Bob Fosse Flashcards

1
Q

What was fosses technique?

A
  • Stems from his own physical limitations:
    Turned in knees = from being pigeon toed
    Rolled shoulders = having bad posture
    Use of cane = hands would shake
    Bowler hat = balding
  • Jazz inspired – stylised that uses sensual, sexy, provocative actions
  • Social dance (Latin)
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2
Q

What was Fosse Choreographic style

A
  • Darker, grittier themes
  • Strong female characters (made female centre of focus)
  • Integration of props and set (hats, canes, chairs)
  • Reflective American social issues (corruption in the Justice system, objectification of women, feminism, pop culture, discrimination, stereotyping)
  • Vaudeville/Burlesque based entertainment and humour
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3
Q

What was fosses Stylistic Feature

A
  • Use of props (chairs/hats from burlesque clubs)
  • Isolations of the body (hands, fingers, pelvis, head, knees)
  • Tuned in knees/pigeon-toed
  • Jazz/splayed hands/hunched shoulders
  • Sensual movement of the body (hips, struts, walks, plie)
  • Percussive accents
  • Boby percussion – slaps, clicks, clasps, vocals (“sissssssss”)
  • En Masse ensemble works
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4
Q

What was Fosses Movement Style?

A
  • Dance for film (cuts, shots, close ups, perspectives)
  • Sensual, erotic, precise, intricate, placed, detailed
  • Comedic elements
  • Unique style of jazz dance
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5
Q

How did Fosse contribute to AJD

A
  • Iconic, heavily stylised form of jazz that was totally unique and instantly recognisable
  • Moved away from the post-war, light-hearted, escapist type musicals to ones with darker themes relating to American societal issues
  • Developed dance for camera
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6
Q

Influence: His own personal life - vaudeville?

A

Exposure to the Vaudeville and Burlesque circuit from a young age and the sexual behaviour he witnessed
= as he worked from a young age in Burlesque. Act called The Riff Brothers

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7
Q

Influence: His own personal life - himself

A

His own physical limitations and insecurities

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8
Q

Influence: His own personal life - Acting

A

Studied acting at American Theatre Wing

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9
Q

Influence: His own personal life - dance class

A

being the only male dancer in his class - had attention

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10
Q

Influence: Fred Astaire - props?

A

He commonly used props such as bowler hats, canes and chairs
= cane would give an extension of his own body

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11
Q

Influence: Fred Astaire - known for as a dancer

A
  • his sense of rhythm, creativity, and tireless perfectionism
  • Most memorable dancing partnership with Ginger Roberts
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12
Q

Influence: Fred Astaire - song and dance

A

Astaire was adamant that all song and dance routines should be integral to the plot lines of the film
= drive the narrative

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13
Q

Influence: Fred Astaire - his bourgeoisie appeal

A

Astaire was prized for his elegance, grace, originality and precision as a dancer
Was posh and forma = a high brow entertainer

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14
Q

Influences: Jack Cole - multiculturalism

A
  • he developed a mode of jazz-ethnic-ballet that prevails ad the dominant dancing style in todays commercial sector
  • trained in modern dance in NY showing an interest in multiculturalism
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15
Q

Influences: Jack Cole - major areas

A

his career spanned three major arenas: nightclubs, Broadway stage and Hollywood film

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16
Q

Influences: Sanford Meisner

A
  • American actor and acting teacher who developed an approach to acting instruction that is known as the Meisner technique
  • in 1957, Fosse studied with Sanford Meisner to develop better acting technique
17
Q

Influences: Jerome Robbins

A
  • move narrative
  • theatrically
  • entertainment as well as commenting on social-political issues
  • characterisation
  • social dance influences
  • blend of pedestrianised style in movements
18
Q

Contributions to AJD: Sexualised and Provocative style

A
  • Fosse used a sexualised and provocative style as a response to a sexually free environment and women’s greater sexual freedom
    (due to second wave of feminism 1960s)
19
Q

Contributions to AJD: Utilised props in choreography?

A

Fosse used props such as canes, hats and gloves which were incorporated into his choreography

20
Q

Contributions to AJD: Satirical approach

A

Fosse had a satirical approach to his works

21
Q

Contributions to AJD: Unique and Stylised movement

A

Fosse had a highly unique and stylised movement style that completely stood out from anything seen before

22
Q

Contributions to AJD: Developed dance for camera

A

Fosse developed dance for camera effects in his directing roles. Fast cuts/close ups/character perspective

23
Q

Contributions to AJD: open minded + sexualised approach

A

Fosses was revolutionary in his open minded and highly sexualised approach to his works

24
Q

Contributions to AJD: exploring darker themes

A

Fosses explored darker and ‘gritter’ themes in his works, than earlier productions within Musical Theatre and Film.