Inner Ear 2... (Filters, Active process) Flashcards
1
Q
Envelope
A
- the point along the basilar membrane that is frequency-selective
- has to do w/ resonant properties
- corresponds to peak displacement
2
Q
Travelling wave
A
- tail is shallow and long
- wavefront is steep and short
- upward spread of masking
3
Q
Upward Spread of Masking
A
- if you take a low freq sound and make it louder, it increases the envelope of the BM closer to the start, and can mask a higher freq signal that is softer
E.g. - high intensity, Low Hz, masks High Hz
- High Hz doesn’t mask low Hz, no matter the intensity
- if you have high intensity, Low Hz, it will travel all the way to the apex
4
Q
4 Types of Filters
A
- Low pass
- High pass
- Band pass
- Band reject
5
Q
Low pass filter
A
- passes low freqs thru
- attenuates high freqs
6
Q
High pass filter
A
- passes high freqs thru
- attenuates low freqs
7
Q
Band pass filter
A
- combines low and high pass filters
- passes freqs within a certain range
- attenuates freqs outside that range
8
Q
Band reject filter
A
- passes most freqs
- attenuates those in a specific range to very low levels
- opposite of band pass
9
Q
Filter skirt
A
- the slope of a band pass
- steep slope = anything digital can be cut off
- gradual slope = required by analog filter
10
Q
Cochlea acts as a _____
A
Bank of band-pass filters
- if we put a signal in, the envelop acts as a band-pass filter
11
Q
Von Bekesy’s opinion on BM Vibration
A
- linear, related to gain
- whatever you put in, you get a predictable, fixed amount out
12
Q
Rhode’s opinion on BM vibration
A
- nonlinear, more gain for less input
13
Q
Why the difference in opinion btwn VB and Rhodes?
A
- VB used cadavers
- Rhodes used live animals
14
Q
BM Input/Output Function
A
- 9000 Hz Characteristic frequency (Cf)
- BM nonlinear near cf (true around freq of stimulating signal)
- linear far from cf (1000 Hz)
15
Q
Critical Band
A
- measure threshold to pure tone w/o masker
- add noise masker
- threshold goes up
- cut out a notch of noise
- as the notch widens, the threshold will start to come back down
- when the threshold no longer decreases, the width of the notch = the width of the auditory filter for that sound
- this is how we know auditory filters are a real thing!