Individual Author Context Flashcards

1
Q

John Milton

A

1608-1674

  • English
  • Served as a civil servant for the Commonwealth under Cromwell (signed Charles I’s death warrant)
  • Fiercely defended freedom of speech
  • Suspicious of Roman Catholicism and religion more broadly
  • Key work: Paradise Lost (1667)
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2
Q

Lucy Hutchinson

A

1620-1681

  • English translator, poet and biographer
  • First person to translate the complete text of Lucretius’ De rerum natura (On the Nature of Things)
  • Wrote a biography of her husband which explored the lives of Puritans during the Civil War
  • Poetry: her Elegies mourned the death of her husband, whilst commenting on the English political structure following the Restoration
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3
Q

Margaret Cavendish, Duchess of Newcastle

A

c. 1623-1674
- English aristocrat, connected with the British and French monarchy
- Published under her own name
- Writings took the form of poetical fiction, moral instruction, philosophical opinion, dialogue, discourses and poetical romances
- Published extensively in natural philosophy and early modern science
- Her utopian romance, The Blazing World, is one of the earliest examples of science fiction
- Key work: Poems and Fancies (1653)

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4
Q

John Bunyan

A

1628-1688

  • English writer and Puritan preacher
  • 42 works, most of which were essentially expanded sermons
  • Key work: The Pilgrim’s Progress (Christian allegory written during Bunyan’s twelve year imprisonment following the Restoration which reduced religious freedom)
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5
Q

John Dryden

A

1631-1700

  • English
  • First ever Poet Laureate (1668)
  • Important in the development of literary criticism
  • Opposed Glorious Revolution
  • Key works: Mac Flecknoe (satire), An Essay of Dramatick Poesie (a dialogue in which four characters debate the merits of classical, French and English drama), Marriage à la Mode (a Restoration Comedy which was very popular)
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6
Q

John Locke

A

1632-1704

  • English philosopher and physician, one of the most influential British Enlightenment thinkers
  • Known as the ‘Father of Liberalism’
  • Empiricism: we are born without innate knowledge, and can only know what we experience (‘tabula rasa’ - at birth the mind is a blank state)
  • Theory of the Mind: first to define the self through a continuity of consciousness
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7
Q

Sir George Etherege

A

c. 1634-1691
- English dramatist
- One of the “big five” in Restoration comedy, who invented the comedy of manners and led the way to the achievements of Congreve and Sheridan
- Key works: The Man of Mode or, Sir Fopling Flutter (1676)

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8
Q

Aphra Behn

A

1640-1689

  • English playwright, poet and fiction writer
  • One of the first women to earn a living by writing
  • Monarchist, who dedicated to the restored Charles II (apparently worked as a spy for him!)
  • Supported the Tories
  • Key works: The Rover, Oroonoko
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9
Q

William Wycherley

A

1641-1716

  • English dramatist
  • Wrote Restoration Comedies
  • Fluctuated between Protestantism and Catholicism throughout his life
  • According to Wiki “Pleasure and the stage were his only interests” haha :))))
  • Key works: The Country Wife
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10
Q

John Wilmot, Earl of Rochester

A

1647-1680

  • English poet and courtier at Charles II’s Restoration court
  • Embodied the Restoration reaction against the moral uprightness of the preceding Puritan era (essentially he was something of a rake/libertine)
  • Friends with Aphra Behn
  • Described by Andrew Marvell as ‘the best English satirist’
  • Key work: A Satyr Against Reason and Mankind (a scathing denunciation of rationalism and optimism that contrasts human perfidy with animal wisdom)
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11
Q

Daniel Defoe

A

1660-1731

  • English trader, writer, journalist, pamphleteer and spy (!!)
  • Called trade his ‘beloved subject’ but became bankrupt several times in his life
  • Helped to popularise the form of the novel
  • Political, wrote tracts which got him in trouble with the authorities, spent some time in prison
  • A Dissenter (against Catholicism), strong supporter of William of Orange (became his leading pamphleteer)
  • An influential figure - intellectuals and political leaders paid attention to his ideas
  • Key Works: Robinson Crusoe (1719-1722) , Moll Flanders (1722), Roxana
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12
Q

Jonathan Swift

A

1667-1745

  • Anglo-Irish satirist, essayist, political pamphleteer (first for the Whigs, then for the Tories, and then as an Irish patriot), poet and cleric who became Dean of St Patrick’s Cathedral, Dublin
  • Foremost prose satirist in English (his poetry is less well known)
  • Member of the Scriblerus club
  • Supported the Glorious Revolution (was Protestant and feared the return of Catholic monarchs)
  • Described as “a Whig in politics and Tory in religion”
  • Key works: A Tale of a Tub (1704), An Argument Against Abolishing Christianity (1712), Gulliver’s Travels (1726), and A Modest Proposal (1729)
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13
Q

William Congreve

A

1670-1729

  • English playwright and poet
  • Comedy of manners/Restoration comedy
  • Female roles were beginning to be played predominantly by women
  • Minor figure in the Whig Party
  • Key works: The Old Bachelor (1693), Love for Love (1695) The Way of the World (1700, failure at the time but seen as a masterpiece now)
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14
Q

Anthony Ashley Cooper, third Earl of Shaftesbury

A

1671-1713

  • English politician, philosopher and writer
  • Philosophical work was limited to ethics, religion, and aesthetics where he highlighted the concept of the sublime as an aesthetic quality
  • Advocated religious tolerance, seen as the founder of moral sense theory (distinctions between morality and immorality are discovered by emotional responses to experience)
  • Church of England, but questioned some of its beliefs
  • Key work: Characteristicks of Men, Manners, Opinions, Times (1711) - he published a large collection of his writings
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15
Q

Joseph Addison

A

1672-1719

  • English essayist, poet, playwright and politician
  • Contributed to Richard Steele’s The Tatler
  • Then founded The Spectator with Steele
  • Key works: Cato, a Tragedy (1712) - deals with conflicts such as individual liberty versus government tyranny, Republicanism versus Monarchism, logic versus emotion, and Cato’s personal struggle to retain his beliefs in the face of death
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16
Q

George Farquhar

A

1678-1707

  • Irish dramatist
  • Involved in Restoration comedy
  • Was an actor himself
  • Key works: The Recruiting Officer (1706) and The Beaux’ Stratagem (1707)
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17
Q

John Gay

A

1685-1732

  • English poet and dramatist
  • Member of the Scriblerus Club
  • Against the Glorious Revolution, mocked London society for its Dutch mercantilism
  • Not in favour of the current government, frequently mocked it
  • Key works: The Beggar’s Opera (1728), a ballad opera in which Sir Robert Walpole was caricatured, Trivia (1716), The Shepherd’s Week (1714), a series of six pastorals drawn from English rustic life
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18
Q

George Berkeley

A

1685-1753

  • Irish philosopher
  • Proposed the theory of “immaterialism” which denies the existence of material substance and instead contends that familiar objects like tables and chairs are only ideas in the minds of perceivers and, as a result, cannot exist without being perceived
  • In opposition to thinkers like John Locke
  • Key works: Three Dialogues between Hylas and Philonous (1713)
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19
Q

Lady Mary Wortey Montagu

A

1689-1762

  • English aristocrat, letter writer and poet
  • Wife of the British ambassador to Turkey and thus spent a lot of time there
  • Introduced the smallpox inoculation to Britain
  • Her writings address and challenge the hindering contemporary social attitudes towards women and their intellectual and social growth
  • Did not intend to publish her poetry, but it circulated widely amongst members of her social circle
  • Key works: Embassy Letters, Town Eclogues
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20
Q

Alexander Pope

A

1688-1744

  • English poet
  • Member of the Scriblerus Club
  • Largely self-educated due to restrictions on education for Catholics (he was negatively impacted by the 1673 Test Acts)
  • Satirical and discursive poetry
  • A Tory - his real target in the poem is the Whig politician Robert Walpole in the Dunciad
  • Key works: The Rape of the Lock, The Dunciad, and An Essay on Criticism, as well as his translation of Homer
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21
Q

Samuel Richardson

A

1689-1761

  • English writer and printer
  • Had a rivalry with Henry Fielding (they emulated each other’s styles)
  • Printer and publisher for most of his life, writing his first novel at the age of 51
  • His father wanted him to be a clergyman
  • Instrumental in the progression of the novel form
  • Key works: Pamela (1741), Clarissa (1748)
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22
Q

James Thomson

A

1700-1748

  • Scottish poet and playwright
  • Key works: The Seasons (a lengthy blank verse poem, reflecting on the landscape of the countryside in four parts) and The Castle of Indolence, and the lyrics of “Rule, Britannia!”
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23
Q

Henry Fielding

A

1707-1748

  • English novelist and dramatist
  • Known for his earthy humour and satirical prowess
  • Key works: lots of plays (his political satires prompted the Theatrical Licensing Act of 1737 which censored such plays), Tom Jones (a comic novel), Shamela (1741)
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24
Q

Samuel Johnson

A

1709-1784

  • English poet, playwright, essayist, moralist, literary critic, biographer, editor, and lexicographer
  • Devout Anglican
  • Committed Tory
  • Believed that the best poetry relied on contemporary language, and he disliked the use of decorative or purposefully archaic language
  • Key works: early works: the biography ‘Life of Mr Richard Savage’, the poems ‘London’ and ‘The Vanity of Human Wishes’ (both satires of Juvenal), and the play ‘Irene’, middle works: A Dictionary of the English Language (1755), later works: essays, an influential annotated edition of The Plays of William Shakespeare, and the widely read tale The History of Rasselas, Prince of Abissinia, the massive and influential Lives of the Most Eminent English Poets, a collection of biographies and evaluations of 17th- and 18th-century poets
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25
Q

David Hume

A

1711-1776

  • Scottish Enlightenment philosopher, historian, economist, and essayist
  • Influential ideas on philosophical empiricism, scepticism, and naturalism
  • Argued against miracles and teleological arguments to prove the existence of God (controversial!)
  • Believed that passions rather than reason govern human behaviour
  • A sentimentalist, who held that ethics are based on emotion or sentiment rather than abstract moral principle
  • Denied that humans have an actual conception of the self
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26
Q

Laurence Sterne

A

1713-1768

  • Irish novelist and Anglican clergyman
  • At 46, he turned his parishes over to a curate and devoted himself to writing
  • Struggled with illness throughout writing
  • 1762, took a trip to France (which forms part of Tristram)
  • Key works: Tristram Shandy (1759-1767), A Sentimental Journey (1768), lots of sermons and memoirs
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27
Q

Thomas Gray

A

1716-1771

  • English poet, letter-writer, classical scholar and professor at Pembroke College
  • Extremely self-critical
  • Published only 13 poems during his lifetime despite being very popular
  • Declined the position of Poet Laureate
  • His writing is considered to be pre-Romantic in its appreciation of nature and Gothic elements
  • Key works: Elegy Written in a Country Churchyard (1745-50), Ode on the Spring (1742), The Bard: A Pindaric Ode (1755-57)
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28
Q

William Collins

A

1721-1759

  • English poet
  • Similar to Thomas Gray
  • Lyrical odes mark a turn away from the Augustan poetry of Pope’s generation and a turn towards the Romantic era
  • Key works: Persian Eclogues, Odes on Several Descriptive and Allegorical Subjects (1747) - strong emotional descriptions and personal relationship to the subject allowed by the ode form (which was not in favour at the time he was writing)
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29
Q

Tobias Smollett

A

1721-1771

  • Scottish poet and author
  • Wrote mostly picaresque novels (which depict the adventures of a roguish but appealing hero of low social class, who lives by his wits in a corrupt society)
  • Key works: The Adventures of Roderick Random (1748), The Adventures of Peregrine Pickle (1751) and The Expedition of Humphry Clinker (1771)
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30
Q

Mary Leapor

A

1722-1746

  • English poet
  • Labouring-class (worked as a housemaid for most of her life)
  • Cutting and incisive poems on the position of women in society, class structures and the process of writing itself
  • Strongly influenced by Pope
  • Key works: An Essay on Woman, Crumble-Hall, Dorinda at her Glass
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31
Q

Christopher Smart

A

1722-1771

  • English poet
  • High church Anglican
  • Major contributor to popular magazines - The Midwife and The Student
  • His his father-in-law, John Newbery, locked him away in a mental asylum for many years over Smart’s supposed religious “mania”
  • Explores the idea that words and language connect the poet to divine revelation, presenting God as the “great poet” who used language in order to create the universe
  • Key works: A Song to David and Jubilate Agno (primarily a religious poet)
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32
Q

Adam Smith

A

1723-1790

  • Scottish economist, philosopher, key figure of the Scottish Enlightenment
  • ‘The Father of Capitalism’
  • Laid the foundations of classical free market economic theory
  • Discussed the concepts of division of labour and how rational self-interest and competition can lead to economic prosperity
  • Key works: The Wealth of Nations (1776), considered the first modern work of economics
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33
Q

Edmund Burke

A

1729-1797

  • Irish statesman and philosopher
  • Whig MP
  • Supported Catholic emancipation
  • Key works: A Vindication of Natural Society (argued for the importance of manners and religious institutions for the moral stability and good of the state), Reflections on the Revolution in France (expressed his staunch opposition to the French Revolution)
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34
Q

Thomas Percy

A

1729-1811

  • Chaplain to Charles III, then became a bishop
  • He collated poems, rather than actually writing himself (although he did heavily edit some of the ballads in his collection)
  • Key works: Reliques of Ancient English Poetry (1765), the first of the great ballad collections, which was the one works most responsible for the ballad revival in English poetry that was a significant part of the Romantic movement
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35
Q

Oliver Goldsmith

A

1728-1774

  • Irish novelist, playwright and poet
  • Example of the revival of laughing comedy over the sentimental comedy seen as dominant on the English stage at the time
  • Drew on the comedy of manners style popular during Restoration comedy
  • Key works: novel The Vicar of Wakefield (1766), pastoral poem The Deserted Village (1770), and plays The Good-Natur’d Man (1768) and She Stoops to Conquer (1771, first performed in 1773)
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36
Q

William Cowper

A

1731-1800
- English poet and hymnodist
- Changed the direction of 18th century nature poetry by writing of everyday life and scenes of the English countryside
- Seen as a forerunner to Romantic poetry
- Wrote a number of anti-slavery poems as well
Key works: The Snail (1730) Yardley Oak, The Negro’s Complain (1788)

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37
Q

James Macpherson

A

1736-1796

  • Scottish writer, poet, literary collector and politician
  • Important influence on the Romantic movement (deep appreciation of natural beauty and the melancholy tenderness of its treatment of the ancient legend in Ossian)
  • Key works: “translation” of the Ossian cycle of epic poems
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38
Q

Edward Gibbon

A

1737-1794

  • English historian, writer and Member of Parliament
  • Key work: The History of the Decline and Fall of the Roman Empire (published in six volumes between 1776 and 1788), known for the quality and irony of its prose, its use of primary sources, and its polemical criticism of organised religion
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39
Q

James Boswell

A

1740-1795

  • Scottish biographer, diarist, and lawyer
  • Key works: Boswell in Holland and Boswell on the Grand Tour, his biography of Samuel Johnson
40
Q

Anna Laetitia Barbauld

A

1743-1825

  • English poet, essayist, literary critic, editor, and author of children’s literature
  • Taught at the Palgrave Academy
  • Rarely successful writing career for a woman
  • Her work promoted the values of the Enlightenment and of sensibility, while her poetry made a founding contribution to the development of British Romanticism
  • Very politically engaged
  • Criticised British involvement in the Napoleon Wars for which she received a massive backlash and thus stopped writing
  • Key works: Epistle to William Wilberforce on the Rejection of the Bill for Abolishing the Slave Trade (1791), Eighteen Hundred and Eleven (1812), which depicted England as a ruin (this was the poem that ended her career)
41
Q

Henry Mackenzie

A

1745-1831

  • Scottish lawyer, novelist and writer
  • Ardent Tory who opposed the French Revolution
  • Key works: The Man of Feeling (1771)
42
Q

Charlotte Smith

A

1749-1806

  • English Romantic poet and novelist
  • Initiated a revival of the English sonnet, helped establish the conventions of Gothic fiction, and wrote political novels of sensibility
  • Key works: Elegiac Sonnets (1784, experimented with the sonnet form and used simpler poetic language), Emmeline (1788, criticises the traditional marriage arrangements of the 18th century, which allowed women little choice and prioritised the needs of the family), The Old Manor House (1793, later novel, supported the French Revolution)
43
Q

Richard Sheridan

A

1751-1816

  • Irish satirist, a playwright, poet and long-term owner of the London Theatre Royal, Drury Lane
  • Whig MP
  • Key works: The Rivals (1775), The School for Scandal (1777, one of the greatest comedy of manners), The Duenna (an opera) and A Trip to Scarborough (all plays)
44
Q

Fanny Burney

A

1752-1840

  • English satirical novelist, diarist and playwright
  • Later known as Madame d’Arblay
  • Key works: most successful work was Evelina (1778) - sentimental epistolary novel about a young girl’s entrance into society, whilst satirising the society in which it is set
45
Q

Phillis Wheatley

A

c. 1753-1784
- African-American poet
- Born in West Africa, transported to North Africa as a slave at the age of 7 or 8
- The Wheatley family who bought her taught her how to read and write and encouraged her poetry
- First African-American woman to publish a book of poetry
- Famous in England and the American colonies
- Politically engaged, dedicated many of her poems to famous figures
- Expressed Christian themes, as well as celebrations of America and comments on slavery
- Key works: A Hymn to the Evening, On being brought from Africa to America, On Virtue

46
Q

William Godwin

A

1756-1836

  • English journalist, political philosopher and novelist
  • One of the first exponents of both utilitarianism and anarchism (rejection of formal authority/hierarchy)
  • Key work: Enquiry Concerning Political Justice (1793) - an attack on political institutions, written in response to the French Revolution and other British works regarding this event
47
Q

George Crabbe

A

1754-1832

  • English poet, surgeon and clergyman
  • Best known for his early use of the realistic narrative form and his descriptions of middle and working-class life and people
  • Unsentimental in his depiction of provincial life and society
  • Used poetry to highlight the real sufferings of the poor - documented the harsher reality of country life
  • Was angered by the idealism/idyllic country life
  • Key works: The Village (“pastoral” poem)
48
Q

William Blake

A

1757-1827

  • English poet, painter, and printmaker
  • First Generation Romantic poet
  • Largely unrecognised during his lifetime
  • Known for his expressiveness and creativity and the philosophical and mystical undercurrents within his work
  • Not connected with a specific political party - but demonstrates an attitude of rebellion, concern regarding wars, mercantilism and slavery
  • Attacked conventional religion but clearly spiritual
  • Key works: Songs of Innocence and Experience, The Marriage of Heaven and Hell, The Four Zoas, Jerusalem, Milton, “And did those feet in ancient time”
49
Q

Mary Hays

A

1759-1843

  • English autodidact intellectual who published essays, poetry, novels and several works on famous (and infamous) women
  • Female Biography (1803) - contained the lives of 294 women from ancient figures to near contemporaries
50
Q

Robert Burns

A

1759-1796

  • Scottish poet and lyricist
  • Known as the Ploughman’s Poet - plays with his identity and pastoral conventions in his poems
  • Pioneer of the Romantic movement
  • Wrote in Scots as well as a Scottish English dialect
  • Themes: republicanism and Radicalism, Scottish patriotism, anticlericalism, class inequalities, gender roles, poverty, sexuality
  • Key works: “A Red, Red Rose”, “A Man’s a Man for A’ That”, “To a Louse”, “To a Mouse”, “The Battle of Sherramuir”, “Tam o’ Shanter” and “Ae Fond Kiss”.
51
Q

Mary Wollstonecraft

A

1759-1797

  • English writer, philosopher, and advocate of women’s rights
  • Wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children’s book
  • Key work: A Vindication of the Rights of Woman (1792), in which she argues that women are not naturally inferior to men, but appear to be only because they lack education
52
Q

Ann Radcliffe

A

1764-1823

  • English author and pioneer of Gothic fiction
  • Technique of explaining apparently supernatural elements in her novels has been credited with gaining Gothic fiction respectability in the 1790s
  • Highest paid professional writer of 1790s
  • Gave female characters equality and power in her novels
  • Key works: The Mysteries of Udolpho (1794), which Austen parodies in Northanger Abbey and On the Supernatural in Poetry, which explained the role of terror in enlivening the imagination, versus that of horror in closing it off
53
Q

Maria Edgeworth

A

1768-1849

  • Anglo-Irish writer of adults’ and children’s literature
  • One of the first realist writers in children’s literature
  • Often attempted to convey moral messages
  • Another proto-feminist figure
  • Key works: An Essay on the Noble Science of Self-Justification (1795, called on women to use their wit and intelligence to challenge the power of their husbands), Castle Rackrent (1800, rise of catholic-Irish middle-class) Belinda (1801, first full-length novel, about love/marriage)
54
Q

William Wordsworth

A

1770-1850

  • English Romantic poet
  • Worked closely with Coleridge
  • Youthful political radicalism
  • Went to France during the Revolution
  • Never rebelled against his religious upbringing though
  • Key works: Lyrical Ballads (1798)
55
Q

Dorothy Wordsworth

A

1771-1855

  • English author, poet, and diarist
  • William Wordsworth’s sister - they were very close all their lives
  • Had no desire to make writing/poetry her profession
  • Key works: Grasmere Journal (1897), published well after her death, discussed day-to-day life in the Lake District, long walks she and her brother took through the countryside, and detailed portraits of literary contemporaries
56
Q

Sir Walter Scott

A

1771-1832

  • Scottish historical novelist, poet, playwright, and historian
  • Tory
  • Essentially fictionalised Scottish history
  • Key works: Waverley (1814, his first novel depicted the Jacobite uprising of 1745), Old Mortality, The Lady of the Lake, The Heart of Midlothian, and The Bride of Lammermoor
57
Q

S.T. Coleridge

A

1772-1834

  • English poet, literary critic, philosopher and theologian
  • Essential founder of Romantic movement alongside Wordsworth
  • Major influence on Ralph Waldo Emerson and American transcendentalism
  • Worked as a Unitarian preacher in the middle of his life
  • Initially a political radical who supported the French Revolution but became more conservative throughout his life
  • Key works: The Rime of the Ancient Mariner, Kubla Khan, Lyrical Ballads
58
Q

Charles Lamb

A

1775-1834

  • English essayist, poet, and antiquarian
  • Christian, displayed disgust towards atheism, viewing it as prideful
  • Friends with Wordsworth, Hazlitt, Coleridge (Lamb is in This Lime-Tree Bower My Prison)
  • Key works: Essay of Elia (1823, personal style of essay writing), children’s book Tales from Shakespeare, The Old Familiar Faces, his best and most sentimental poem
59
Q

Jane Austen

A

1775-1817

  • English novelist
  • Works critique the novels of sensibility and are part of the transition to 19th century literary realism
  • Characterised by biting irony, realism, humour, and social commentary
  • Key works: Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814), Emma (1816), Northanger Abbey (1818, posthumously) and Persuasion (1818, posthumously)
60
Q

William Hazlitt

A

1778-1830

  • English essayist, drama and literary critic, painter, social commentator, and philosopher
  • Friends with Charles Lamb, Coleridge, Wordsworth, Keats
  • Attended Hackney College, a Unitarian seminary, (broad curriculum, non-conformist and forward thinking attitudes)
  • Loss of faith whilst there, but also sparked many of his life-long attitudes - belief in liberty, rights of man, hatred of tyranny, power of the individual to affect change
  • Wanted to disprove the natural disinterestedness of the human mind (i.e. idea that humans are innately selfish)
  • Wrote mostly literary and political criticism
  • Key works: An Essay on the Principles of Human Action (1805), Characters of Shakespear’s Plays (1817), Political Essays, with Sketches of Public Characters (1819)
61
Q

Thomas de Quincey

A

1785-1859

  • English essayist and journalist (maintained himself by writing for publications, having become alienated from his family)
  • Tended towards the right politically, believing in aristocratic privilege and possessing reactionary views on the Peterloo Massacre, Indian Mutiny, Catholic Emancipation and widening the franchise, but he was also a staunch abolitionist
  • Admired Lyrical Ballads and later became acquainted with Wordsworth and Coleridge, before moving to the Lake District
  • Key works: Confessions of an English Opium-Eater (1821), On Knocking at the Gate in Macbeth (1823), Recollections of the Lake Poets (1834-40)
62
Q

Thomas Love Peacock

A

1785-1856

  • English novelist, poet, and official of the East India Company
  • Close friend of Shelley’s - influenced each other’s work
  • Wrote satirical novels, each with the same basic setting: characters at a table discussing and criticising the philosophical opinions of the day
  • Key works: The Philosophy of Melancholy (1812, poem), Nightmare Abbey (1818, Gothic topical satire which pokes light-hearted fun at the romantic movement and its obsession with morbid subjects, misanthropy and transcendental philosophical systems), Melincourt (1817, An orangutan called Sir Oran Haut-Ton is put forward as a candidate for election as a Member of Parliament)
63
Q

George Gordon, Lord Byron

A

1788-1824

  • English poet, peer and politician
  • Revolutionary in the Greek War of Independence (during which he died of disease)
  • Leading Romantic poet
  • Whig, supported the Luddites, advocated social reform, supported Catholic emancipation
  • Idea of the Byronic hero - first modern celebrity
  • Travelled a lot (lived in Italy for 7 years)
  • Vegetarian for much of his life
  • Close with Shelley and Keats
  • Key works: lengthy narrative poems Childe Harold’s Pilgrimage (1812-1818, describes the travels and reflections of a world-weary young man, an expression of the melancholy and disillusionment felt by a generation weary of the wars of the post-Revolutionary and Napoleonic eras) and Don Juan (1819-24, the epic of the Victorian age, concerned with the social, political, literary and ideological)
64
Q

Percy Shelley

A

1792-1822

  • English Romantic poet
  • Lyric and philosophical poems
  • Political radical
  • Believed in the importance of poetry in affecting change (1821, Defence of Poetry - “poets are the unacknowledged legislators of the world”)
  • Proponent of non-violence
  • Drowned
  • Key works: Ozymandias, Ode to the West Wind, To a Skylark, Music, When Soft Voices Die, The Masque of Anarchy, verse drama The Cenci (1819), Prometheus Unbound (1820)
65
Q

Felicia Hemans

A

1793-1835

  • English poet
  • Concerned by the position of women, religion and political/international events such as wars
  • A Late Romantic
  • Key works: Casabianca (1826, ballad form (abab), depicts a boy asking his father whether he had fulfilled his duties, remaining at his post during the Battle of the Nile (Napoleonic Wars) until the ship exploded), England and Spain (1808, narrative poem honouring her brother and his role in the Peninsular War, again part of the Napoleonic Wars), Records of Woman (1828, chronicles the lives of women, both famous and anonymous)
66
Q

John Clare

A

1793-1864

  • English poet
  • Protestant
  • Conservative political and religious views
  • Unstable sense of self, plays with identity
  • the ‘Northamptonshire peasant poet’ - wrote in dialect, comparing standardised spelling and grammar to tyrannical government and slavery
  • ‘Cult of the peasant poet’ - something compelling about this new perspective, much of this kind of poetry was overly idealised
  • Knowledge of the natural world went far beyond that of the major Romantic poets
  • Uses the language of pastoral to lament the coming of modernity as well - deeply distressed by the Agricultural Revolution
  • Key works: Haymaking (delight in nature and the seasons), The Badger (unsentimental view of animals), I Am (metaphysical concerns)
67
Q

John Keats

A

1795-1821

  • Second generation English Romantic poet
  • Radical education at Enfield School (reformist, dissenting ideas)
  • Trained in the medical profession
  • Personal narrative of loss and abandonment - both parents dead before he was 15, brother Tom died in 1818 and other brother George married and moved to America
  • Ill health and financial instability plagued him
  • Inability to marry Fanny Brawne hurt him deeply
  • Key works: his Odes, On First Looking into Chapman’s Homer, Sleep and Poetry
68
Q

Thomas Carlyle

A

1795-1881

  • British historian, satirical writer, essayist, translator, philosopher, mathematician, and teacher
  • Proposed the Great Man theory of history - “the history of the world is but the biography of great men”
  • A deist, loss Christian faith at university
  • Key Works: Sartor Resartus (1833-34, strange satirical philosophy, attacks on utilitarianism and the commercialisation of society), The French Revolution (1837), On Heroes, Hero-Worship, and The Heroic in History (1841), Past and Present (1843, in which he coined the phrase the “Condition of England”, combined medieval history with criticism of 19th-century society)
69
Q

Mary Wollstonecraft Shelley

A

1797-1851

  • English novelist
  • Raised and educated by her father, William Godwin - anarchist political theories
  • Relationship with Shelley: faced ostracism, constant debt and the deaths of three of their four children
  • Returned to England after Shelley’s death and from then on devoted herself to the upbringing of her son and a career as a professional author
  • Died of a brain tumour
  • Key works: Frankenstein (1818)
70
Q

John Henry Newman

A

1801-1890

  • English theologian and poet
  • First an Anglican priest but later became a Roman Catholic priest and cardinal
  • Known leader of the Oxford Movement (wished to return to the Church of England many Catholic beliefs and liturgical rituals from before the English Reformation)
  • 1845, left the Church of England and simply became a Catholic
  • Key works: largest contributor to Tracts for the Times (1833-41, which laid out the key ideas of the Oxford Movement), The Dream of Gerontius (1865, follows Gerontius on his journey into death and his reawakening as a soul preparing for judgement)
71
Q

Letitia Elizabeth Landon (‘L.E.L.’)

A

1802-1838

  • English poet and novelist
  • Well educated and very intelligent
  • Published her poetry in the Gazette, for which she also wrote reviews
  • Forced to write to support her family after her father’s death
  • Key works: The Fate of Adelaide (1821, collection of poetry), Romance and Reality (1831, her first novel)
72
Q

Ralph Waldo Emerson

A

1803-1882

  • American essayist, lecturer, philosopher, and poet
  • Leader the transcendentalist movement (essentially an American Romantic)
  • Transcendentalism: an American philosophical movement which arose in the late 1820s and 30s
  • Key beliefs of the movement: the inherent goodness of people and nature, society and its institutions have corrupted the purity of the individual, people are at their best when truly “self-reliant” and independent
  • Mentor and friend of Henry David Thoreau
  • Championed individualism
  • Key works: Nature (1836), Self-Reliance (1841)
73
Q

Nathaniel Hawthorne

A

1804-1864

  • American novelist, dark romantic, and short story writer
  • Associated with transcendentalism/the Romantic movement
  • Characteristics of his work: emphasis on New England, moral metaphors with an anti-Puritan inspiration, the inherent evil and sin of humanity, moral messages and deep psychological complexity
  • Key works: Twice-Told Tales (1837–1842), The Scarlet Letter (1850), The House of the Seven Gables (1851)
74
Q

John Stuart Mill

A

1806-1873

  • British philosopher, political economist, and civil servant
  • Supported Utilitarianism
  • His conception of liberty justified the freedom of the individual in opposition to unlimited state and social control
  • Believed in freedom of speech
  • Forward thinking attitudes on the position of women
  • Abolitionist (regarding American slavery)
  • Free markets (with small state intervention allowed in order to maximise the greater good)
  • Key works: On Liberty (1859), Utilitarianism (1863), The Subjection of Women (1869)
75
Q

Elizabeth Barrett Browning

A

1806-1861

  • English poet of the Victorian era (also wrote prose pieces including literary criticism)
  • Campaigned for the abolition of slavery in America and her work helped influence reform in the child labour legislation
  • Established poetic career before marrying Robert Browning in 1846
  • Influenced each other’s work
  • Key works: The Cry of the Children (1842, helped to raise support for Lord Shaftesbury’s 1844 Ten Hours Bill), Sonnets from the Portuguese (1845-46, sonnet cycle from the perspective of a woman) and Aurora Leigh (1856, nine book epic novel/poem detailing Aurora’s life from her childhood to her adult ‘present’ and her struggles as a poet)
76
Q

Edgar Allan Poe

A

1809-1849

  • American writer, poet, editor, and literary critic
  • Central figure of American Romanticism
  • Key in the development of short story writing
  • First well-known American to earn a living by writing
  • Wrote tales of mystery and the macabre
  • Key works: The Tell-Tale Heart (1843, Gothic short story), The Raven (1845, poem)
77
Q

Alfred Lord Tennyson

A

1809-1892

  • British poet
  • Attended Cambridge, where he met Arthur Hallam (his death in 1833 deeply impacted Tennyson)
  • Suffered from depression
  • Suffered from ‘honest doubt’ as he termed it (impacted by changes in science and religion)
  • Influenced by Keats and other Romantic poets
  • Used medieval legends, classical myths, nature and domestic situations as inspiration
  • Later influenced the Pre-Raphaelites
  • Key works: In Memoriam A.H.H., Ulysses, Tithonus, The Charge of the Light Brigade, Mariana, The Lady of Shalott
78
Q

Elizabeth Gaskell

A

1810-1865

  • English novelist, biographer and short story writer
  • Offer a detailed portrait of the lives of many strata of Victorian society, including the very poor
  • Undertook lots of charity work/outreach projects and thus understood the community around her in Manchester where she lived most of her life
  • Driven to write by the deprivation she witnessed - clear social aims in her work
  • Key works: Mary Barton (1848), North and South (1854-55) and Wives and Daughters (1865)
79
Q

William Mackpeace Thackeray

A

1811-1863

  • British novelist, author and illustrator born in India
  • Began as a satirist and parodist, writing for Punch and other magazines
  • Very popular at the time
  • Worked for various magazines including Fraser’s Magazine, contributing literary and art criticism, short fictional sketches and longer fictional works
  • Although he saw himself as a realist, he often used eighteenth-century techniques such as digressions and direct addresses to the reader
  • Key works: Vanity Fair (1847-48, panoramic portrait of British society during and after the Napoleonic wars), The Luck of Barry Lyndon (1844, picaresque novel), some travel books in early 1840s
80
Q

Charles Dickens

A

1812-1870

  • English writer and social critic
  • Began work in a factory from a young age, as his father when to debtors’ prison
  • Little formal education
  • Pioneered the serial publication of novels
  • Wrote journalistic pieces and edited a weekly journal for 20 years as well as novels
  • Style: mixture of realism and fantasy, melodrama, satire, caricature, sentimentalism, social commentary
  • Key works: Oliver Twist (1837-39), A Christmas Carol (1843), David Copperfield (1849-50), Bleak House (1853), Hard Times (1854), Little Dorrit (1857), A Tale of Two Cities (1859) , Our Mutual Friend (1864-65)
81
Q

Robert Browning

A

1812-1889

  • English poet and playwright
  • Known for his dramatic monologues
  • Married to Elizabeth Barrett Browning
  • Moved to Italy together in 1846
  • Political views: Liberal, supported equality for women, opposed slavery, opposed anti-Semitism, supported animal rights
  • Religious beliefs: a Christian although he questioned his faith
  • Key works: Fra Lippo Lippi, Andrea del Sarto, Caliban upon Setebos, Childe Roland to the Dark Tower Came, The Ring and the Book (1868, long blank-verse poem based on a convoluted murder-case from 1690s Rome, the poem is composed of 12 books: 10 lengthy dramatic monologues narrated by various characters in the story, showing their individual perspectives on events, bookended by an introduction and conclusion by Browning himself)
82
Q

Charlotte Brontë

A

1816-1855

  • English novelist and poet
  • Eldest of the three Brontë sisters who wrote
  • Worked as a governess at times in her life
  • Spent time abroad in Brussels, inspiring some of the events in Brussels
  • Unsuccessfully tried to open a school with her sisters
  • Key works: Jane Eyre (1847), Vilette (1853)
83
Q

Henry David Thoreau

A

1817-1862

  • American essayist, poet, and philosopher
  • Leading transcendentalist
  • Abolitionist
  • Key works: Walden (1854, a reflection upon simple living in natural surroundings), Civil Disobedience (1849, an argument for disobedience to an unjust state), Walking (1862)
84
Q

Emily Brontë

A

1818-1848

  • English novelist and poet
  • Middle Brontë writing sister
  • Became a teacher at 20 but her fragile health saw her leave and return home
  • Accompanied Charlotte to Brussels
  • Key works: Wuthering Heights (1847)
85
Q

Frederick Douglass

A

1818-1895

  • American social reformer, abolitionist, orator, writer, and statesman
  • Escaped slavery himself
  • Converted to Christianity
  • Key works: several autobiographies: Narrative of the Life of Frederick Douglass, an American Slave (1845), My Bondage and My Freedom (1855)
86
Q

Arthur Hugh Clough

A

1819-1861

  • English poet, educationalist, and devoted assistant to Florence Nightingale
  • Friends with Matthew Arnold at Oxford
  • Struggled with issues of faith (resigning his position at Oriel College in 1848 as he found himself unable to teach Church of England doctrines)
  • Compelled by German High Biblical Criticism
  • Key works: The Bothie of Tober-na-Vuolich (1848, a farewell to the academic life), Amours de Voyage (1849), Easter Day, The Latest Decalogue
87
Q

Herman Melville

A

1819-1891

  • American novelist, short story writer and poet of the American Renaissance period
  • Spent time at sea himself which inspired much of his more popular writing
  • Key works: Moby-Dick (1851), Typee (1846), a romanticized account of his experiences in Polynesia, and Billy Budd, a posthumously published novella
88
Q

George Eliot

A

1819-1880

  • English novelist, poet, journalist and translator
  • Known for her realism and psychological insight
  • Wrote criticism for and co-edited The Westminster Review
  • Scandalous personal life - long-term relationship with the married George Henry Lewes
  • Political views: supported Irish Home Rule, liked J.S. Mill’s philosophy
  • Religious beliefs: questioned Christian faith, though continued to attend church to please her father
  • Key works: Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862–63), Felix Holt, the Radical (1866), Middlemarch (1871–72) and Daniel Deronda (1876)
89
Q

John Ruskin

A

1819-1900

  • English art critic, social thinker and philanthropist
  • His work always emphasised the connections between nature, art and society
  • Became more concerned with political and social commentary as his life went on
  • Key works: Modern Painters (1843, the role of the artist is ‘truth to nature’), Unto This Last (1860, critical of capitalist economy), Sesame and Lilies (1864, on gender roles)
90
Q

Walt Whitman

A

1819-1892

  • American poet, essayist, and journalist
  • Part of the transition between transcendentalism and realism
  • Known as the ‘Father of Free Verse’
  • Lived through the American Civil War
  • Some of his poems mourned the death of Abraham Lincoln
  • Key works: poetry collection Leaves of Grass (1855, shockingly overt sensuality, an attempt at reaching out to the common person with an American epic, often focussed on loss and healing)
91
Q

Anne Brontë

A

1820-1849

  • English novelist and poet
  • Youngest of the Brontë sisters
  • Spent most of her life at home in the Yorkshire Moors
  • Worked as a governess between 1839 and 1845
  • Key works: Agnes Grey (1847), The Tenant of Wildfell Hall (1848, seen as one of the first sustained feminist novels)
92
Q

Matthew Arnold

A

1822-1888

  • English poet and cultural critic
  • Has been characterised as a sage writer, a type of writer who chastises and instructs the reader on contemporary social issues (popular during the Victorian period)
  • Literary critical style: merged historical and personal approaches
  • A Liberal
  • Rejected the supernatural elements of religion and was sceptical of biblical truth
  • Emphasised the importance of culture and education in it
  • His poetry was influenced by Wordsworth
  • Key works: The Study of Poetry (a poem possessing “high truth” and “high seriousness” was most valuable), Culture and Anarchy (1869), Dover Beach (1867, depicted a nightmarish world from which the old religious verities have receded)
93
Q

Dante Gabriel Rossetti

A

1828-1882

  • English poet, illustrator, painter and translator
  • Founded the Pre-Raphaelite Brotherhood in 1848
  • Work was characterised by medieval revivalism and sensuality
  • Personal life was closely linked to his poetry, particularly his relationships with his models and muses
  • Key works: sonnet sequence The House of Life (interconnection of thought and feeling), sonnets to accompany his artwork
94
Q

Christina Rossetti

A

1830-1894

  • English poet who wrote various romantic, devotional, and children’s poems
  • Rossetti was educated at home by her mother and father, who had her study religious works, classics, fairy tales and novels
  • Literary influences: Keats, Scott, Ann Radcliffe and Matthew Lewis, Dante Alighieri, Petrarch and other Italian writers
  • Involved in the Oxford Movement, but remained a High Church Anglican
  • Ambivalent about women’s suffrage, opposed slavery, cruelty to animals and the exploitation of girls in under-age prostitution
  • Key works: Goblin Market (1862), Up-Hill, Amor Mundi
95
Q

Emily Dickinson

A

1830-1886

  • American poet
  • Something of a social recluse
  • Unique style: short lines, typically lack titles, slant rhyme, unconventional capitalization and punctuation
  • Only 10 of her poems were published during her life
  • Themes: death and immortality
  • Key works: Because I could not stop for death, My Life had stood - a Loaded Gun (any many more…she wrote 1800 poems!)