Isabella: or The Pot of Basil: Isabella Flashcards
‘Fair Isabel, poor simple Isabel!’
- ## Repetition.
‘Her lute-string gave an echo of his name,’
‘Sweet Isabella’s untouched cheek
Fell sick within the rose’s just domain.’
- Sickness imagery. Love is compared with illness. Cataphoric reference to the tragic ending of Isabella and Lorenzo’s romance.
- ‘Rose’ –> Flower of love. Associations of romance. –> Natural imagery. Their love is emphasised by the natural imagery.
- Keat’s was a romantic poet. Romanticism can be defined as a rejection of the doctrine of order, calm, harmony, balance, idealization, and rationality. Romanticism emphasized the individual, the subjective, the irrational, the imaginative, the personal, the spontaneous, the emotional, the visionary, and the transcendental.
‘Fell thin as a young mother’s, who doth seek
By every lull her infant’s pain:’
- Motherly imagery. Infantilisation of Lorenzo. –>
‘A dreary night of love and misery,
If Isabel’s quick eye had not been wed.’
- Marriage imagery.
- ‘Love and misery’ opposing ideas, Juxtaposition, one cannot exist without the other. Love and misery are interwoven with one another.
- They are in love but separated by class.
- Keats was in the working class whereas the love of his life, Fanny Brawne, belonged to a higher class. Star-crossed lovers who were thrawted by Keat’s deat, kept apart by social divide.
‘She saw it waxing very pale and dead.’
- Foreboding language. Death imagery. Cataphoric reference to later events of the poem, i.e Isabella digging up Lorenzo’s corpse.
‘He saw her features bright
Smile through an in-door lattice, all delight.’
- Dramatic Irony, Isabella’s brothers will murder Lorenzo.
- Pinacle of Lorenzo and Isabella’s love. –> Heightens the tragedy. This is the last time they see each other and the last time Isabella sees Lorenzo alive.
- Pathos, catharsis,
‘Poor girl! put on thy stifiling widow’s weed,’
- Negative natural imagery. Weeds –> Dead flowers, symbolise corruption and decay.
- Repetition of ‘Poor’ from the beginning of the poem. –> Fate? Was this always destined to happen? Even from the beginning?
- Suffering, Misery, Pathos, Catharsis.
‘She weeps alone for pleasures not to be;
Sorely she wept until the night came on, And then, instead of love, O misery!’
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‘And to the silence made a gentle moan.’
- No longer moaning out of pleasure but instead misery.
‘She fretted for the golden hour,’
- Desperate, restless descriptions. Disorder in Isabella’s life since Lorenzo’s “disappearance,” –> order has been disrupted.
‘with an eye all pale,’
- Blindness. Isabella
‘How she might find the clay, so dearly prized,
And sing to it one latest lullaby;’
- More motherly imagery.
‘She kissed it with a lip more chill than stone,
And put it in her bosom.’
- Motherly imagery.
‘Her veiling hair,’
- Marriage imagery