Introdution to Theory of Architecture Flashcards

1
Q

Who is the architect of Tempio Malatestiano

A

Leon Battista Alberti

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2
Q

description of the architectural facts

A

History of Architecture

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3
Q

attempts to provide an explanation for those facts

A

Theory of Architecture

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4
Q

looks at the reasons why buildings look the way they do

A

Theory of Architecture

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5
Q

Proominent forms of Tempio Malatestiano

A

Pilasters
Architrave

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6
Q

In antiquity and in the Middle Ages, architects designed not only..?

A

the layout and decoration of the building but also the construction and stability of the structure

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7
Q

explains why architects have chosen to design their buildings in such particular ways

A

Theory of Architecture

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8
Q

The methods of creating mathematical models and verifying them through experiments were adopted by?

A

Francis Bacon and Galileo Galilei

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9
Q

Represents experience with a combination of particular forms

A

Architecture as Communication

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10
Q

The first theorist who set out to create a totally new system of architectural forms independent of antiquity

A

Eugene Viollet-le-Duc

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11
Q

A new architectural style emerges that was independent of the tradition of antiquity in Europe

A

l’Art Nouveau

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12
Q

study of sign systems and symbols (visual and linguistic), what they mean in combination with each other and the rules by which they can be combined

A

Semiotics

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13
Q

characterized by sinuous, organic line and often employed not only in architecture but also in jewelry, glass design, poster, and illustration as well

A

l’Art Nouveau

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14
Q

Art Nouveau

A

Belgium

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15
Q

Semiotics

A

Synaptics, Semantics, Pragmatics

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16
Q

Jugendsti

A

Germany

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17
Q

Sezessionstil

A

Austria

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18
Q

Stile Floreale or Stile Libert

A

Italy

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19
Q

Modernismo or Modernista

A

Spain

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20
Q

Feature of Victor Horta

A

Staircase in Hotel Tassel, Brussels

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21
Q

rules which govern the acceptable combination of signs

A

Synaptics

22
Q

the first modern architects to create his own private form languages – a system of proportions (based on the Golden Section).

A

Le Corbusier

23
Q

meaning of the signs; association they provide in the observer’s mind

A

Semantics

24
Q

In ? he established his own cardinal rules of “new architecture”

A

1926

25
Q

In 1926 he established his own cardinal rules of “new architecture”

A

Pilotis
Open Plan
Free Façade
Horizontal Windows
Roof Garden

26
Q

the intention, goals, or function of these signs

A

Pragmatics

27
Q

Villa Savoye is by

A

Le Corbusier

28
Q

In the present day, the theory of architecture includes all that is presented in the handbooks of architecture:

A

legislation, norms and standards of building

29
Q

was brought upon by novel designs of innovative architects.

A

philosophy of prefabrication-oriented style

30
Q

productivity of building was greatly improved when

A

building components were fabricated in factories, instead of making them on site.

31
Q

Aim at the fulfillment of one principal goal, often at the cost of other customary goals of building. The buildings that ensure are often distinguishable works of art and they can often be used as exemplars in the education of architects.

A

Thematic Theories

32
Q

This philosophy was inspired from

A
  • industrial conveyor belt production
  • the concept of mass production also.
33
Q

The oldest recorded architectural symbolism that is preserved until this day were issued by

A

Vitruvius

34
Q

Temple of Mars

A

Doric Style

35
Q

Temple of Venus

A

Corinthian Style

36
Q

allegorical symbolism was popular, but little record was written on how these symbols was precisely understood in architecture.

A

In Medieval times

37
Q

churches were built to symbolize the

A

“vault of heaven”

38
Q

pillars represent the

A

apostles and prophets

39
Q

were sometimes considered because of there numeric symbolism.

A

Proportions

40
Q

circular forms are fitting for churches

A

During Renaissance

41
Q

they symbolize the unity, infinity, and justice of God.

A

circular forms

42
Q
A
43
Q

Paradigms of Design Theory

A

Vitruvius
The Middle Ages
Classical Theory of Forms
Construction Theory
Personal Styles
Prefabricated Building Systems
Symbolic Architecture

44
Q

Person behind the Paradigms of Design Theory: Vitruvius

A

Marcus Vitruvius Pollio

45
Q

Firmitas (Strength)
Utilitas (Utility)
Venustas (Beauty)

A

Paradigms of Design Theory: Vitruvius

46
Q

Most documents remaining from the Middle Ages have to do with the monastery institution.

A

Paradigms of Design Theory: The Middle Ages

47
Q

No proper documentation of construction method or design except from transferring the knowledge from guild masters to apprentice.

A

Paradigms of Design Theory: The Middle Ages

48
Q

Renaissance brought a new interest in the feats of antiquity, especially in Italy. However, decoration of building exteriors were emphasized mostly.

A

Paradigms of Design Theory: Classical Theory of Forms

49
Q

A great number of modest medieval churches and dwellings had to be “modernized” in such a way that their facades would be fashionable

A

Paradigms of Design Theory: Classical Theory of Forms

50
Q

Tempio Malatestiano
Leon Battista Alberti
Pilasters
Architrave

A

Paradigms of Design Theory: Classical Theory of Forms

51
Q
A