Jazz Recording Technology Flashcards

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1
Q

Beginning/early stages of recording and accessibility of Jazz

A
  • before 1920 - had to be seen live (not accessible for lower classes)
  • gramophones
  • originated in New Orleans
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2
Q

The Recording Horn

A
  • hierarchical style of recording
  • more important/ quieter instruments at front
  • very poor quality (no subtle sounds)
  • etched onto wax disc, imprinted in shellac
  • first recording = original Dixieland jazz band
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3
Q

Shellac Discs

A
  • brittle, rough, bumpy - gramophone needle would catch
  • scratched easily
  • used for ammo in ww2 - production of discs decreased
  • 3 mins max
  • one take - mistakes left in
  • crackly + jumpy
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4
Q

Early microphones

A

-1925 = RCA ribbon invented and used
- better quality
- quality improved over next decades
- multiple microphones used
- but shellac discs still limited quality

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5
Q

Multitracking + balance

A
  • recording several instruments at a time - combined at a later stage
  • initially 2-4 parts - grew to 30+ by 1940s
  • each member of big band could be adjusted individually
  • volumes + sounds could be adjusted + balanced
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6
Q

Tape Recording

A
  • late 1940s
  • recordings didn’t have to be done in one take
  • slicing was created - tedious + required sound engineer
  • replaced wax discs
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7
Q

Vinyl LP

A
  • late 1940s
  • longest playing - 20mins each side
  • birth of concept album
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8
Q

Stereo

A
  • late 1950s
  • left+right balance
  • surround sound
  • better quality
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9
Q

Recording context

A
  • swing era (1930s) hooked teens
  • picked up 1934
  • jukeboxes (late 1930s) revived industry (13mil+ sold in a year)
  • record completion = affordable records
  • amusement tax increased prices of venues by 20% - tickets increased
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10
Q

Musician strike

A
  • August 1942 - AFM musicians strike over royalty payments - no recording new material
  • musicians perform on radio + concerts
  • 1944 - ban lifted - thirst for swing + big band declined due to lack of material
  • recording ban killed swing
  • bebop too complex + unrecorded so wasn’t a commercial success
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11
Q

Radio broadcasting

A
  • until Great Depression (1930s) radio vs record companies
  • records ‘pointless’ - radio ‘free’
  • musicians volunteered to perform live on radio - publicity
  • radio took over during strike
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