

To arm/disarm one or more VIDEO tracks in the stl (eg, V1, or V2, or V3; or tracks V1, V2, and V3 inclusive)…

A

Press the numeral key(s) corresponding to the numeral(s) of the video track(s.)

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35
Q 
The kbs (*) turns the cursor into the double arrowed Track Selection Tool cursor.
If you click with it on a Clip in the Timeline, it selects that Clip and every Clip to its right on the **** Track.
If you hold down the ***** key at the same time you click a Clip with the Track Selection Tool cursor, it selects that Clip and every Clip to its right on EVERY Track. (Very handing for closing gaps.)
A 
The kbs (a) turns the cursor into the double arrowed Track Selection Tool cursor.
If you click with it on a Clip in the Timeline, it selects that Clip and every Clip to its right on the same Track.
If you hold down the Shift key at the same time you click a Clip with the Track Selection Tool cursor, it selects that Clip and every Clip to its right on EVERY Track. (Very handing for closing gaps.)
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36
Q

Create a Sub-Clip * (from within a Source Clip that’s too long for easily locating “the moment(s)”): First, nav to SM. Shift *
Position * and * to mark the beginning and end of the purported Sub-Clip. Press Cmd , and enter the **** of the Sub-Clip. It is now a separated Project ** you can see in PP/** View, relocate to an appropriate scene , drag into the *****.

A

Create a Sub-Clip asset (from within a Source Clip that’s too long for easily locating “the moment(s)”): First, nav to SM. Shift 2
Position I and O to mark the beginning and end of the purported Sub-Clip. Press Cmd U, and enter the name of the Sub-Clip. It is now a separated Project asset you can see in PP/List View, relocate to an appropriate scene Bin, drag in the Timeline.

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37
Q

To arm/disarm one or more AUDIO tracks in the stl (eg, A1, or A2, or A3; or tracks A1, A2, and A3 inclusive)

A

Press the Opt button plus the numeral key(s) corresponding to the numeral(s) of the audio track(s.)

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38
Q

The Mac equivalent of Alt is:

The Mac equivalent of Ctrl is:

A

The Mac equivalent of Alt is often: Opt

The Mac equivalent of Ctrl is often: Cmd

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39
Q

Zoom In

A

Zoom In = - Zoom Out

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40
Q

Zoom Out

A

Zoom In = - Zoom Out

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41
Q

Navigate to the beginning of the Timeline

A

Fn

Left arrow

42
Q

Navigate to the end of the Timeline

A

Fn

Right arrow

43
Q

In the currently selected Clip, navigate to the beginning of Clip.

A

Shift
Fn
Left arrow

44
Q

In the currently selected Clip, navigate to the end of Clip.

A

Shift
Fn
Right Arrow

45
Q

Navigate to the previous Edit Point on

any track.

A

Shift

Up arrow.

46
Q

Navigate to the next Edit Point on

any track.

A

Shift

Down arrow

47
Q

Navigate to the previous Edit Point on the

current Track.

A

Up arrow

48
Q

Navigate to the next Edit Point on the

current Track.

A

Down arrow

49
Q

Navigate forward to the next gap in the Timeline

A

Shift

;

50
Q

Navigate backward to any gap in the Timeline

A

Opt

;

51
Q

To use Clipboard contents to Insert-Paste at the ph

A

Shift Cmd v

Edit > Paste Insert at ph

52
Q

The Source Track Indicator is located
In the **** Panel, (Shift 3)
In the Track **,
To the left of the Track ** Column

A

In the Timeline Panel,
In the Track Header,
To the left of the Track Lock Column

53
Q

Suppose you want to **** only the audio (but not the video) of an In-to-Out selection in the SM? Shift * to focus the TL, turn the ** Source Track Indicator off, arm the audio track to which you wish to patch the SM audio (kbs is ** plus Track’s numeral,) position the ** appropriately in that Track, drag the ** Source Indicator up or down to match the armed audio track, press () or ()

A

Suppose you want to patch only the audio (but not the video) of an In-to-Out selection in the SM? Shift 3 to focus the TL, turn the V1 Source Track Indicator off, arm the audio track to which you wish to patch the SM audio (kbs is Cmd plus Track’s numeral,) position the pH appropriately in that Track, drag the A1 Source Indicator up or down to match the armed audio track, press (,) or (.)

54
Q

The Source Track Indicator column is located in the **** Panel, under the **** Header, at the extreme left. The Source Track Indicator is for ****ing content
from
between the current I and O points set in the **
to
the current ** position in the Timeline
via an Insert () or Overwrite (*) command.

A

The Source Track Indicator column is located in the Timeline Panel, under the Track Header, at the extreme left. The Source Track Indicator is for patching content
from
between the current I and O points set in the SM
to
the current ph position in the Timeline
via an Insert (,) or Overwrite (.) command.

55
Q

In the Timeline panel:
Track **. An area at the left of the Timeline, containing the Source Track Indicator column, the Track Lock column, the Track ** column, and the ** Lock column, where many track configuration adjustments are made.

A

In the Timeline panel:
Track Header. An area at the left of the Timeline, containing the Source Track Indicator column, Track Lock column, the Track Target column, and the Sync Lock column, where many track configuration adjustments are made.

56
Q 
Any asset you have navigated via up and down arrow keys in List View is:
active, and can be: 
opened in ** with Shift o 
or
*****ed 
or re***ed, etc
A 
active, and can be: 
opened in SM with Shift o
or
deleted 
or renamed, etc
57
Q

To use Clipboard contents to Overwrite-Paste at the current pH position in the Timeline, use:

A

Cmd v

Edit > Paste as an overwrite, starting at ph

58
Q

Maximize or Restore the currently focused Panel

A

Shift

Tilde

60
Q

Toggle between the current level you set for the zoom, and zooming out to display the whole Sequence.

A 
\   (backslash, solo)
"Backslash, toggle between the current level you set for the zoom, and zooming out to display the whole Sequence."
Cf.
To Create a New Bin in the PP:
Cmd /    (cmd-slash)
And
Ks in PP to toggle List View and Thumbnail View:
Shift \
61
Q

Magnify the Graph Size within every single Clip.
Magnify the Height of the graphs within All Video Tracks and All Audio Tracks in the Sequence (this is not the same as Zooming Out, it’s the graphs inside the Clips that grow visibly larger.)

A

“Shift equals magnifying graphs on every single track.”
Shift
=

62
Q

Minimize the Graph Size within every single Clip.
Minimize Height of the graphs within All Video Tracks and All Audio Tracks in the Sequence (this is not the same as Zooming Out, it’s the graphs inside the Clips that shrink.)

A 
"Shiftminus, minimize the graph size of every single track."
Shift
-
(cf
Ks for Zoom Out of stl is:
- (the minus sign, without the Shift.)
63
Q

Increase just the Video Track Graph Heights in the Sequence

A

cmd-equals
“Cmd equals increasing video track heights.”
Cmd
=

64
Q

Decrease just the Video Track Graph Heights in the Timeline

A

“Cmd-minus decreases video track graphic heights.”
Cmd
-

64
Q

Suppose you wish to superimpose a title or text over a Clip in the Timeline.
If you “click on/open up” a title asset in the PP/List View, intending to see it in the SM or PM: all you will see is – to see the title you created:
Just drag the ** file to the **, drop it on a Track ** the Clip you wish to superimpose it on. The title or text is now visible in the **.

A

Suppose you wish to superimpose a title or text over a Clip in the Timeline.
If you “click on/open up” a title asset in the PP/List View, intending to see it in the SM or PM: all you will see is black– to see the title you created
Just drag the title file to the Sequence, drop it on a Track ***** the Clip you wish to superimpose it on. The title or text is now visible in the PM.

65
Q

Increase just the Audio Tracks Graph Heights in the Timeline

A

“Opt equals increasing audio track graph heights.”
Opt
=

67
Q

Select the Object Just Below

A 
Opt
Cmd
[
Opt-cmd-left-bracket
"Opt cmd! Leftbracket selected the object just below."
67
Q

Select the Next Clip in the Timeline

A

Cmd
Down
“Come down and select the next clip in the time line.”

67
Q

Select the previous Clip in the Timeline

A

Cmd
Up
“Come up and select the previous clip on the timeline.”

67
Q

To select the Clip beneath the current ph position in the Timeline
or
To select the Clip to the immediate right of the pH when it’s resting on an Edit Point

A

D

68
Q

Select the Object Just Above

A 
Opt
Cmd
]
Opt-cmd-right-bracket
"Opt cmd! Rightbracket selected the object just above."
69
Q

Who marks the Clip currently SELECTED in the Timeline?

A

/

70
Q

Who marks the Clip currently Beneath the ph in the Timeline?

A

X

71
Q

Set an In Point

A

i

72
Q

See the properties of the current Selection

A 
Shift
Cmd
H
shift-cmd-h
"Shift, cmd, how
do we get the properties for this selection?"
73
Q

Navigate to the In Point

A

Shift

i

74
Q

Create an Out Point

A

O

75
Q

Navigate to the Out Point

A

Shift

o

77
Q

Deleted the In Point

A

Opt
i
“Opt? I deleted the In Point!”

77
Q

Delete both the In Point and the Out Point

A

Opt

X

78
Q

Add a Marker at the pH position

A

m

80
Q

Deleted the Out Point

A

Opt
o
“Opt? Oprah deleted the Out Point!”

82
Q

Clear ALL the Markers.

A 
Opt
Cmd
M
Opt-cmd-m
"Opt cmd, m, 
clear ALL the markers."
82
Q

razor the Clip(s) on the armed Track(s) at the ph location/Add Edit

A

Cmd

K

83
Q

Navigate to the Next Marker

A

Shift
m
“Shift, m, let’s go to the next marker.”

84
Q

If you want to delete a single, particular Marker, you have to Navigate the pH directly on to that particular Marker, using the ____ key combo or the _____ key combo. Once you are there, press *** * to delete it.

A

Shift M
or
Shift Cmd M
…to navigate forward or backward onto the Marker you wish to delete. Once you are there, press Opt-m to del it.

85
Q

Navigate to the next Marker to the left on the Timeline

A

Shift
Cmd
m
“Shift, cmd, m. We go to thenext marker to the left.”

86
Q

NOT FROM SM
Copy a
Selected Clip from the Project Panel to the Clipboard,
Copy a
Selected Clip from the Timeline to the Clipboard,

A

Cmd

C

86
Q

NOT FROM SM
Cut a
Selected Clip from the Timeline to paste it to the Clipboard

A

Cmd

X

87
Q

Overwrite with the current Clipboard content, beginning the overwrite at the current pH position in the Timeline: Paste.
(does not increase a Project’s duration.)

A

Cmd
v
come-v
“Come, Vee: overwrite at the playhead with the current clipboard content: Paste.”
Cmd
V
(does not increase a Project’s duration.)

88
Q

to Overwrite extant content in the Timeline (from current PH position onward) using the content between the current i/o points in the Timeline: Focus the Timeline. (Shift )
** the appropriate Track(s) (eg, V1 and A1)
Set i/o points in Timeline.
Position the pH so it rests at the beginning of extant content that will be overwriitten. Press (*)

A

Focus the Timeline. (Shift 3)
Arm the appropriate Track(s) (eg, V1 and A1)
Set i/o points in Timeline.
Position the pH so it rests at the beginning of extant content that will be overwriitten. Press (.)

89
Q

to Insert content in a targeted Track(s) at current pH position, using the content btwn the current i/o points:
Set i/o points in SM.
Focus the Timeline. Shift *
Patch and target the appropriate Track(s) (eg, V1 and A1)
Position the pH so it rests at the point in extant content where the Insertion will intrude. Press (*)

A

Set I and O points in SM .
Focus the Timeline. Shift *
Target the appropriate Track(s) (eg, V1 and A1)
Position the pH so it rests at the point in extant content where the Insertion will intrude.
Press (*)

91
Q

Overwrite with the current Clipboard content, beginning the overwrite at the current pH position in the Timeline: Paste.
(does not increase a Project’s duration.)

A 
Cmd
v
"Cmd, V: overwrite at the playhead with the current clipboard content: Paste."
Cmd
V
(does not increase)
91
Q

KBS to use a duration of I and O content from the SM to Overwrite extant content right up until the (In or Out?) point you set in the Timeline?
KBS to use a duration of I and O content from the SM to Overwrite extant content beginning at the (In or Out?) Point you set in the Timeline?
(ie, how to perform three point Overwrite edits.)

A

KBS to use a duration of I and O content from the SM to Overwrite extant content right up until the Out point you set in the Timeline? (.) period
KBS to use a duration of I and O content from the SM to Overwrite extant content beginning at the In Point you set in the Timeline? (.) period
(ie, how to perform three point Overwrite edits.)

93
Q

to Lift content from Timeline,
copying it to clipboard,
but LEAVING A GAP IN STL

A

(;) semi-colon

94
Q

to Insert content in a targeted Track(s) at current pH position, using the content btwn the current i/o points:
Set i/o points in SM.
Focus the Timeline. Shift *
Patch and target the appropriate Track(s) (eg, V1 and A1)
Position the pH so it rests at the point in extant content where the Insertion will intrude. Press (*)

A

Set I and O points in SM .
Focus the Timeline. Shift 3
Target the appropriate Track(s) (eg, V1 and A1)
Position the pH so it rests at the point in extant content where the Insertion will intrude.
Press (*)

95
Q

to Extract content from Timeline,
leaving NO potential GAP,
and copy that content to Clipboard

A

’ (apostrophe)

96
Q

A four point edit: you wish to replace/fill the i/o stretch you set in the ** with an i/o point duration you’ve set for the Clip in the –but that i/o point duration in the ** is (too long?too short?) for the stretch you wish to replace/fill in the **. Patch the Source ***s appropriately, press (.) or (,) – the * ** Dialog appears, offering duration **s to make a fit.

A

A four point edit: you wish to replace/fill the i/o stretch you set in the Timeline with an i/o point duration you’ve set for the Clip in the SM–but that i/o point duration in the SM is (too long/too short) for the stretch you wish to replace/fill in the Timeline. Patch the Source Indicators appropriately, press (.) or (,) – the Fit Clip Dialog appears, offering duration changes to make a fit.

97
Q

to Delete a Selected Clip, or content btwn current I and O points,
w/o copying it to Clipboard,
leaving a gap.
(This leaves an unclosed gap in Timeline,
without shortening duration of Project.)

A

Delete

98
Q 
to Delete
a Selected Clip,
or
Delete from I to O,
simultaneously closing any prospective Timeline gap:
Ripple Delete
A

Opt

Delete

99
Q

Match Frame instantly locates, opens, and makes available the original **** Clip of any frame in any Clip in the Timeline.
Position the pH over the appropriate frame in the Timeline (you’ll know when the pH is on the right frame because it will appear in the **,) press the F key, and Match Frame brings up that same frame in the ** in its original Source Clip.

A

Match Frame instantly locates, opens, and makes available the original Source Clip of any frame in any Clip in the Timeline.
Position the pH over the appropriate frame in the Timeline (you’ll know when the pH is on the right frame because it will appear in the PM,) press the F key, and Match Frame brings up that same frame in the SM in its original Source Clip.

100
Q

If you are looking at a frame in the SM and want to locate its ** in the current Sequence in the Timeline: Reverse Match Frame instantly locates it by repositioning the ** in the Timeline. In the SM, display the frame you wish to locate in the Timeline, press *** * (sic), and Reverse Match Frame relocates the Timeline ** to that frame’s position in the Sequence and displays that frame in the **.

A

If you are looking at a frame in the SM and want to locate its Clip in the current Sequence in the Timeline: Reverse Match Frame instantly locates it by repositioning the pH in the Timeline. In the SM, display the frame you wish to locate in the Timeline, press Shift r (sic), and Reverse Match Frame relocates the Timeline pH to that frame’s position in the Sequence and displays that frame in the PM.

101
Q

You wish to sync a particular visual moment with a a specific audio event. In the TL, place the ** on that “audio event.” Select its audio , drop Marker; leave ** there. Now select the *** Clip directly above and hit . Next nav to SM, drag the SM ** to the visual frame that should coincide with the “the audio event.” Next: in the relevant ** Clip on the Timeline: Ctrl Click and select Replace with Clip/Source Monitor, Match Frame. This is a kind of Replace Edit.

A

You wish to sync a particular visual moment with a a specific audio event. In the TL, place the pH on that “audio event.” Select its audio Clip, drop Marker; leave pH there. Now select the video Clip directly above and hit F. Next nav to SM, drag the SM pH to the visual frame that should coincide with the “the audio event.” Next: in the relevant video Clip on the Timeline: Ctrl Click and select Replace with Clip/Source Monitor, Match Frame. This is a kind of Replace Edit.

102
Q

The kbs for the History Panel is: There is no default kbs
If you are in the History Panel:
you Step Backward (undo actions)
by hitting the (left or right?) Arrow.
you Step Forward (re-enact actions you considered undoing)
by hitting the (left or right?) Arrow.

A

If you are in the History Panel: There is no default kbs
you Step Backward (undo actions)
by hitting the Left Arrow.
you Step Forward (re-enact actions you considered undoing)
by hitting the Right Arrow.

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