Isabella: or The Pot of Basil: Isabella Flashcards

You may prefer our related Brainscape-certified flashcards:
1
Q

‘Fair Isabel, poor simple Isabel!’

A
  • ## Repetition.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

‘Her lute-string gave an echo of his name,’

A
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

‘Sweet Isabella’s untouched cheek
Fell sick within the rose’s just domain.’

A
  • Sickness imagery. Love is compared with illness. Cataphoric reference to the tragic ending of Isabella and Lorenzo’s romance.
  • ‘Rose’ –> Flower of love. Associations of romance. –> Natural imagery. Their love is emphasised by the natural imagery.
  • Keat’s was a romantic poet. Romanticism can be defined as a rejection of the doctrine of order, calm, harmony, balance, idealization, and rationality. Romanticism emphasized the individual, the subjective, the irrational, the imaginative, the personal, the spontaneous, the emotional, the visionary, and the transcendental.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

‘Fell thin as a young mother’s, who doth seek
By every lull her infant’s pain:’

A
  • Motherly imagery. Infantilisation of Lorenzo. –>
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

‘A dreary night of love and misery,
If Isabel’s quick eye had not been wed.’

A
  • Marriage imagery.
  • ‘Love and misery’ opposing ideas, Juxtaposition, one cannot exist without the other. Love and misery are interwoven with one another.
  • They are in love but separated by class.
  • Keats was in the working class whereas the love of his life, Fanny Brawne, belonged to a higher class. Star-crossed lovers who were thrawted by Keat’s deat, kept apart by social divide.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

‘She saw it waxing very pale and dead.’

A
  • Foreboding language. Death imagery. Cataphoric reference to later events of the poem, i.e Isabella digging up Lorenzo’s corpse.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

‘He saw her features bright
Smile through an in-door lattice, all delight.’

A
  • Dramatic Irony, Isabella’s brothers will murder Lorenzo.
  • Pinacle of Lorenzo and Isabella’s love. –> Heightens the tragedy. This is the last time they see each other and the last time Isabella sees Lorenzo alive.
  • Pathos, catharsis,
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

‘Poor girl! put on thy stifiling widow’s weed,’

A
  • Negative natural imagery. Weeds –> Dead flowers, symbolise corruption and decay.
  • Repetition of ‘Poor’ from the beginning of the poem. –> Fate? Was this always destined to happen? Even from the beginning?
  • Suffering, Misery, Pathos, Catharsis.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

‘She weeps alone for pleasures not to be;
Sorely she wept until the night came on, And then, instead of love, O misery!’

A

-

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

‘And to the silence made a gentle moan.’

A
  • No longer moaning out of pleasure but instead misery.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

‘She fretted for the golden hour,’

A
  • Desperate, restless descriptions. Disorder in Isabella’s life since Lorenzo’s “disappearance,” –> order has been disrupted.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

‘with an eye all pale,’

A
  • Blindness. Isabella
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

‘How she might find the clay, so dearly prized,
And sing to it one latest lullaby;’

A
  • More motherly imagery.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

‘She kissed it with a lip more chill than stone,
And put it in her bosom.’

A
  • Motherly imagery.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

‘Her veiling hair,’

A
  • Marriage imagery
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

‘Pale Isabella kissed it, and low moaned.
‘Twas love - cold, dead indeed, but not dethroned.’

A
  • Death of love.
17
Q

‘the prize was all for Isabel.
She calmed its wild hair with a golden comb,’

A
18
Q

‘With tears, as chilly as a dripping well,’

A
19
Q

‘still she kissed, and wept.’

A
20
Q

‘And she forgot the stars, the moon, and the sun,’

A

-

21
Q

‘And so she ever fed it with thin tears,
Whence thick, and green, and beautiful it grew,
So that it smelt more balmy than its peers,’

A
22
Q

‘From her dead eyes;’

A
23
Q

‘For seldom did she go to chapel-shrift,
And seldom felt she any hunger-pain;
And when she left, she hurried back, as swift.’

A
24
Q

‘As bird on wing to breast its eggs again;
And, patient, as a hen-bire, sat her there
Beside her basil, weeping through her hair.’

A
25
Q

‘For Isabel, sweet Isabel, will die -
Will die a death too lone and incomplete.’

A
26
Q

’ ‘For cruel ‘tis,’ said she,
‘To steal my basil-pot away from me.’

A
27
Q

’ ‘O cruelty,
To steal my basil-pot away from me!’ ‘

A