Jerzy Gtotowski Flashcards

1
Q

What year did Grotowski publish his theory of acting book?

A

1968

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2
Q

What was the name of the book Grotowski published?

A

Towards a Poor Theatre

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3
Q

What does ‘revolutionised mean?”

A

Completely changed

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4
Q

At the time “Towards a Poor Theatre” was very ……., but it also ……… the world of drama.

A

Controversial

Revolutionised

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5
Q

What is Grotowski recognised as today?

A

One of the great great directors of the modern theatre and a significant innovator of experimental theatre.

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6
Q

What did Grotowski call his theory of acting?

A

Poor theatre

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7
Q

Why was it called ‘poor’?

A

Because he recommended getting rid of all the unnecessary and rich excesses of drama.

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8
Q

What did Grotoswki say should be removed?

A

All superficial distractions

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9
Q

What were examples of things Grotowski saw as distractions?

A
Detailed costumes
Heavy theatrical make-up
A set
Backdrop
Sound and music special effects
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10
Q

What did Grotowski feel had happened over time?

A

People had mistaken the real focus of drama.

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11
Q

What did Grotowski believe actors should reply on alone?

A

Well-trained voices

Well-trained bodies

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12
Q

What is the core of Poor Theatre?

A
What the performer brings:
Physically
Vocally
Emotionally
Psychologically
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13
Q

What was Jerzy Grotowski?

A

A Polish theatre director. 🇵🇱

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14
Q

What are the 5 aspects of Poor Theatre?

A
  1. The Holy Actor
  2. Via Negativa
  3. Actor-Audience Relationship
  4. Staging
  5. Physical
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15
Q

What does the concept of Holy Actor explain?

A

That performers should make gifts of themselves.

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16
Q

What must Holy Actors concentrate on?

A

All movements and sounds.

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17
Q

Why does the Holy Actor have to understand everything about themselves so well?

A

So they are in control and able to ‘get rid of’ their own characteristics.

18
Q

Who in history did Grotowski recommend thinking back to that he saw evidence of the Holy Actor in?

A

Primitive tribes.

19
Q

Grotowski was more interested in the ……. …… of acting.

A

Rehearsal process

20
Q

What is Via Negativa?

A

The process to becoming a holy actor.

Means: uncluttering of the mind.

21
Q

Grotowski believed that the world is made up of …….

A

Systems

22
Q

What do actors have to be in order to remove their own systems and replace these with a character?

A

Become completely in tune with their own mind and body.

23
Q

What does the actor have to become completely aware of in Via Negativa?

A
Their own:
Heartbeat
Breathing patterns
Natural movements of the face
Habits
Mannerisms 
Posture
Hand positions
24
Q

What 3 things can self awareness be achieved through?

A
  • absolute silence from all present.
  • exclusion of all distracting thoughts from the mind.
  • intense concentration on respiration and every movement of the body.
25
Q

True or false:

Grotowski felt that the ceremony of drama could best be carried out only if there was a small-sized audience.

A

True.

26
Q

With a small audience the Holy Actor was able to connect ……. with them.

A

Spiritually

27
Q

What was poor theatre for, and what was it not for?

A

For: the sharing of profound experience.

Not for: applause and profit.

28
Q

According to Grotowski, drama exists to ……… ……. ……. ……, not cultural needs.

A

Satisfy human spiritual needs.

29
Q

What does Grotowski compare going to the theatre to?

A

Going to a church or temple

30
Q

What do both the church and theatre have?

A

Doers and observers

31
Q

What did Grotowski recommend for staging?

A

A bare and truthful acting space/

32
Q

True or false:

A poor theatre area includes the ‘easy’ luxuries of modern technology.

A

False.

33
Q

What did Grotowski hate about stages?

A

They seperate/divide the performers from the audience.

He believes they’re of equal importance.

34
Q

Where did Grotowski prefer acting to take place?

A

Simple large room or small hall.

35
Q

True or false:

Grotowski said that people had mistakenly started believing only in superficial Rich Theatre.

A

True

36
Q

What does the term “Para Theatrical” mean?

A

Reducing any gap between the actor and the audience.

37
Q

What type of props and acting areas did Grotowski prefer?

A

‘Ambiguous’ acting areas and props.

38
Q

Describe ambiguous acting areas and props.

A

Versatile and can be transformed by using the imagination.

Does not have a specific shape or limited function.

39
Q

What does Grotowski say his actors must do?

A

Exercise

40
Q

What are the 2 reasons Grotowski makes his actors exercise?

A

Makes the body stronger: more supple and flexible and becomes a better tool for performance.

Exercise is demanding. Helps break down ‘systems’ and builds up an actors ability. A physically fit actor is stronger mentally and emotionally.

41
Q

What are two exercises Grotowski’s actors were required to do?

A

Yoga and meditation

42
Q

What was meditation supposed to help with?

A

Empty the mind of superficial worries and distractions.

Only once becoming an empty vessel could the actor become ‘holy’ with the sounds and movements of the character.