Jerome Robbins Flashcards

1
Q

How did Robbins contribute to the Development of AJD

A

o Blending of classical ballet and jazz dance
o Theatrical and character driven works
o Used drama, music and dance as ways to drive the narrative and progress the plot ‘concept musical’
o American themes reflective of American social context
o Works were accessible and relatable to Americans
o Collaboration between artists (composers/directors/lyricists)
o Controversial as a practitioner – Jewish/Communist ideologist/homosexual)
o Awareness of a variety of Cultural traditions that are represented in his works

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2
Q

Jerome Robbins 1904

A

Emigrated from Poland to USA with family

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3
Q

What did Robbins do in the great depression (1935)

A

had to leave university as his family were unable to support his education.

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4
Q

Who did Robbins get an apprenticeship with?

A
  • Gluck-Sandors company
    = Ballet trained, interested in modern dance, but also wanted to worked in Broadway, Vaudeville and Burlesque
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5
Q

What did Robbins do in 1940?

A
  • Joined the American Ballet Theatre
  • he started out as Corps de Ballet then as a soloist (after working in Agnes de Milles ‘Three Virgins and a Devil’)
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6
Q

What did Robbins have a desire to do

A

He had a desire to choreograph a ballet himself using American themes/music .
- however his ideas were seen to be too grandiose for the perennially strapped company to consider.

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7
Q

What did Robbins create during his time at ABT?

A

Fancy Free 1944

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8
Q

Choreographic influences - Broadway?

A
  • robbins heavily influenced by Broadway, where dance was blended with storytelling and character development
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9
Q

Choreographic influences - Classical ballet

A
  • he had a foundation in classical ballet from his time at ABT and NYC Ballet
  • taught by George Balanchine who added a contemporary modern style to his classical ballet works
  • Ballet influence can be seen in ‘Fancy Free’
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10
Q

Choreographic Influences - culture?

A
  • influenced by cultural influences, allowing him to choreograph works around the cultural themes and styles of dance.
  • Agnes de Mille was a choreographer who introduced indigenous dance into her works, leading her to influence Robbins to explore cultural and ethnic themes
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11
Q

Choreographic Influences - Modern dance?

A

-modern dance influence of Graham who used emotion in her works, as well as angular and sharp movements in her choreo

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12
Q

Stylistic features - combination of styles?

A
  • Robbins combined ballet, jazz and pedestrian movements to create dance that conveyed the restless, dynamic energy of youth
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13
Q

Stylistic features - Jazz?

A

Jazz technique:
1. bent knees, with low centre of gravity
2. explosive energy
3. changes in direction
4. syncopated movements
5. gestures
6. emphasis on down meats of music

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14
Q

stylistic features - ballet

A
  • use of classical ballet
  • ‘fancy free’
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15
Q

Stylistic features - structure of works

A
  • choreograph works based on American themes using a narrative structure
  • robbins would tell stories through dance
    e.g. ‘West Side Story’ Robbins used distinct movement vocabulary to differentiate the two gangs and show their cultural backgrounds
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16
Q

Stylistic features - pedestrian movement

A
  • use of pedestrian movement, used to portray real life people and to give sense of natrualism in his works
  • seen in ‘West Side Story’
17
Q

Stylistic features - formations and space

A
  • use of innovative formations and space in his works, added complexity
18
Q
A